Powerful

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

To all those who have watched it: I hope you enjoyed it as much as I do.

For fans of Rondo Hatton, this's the one. He has more lines in THE JUNGLE CAPTIVE than in all the other films I've seen him in, combined. He handles what dialogue he's given well enough, and the fact that he falls for the heroine and eventually sacrifices himself to save her makes for an overall very satisfying performance. The writer(s?), however, could've done a bit better by Hatton by leaving out the put-downs leveled at him by his boss: "No offense, but, with a face like that..." or "You're better suited to be the suitor of the Ape Woman than the heroine..."- that kind of s---. Hatton would've made an interesting Hero, if you ask me. (The makeup for the title Captive is outstanding, by the way.)

Third and last entry in the series, deemed the worst (rated BOMB in the "Leonard Maltin Film Guide") but actually slightly superior to its predecessor due, for one thing, to its having a proper plot line (rather than a rehashed one) and the fact that the mad scientist (even if he is stubbornly referred to as "Mr." Stendhal throughout!) this time around is just that. Indeed, here too, the mainstay (apart, that is, from the standard 'house style' for this type of fare) is Otto Kruger's central performance (the Ape Woman herself, now played by Vicki Lane instead of Acquanetta and reverting once more to being a mute, is certainly not the protagonist in this case!).Kruger is involved in the revivification of small animals but is keen to progress on to larger ones – with his ultimate goal, of course, being Man himself; since the title creature (a convenient and somewhat lazy amalgam of the earlier 'episodes' in the franchise) is a hybrid, he knows he will be almost there if he manages to resuscitate her. The problem is that, once she has assumed human form yet again (having made imposing henchman Rondo Hatton steal the necessary files from the home of the doctor played by J. Carroll Naish in JUNGLE WOMAN {1944}, the process having actually been laid down by John Carradine in CAPTIVE WILD WOMAN {1943} – neither of these actors, however, put in 'unofficial' appearance and, thankfully, we are also spared the circus stock footage that made-up a sizable amount of the earlier films' running-time), it is discovered that she has suffered brain damage and he plans to replace it with that of his own female aide. Why the doctor, certainly among the coldest of his ilk, does not simply abduct another girl, when he would invariably have benefited from the heroine's presence by his side rather than as a laboratory subject, is anybody's guess…but, then, the latter is vehemently against her superior's intention to play God so, in this way, he would be removing the threat to his Great Experiment, were it not for the fact that, through Hatton's sloppiness, the Police – in the guise of a bemused Jerome Cowan – are already on his trail, and so is the girl's fiancé, yet another assistant! The busy finale has hero and heroine taking advantage of the Ape Woman's disappearance to escape Kruger and Hatton's clutches, only for the three to be recaptured after a short while in one fell swoop. Needless to say, however, the villain is not allowed to go through with the operation as Hatton, enamored of the leading lady (which Kruger puts down by referring to his "hardly Casanova" looks, the actor having been stricken with the deforming affliction acromegaly, and to add salt to the wound suggests that the Jungle Captive is "more in your line"!), turns on Stendhal at the instigation of the girl's boyfriend. The doctor shoots his thug dead, Lane metamorphoses into monster and cuts free of her straps and, just as she is about to incongruously attack her 'donor', Cowan appears on the premises to intervene. For the record, director Young, who had the classic swashbuckler THE SCARLET PIMPERNEL (1934), an Alexander Korda production, on his resume' was now reduced, for whatever reason, to helming the lowliest of Universal Horrors – though, to be fair, he sure made an entertaining job of it!

Pretty good and under-appreciated finale to Universal's "Ape Woman Trilogy". Otto Kruger plays an older and grandfatherly doctor who appears kind and respectable but has sinister plans up his sleeve to revive Paula the Ape Woman and transform her into Vicky Lane (since Acquanetta left the series). His perfect assistant is none other than Rondo Hatton, the actor who in real life suffered from the disease Acromegaly, which enlarged his face and hands. Rondo was never an actor, but he's better here than in any of his other films, with a generous helping of dialogue and emotions on display. We also get a little more time with the actual Ape Woman than usual and this is a short 60 minutes of typical mad doctor/assistant/monster nonsense that's fun, if not anything exceptional. A favorite line is when the doc looks at the deformed Rondo Hatton who's admiring the human female patient on the table and says to him: "No offense, but with that face you're not exactly a Casanova, you know". And then, pointing at the beastly Ape Woman on the next table: "This is more in your line". I wonder how Otto Kruger felt delivering an insult like that to the unfortunate Rondo? **1/2 out of ****

***SPOILERS*** ***SPOILERS*** JUNGLE CAPTIVE is the third installment of Universals "Paula the Ape Women" series. In terms of over all entertainment quality, JUNGLE CAPTIVE falls somewhere in between the three, with CAPTIVE WILD WOMAN at a high and JUNGLE WOMEN at a low. Although this film is slightly better the previous JUNGLE WOMAN, the gulf in quality is not that wide between the two.Otto Kruger plays Mr. Stendahl, a brilliant doctor (although no one in the film ever calls him doctor) and medical researcher. Stendahl has been researching ways to bring the dead back to life, and has succeeded with animals. However, Stendahl feels the only way to really convince the medical community is to prove his technique can be used on humans. So Stendahl sends his ugly henchman Moloch to steal the body of Paula Dupree the ape women, from the morgue. In the process, his henchman kills a morgue attendant and steals a hearse. Stendahl then lures his nurse out to his secret country house and laboratory out in the boondocks somewhere, in order to use her blood in his experiments to bring life to the dead ape women. The ape is revived and turns back from a hideous creature into a beautiful women again. However, Paula"s brain is damaged and decides she needs a new one. So Stendal sends Moloch to the home of Doctor Fletcher (from the series previous film JUNGLE WOMEN) to steal his records and those of DR. Walters (whose records Fletcher had in his files) the scientist who created Paula.In order to learn how to transplant a brain. Fletcher is killed by Moloch off screen. Stendahl decides to use the brain of his captive nurse. Now shall we begin? I have gone this much into the plot because this film has such a bizarre far fetched plot. Stendahl is obviously a scientific genius, but when comes to real world smarts, he is really a few cards short of a full deck. In order to prove his life restoring technique to the scientific community, why does Stendahl use the body of a hideous mutation? Why not say, the body of some recently deceased father of five whose widow and children would happy to have their father back. Presenting the revived ape women to the public would implement him in the murder of the morgue attendant and Dr. Fletcher. Then their is actual theft of the body and the hearse. Not to mention removing the brain of his nurse and placing it in the body of the ape women he could be charged with a whole host of charges on that alone.In most of the film, the ape women spends most of her time on the lab table. The ape women this time around is played by Vicki Lane, but there is little here for her to do but lie on a lab table. When she is transformed into a beautiful women, she does little more than roam around zombie like. Vicki Lane is pretty, but she does not have the raw animal sensuality of Acqanetta from the previous films. Also, Paula's hypnotic control over animals is ignored here. When Paula escapes from Stendahl"s house, she trapped by Stendahl's dogs. Otto Kruger isn't bad as the evil Stendahl, he gives a very good low key performance. However, he has to recite so many clunker lines that his efforts are hampered. Rondo Hatton is Moloch. This was his second time in a Universal horror film. He was quite effectively used in his horror star debut, the Sherlock Holmes thriller, PEARL OF DEATH. However, in PEARL he was mute, here Hatton has lines. This time around he is more funny than scary. Hatton from here on was not an actor, but a human prop. Universal should have left Paula Dupree the ape dead for good in the first film. The ape women was only good for one film, and JUNGLE CAPTIVE confirms this.