Very very predictable, including the post credit scene !!!

How sad is this?

Absolutely brilliant

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

THE LAST GREAT WILDERNESS is a weird little Scottish movie. The copy I saw of it was so cheap that it looked like it had been filmed on somebody's Camcorder, although I'm sure that wasn't the case. It's a film that's heavily indebted to THE WICKER MAN in terms of storyline, which sees a pair of disparate characters heading up to a remote village and encountering some very weird locals.If I'm honest I didn't enjoy this film at all. The script is sub-par and the quirky character work doesn't really add anything to the experience. Most of the second half, which is where the interesting stuff lies, is shot in the dark so that it's difficult to see what's going on. None of the characters are remotely sympathetic, and come the end I didn't really understand or care what was happening to them either. Other than minor roles for TRIAL & RETRIBUTION tag-team David Heyman and Victoria Smurfit, THE LAST GREAT WILDERNESS has very little going for it.

I must admit the comments about this "Straw dogs meets Wickerman" had me intrigued enough to want to watch this. Alas, I had never gotten an opportunity to see it on the cinema owing to the big cinemas' attitude of this being an 'indie' movie and not worth the trouble. Moreover I was pleasantly surprised.The Last Great Wilderness is a very low budget flick shot in the style of Dog Soldiers (lots of hand-held camera, bleak Scottish locations and swearing). Alistair McKenzie is Charlie, a lonely soul who is on a mission to Skye to burn down the house of the pop star who stole his wife (although we never get to meet either in the film). He bumps into Vincente, a half Spanish(?), half English fugitive on the run from some gangland thug who believes Vincente was banging his wife and wants to kill him for it. Vincente and Charlie, reluctantly, team up together and end up at a petrol station somewhere in Scotland with no petrol and a ghost. They chance upon a Lodge in the middle of Scottish nowhere, in search of help and petrol. Instead, they find a group of 'damaged' individuals sharing a retreat headed by David Hayman, a non judgemental fellow assisting with their treatment. Hayman's character takes the two men in and they are befriended of sorts by the community consisting of a sex addict, young mother and child, priest in conflict and a gamekeeper who is not part of the community. Vincente takes advantage of the 'sex addict' whilst Charlie strikes up conversation with Claire, the young mother. After it is revealed that the gamekeeper's daughter is the ghost that Vincente keeps seeing, things continue to get less clear. The head of the community, Ellie is dying and the two men take part in her wake, which involves them both dressing up as women. Whilst being made up by Claire, Charlie takes a leap of faith and makes love to her, an act which is quite touching, giving Charlie's troubled situation. Vincente, however, is pursued over the rough land by the gangland hired killers he has been running from and falls foul of both, his life being mercifully shortened by the gamekeeper whilst Charlie kills the two hired killers. There are no happy endings in this film, though as Charlie tries to return to life and leaves the community.For me, this film was enjoyable and had an edge to it which keeps the viewer guessing. Little questions crop up for example, why does the community take pictures of Charlie and Vincente when they are asleep? Why does Claire feel she has ruined three lives? Is there something more painful to Charlie's withdrawal? These questions are not answered but perhaps that's for the best.

"The Last Great Wilderness" was touted as both a horror movie and a thriller, especially with its poster and DVD cover featuring Alistair Mackenzie toting a shotgun. Suffice to say, Mackenzie's character is wearing a dress at the same time as carrying the shotgun, which is as good an indication as any of the film's rather insane trajectory.It has an obviously improvisatory feel - when one character makes a confession about the nature of his fantasies, it's hard not to imagine that this really is the first time that the other actors have heard about it (which makes the scene work very well). Other reviewers have already nailed the wayward charm of this cracking movie - though it meanders through any number of genres, with signposts for a dozen other movies, what holds it together is its vicious sense of humour. Worth seeing for the overwhelmingly sinister atmosphere, some superb performances, and an entirely unexpected and shockingly tender love scene which instantly makes the usual Hollywood soft-focus look irredeemably artificial. It's not without flaws, but "The Last Great Wilderness" is nevertheless rivetting, and hopefully not the last great independent British movie.

A good attempt to do something different. Has a weird, off-beat feel to it, and the community hidden away in the highlands is well drawn. The cast do well in fleshing out their characters, and there is a sense of foreboding and melancholy that slowly creeps up on you. At first I wasn't totally convinced by Charlie (Alistair McKenzie)'s journey as a character, until he's wondering through the woods and finds an old rusty trampoline. With nobody around, he's free to bounce up and down on it like a kid. This sounds a bit dumb, but it was really quite effective - you really got the sense of a guy finally being able to open up and enjoy himself. Good stuff all round, well directed, moody cinematography, deserves to be seen by a wider audience. .