In truth, there is barely enough story here to make a film.

While it doesn't offer any answers, it both thrills and makes you think.

Story: It's very simple but honestly that is fine.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Just a note to acknowledge other reviewers' disappointment in the absence of a proper treatment of Persian culture and language in the film. True--but at least there's the architecture, and shadows and blue tiles...Apart from this one 'defect', Die Reise nach Kafiristan is apt and subtle on many counts--period history and politics, womanhood, the lure of travelling, literature, friendship.The photography and the editing are at times masterly and the quotations - though there are one or two by Italo Calvino - would remind anyone with any bit of 'ear' that Annemarie Schwarzenbach was a fine writer.

Whatever the merits of the film, it is poorly researched. As others have pointed out, the movie shows locals in Iran speaking in Arabic, rather than Persian. That is enough to lose credibility for anyone who has the slightest knowledge of the area or the country. The landscape could not be more different from the actual.Other factual errors: A train is shown to be operating in Afghanistan, while Afghanistan does not have railways. The Turkish ambassador is wearing a Fez (the red hat), whereas the Fez was banned by Turkey much before the time in which the movie is set. The Turkish ambassador's daughter is actually dressed as an Indian, and Indian classical music is playing in the background in many scenes. I suppose the filmmakers meant to show an exotic woman, and sari was what they decided would make her exotic.

Usually I love Lesbian movies even when they are not very good. I'm biased, I guess! But this one is just the pits. Yes, the scenery and the buildings are beautiful, and there is a brief but beautiful erotic interlude, but otherwise this movie is just a complete waste of time. Annamarie alternates between sulking and getting high/stoned/passing out on whatever drug or booze is handy, and Ella inexplicably puts up with this abominable behavior through the entire movie. At no time are we given any insight into why this is so, or even why Annamarie is so depressed and withdrawn.If there had at least been some kind of closure in the (potentially romantic? we don't even know!) relationship between the two, there might have been some kind of satisfaction. But although Annamarie at one point asks Ella "why do you love me?" Ella doesn't even acknowledge this. It's never really clear whether this is anything more than an (ill-behaved) Lesbian on a boring road trip with a straight woman.Even the interactions between the two women and the local people they meet on the journey, which could have been lively and informative, are instead flat, tedious and mostly incomprehensible.There is one good joke in the movie, although I'm sure it was unintentional. The women travel in a two-seat Ford coupe with a middling sized trunk. Yet when they set up camp, they have an enormous tent, cots, sleeping gear, and even a table, chair, and typewriter! On top of that, when they board a ferry, we see piles of luggage, presumably theirs, presumably also carried in the little Ford's trunk! And through the entire film, we never see one gas station, or anywhere that looks like it would actually have any place to buy gasoline. Mostly they travel through endless miles of desolate desert. So where did they get fuel?There may not be too many Lesbian films out there, good or bad, but there are plenty that are better than this, and very few that are worse. Leave this one in the rack.

When the movie started and after reading the title, the first thing that I was thinking was: Where could Kafiristan possibly be situated? I really didn't have a clue and I didn't think that it had something to do with the language. I know German and since my own language (Dutch) is very close to it, I was convinced that it wouldn't be a country or a region that we use a completely different name for. But than again, this was only one of the many mysteries about this movie..."Die Reise nach Kafiristan" tells the story of two women who decide to travel together by car to Afghanistan in 1939, but each is in pursuit of their own project. Annemarie Schwarzenbach is an author who wants to find out more about herself and Ella Maillart is a Swiss ethnologist who has traveled the entire world to meet and study new tribes and people. Both women have a completely different nature and there is only one thing that really bonds them: Their eternal restlessness and the urge to leave the world of politics and a possible war behind them. But history keeps catching up and they never really can escape.I'm convinced that many people will not like this movie and if I'm honest, neither did I in the beginning. The reason for that is quite simple. This movie isn't some easy entertainment that offers at least one solution to every question that it asks. No, the makers of the movie have decided to stay very vague by only giving you a hint of what they are trying to say. Dialogs are left uncompleted and sometimes the women don't even speak at all, feelings are never really expressed, but are always present and obvious for the viewer who wants to see them... That's of course not something that you will see in every movie and it sure takes some time to get used to.After a while I really started to like this movie. The landscapes look nice, but they are only there to emphasize the feelings of desolation and complete isolation. In my opinion you have to try to see the beauty of the touching psychological 'landscapes'. It's in their minds that the women go through deep valleys and over high mountain tops as their feelings sometimes clash, but are very parallel at the same time. I know that sounds a bit weird, but that's about the best explanation I can give to it. I guess you just have to watch it for yourself to fully understand what I mean.As a conclusion I would like to say that this is a very nice psychological road movie that will be loved most by an audience who is used to watch 'alternative' cinema. Don't try this movie when you are only used to watch Hollywood blockbusters, because you just will not like it then. Personally I'm quite used to watch this kind of movies and I must say that this is definitely one of the better in the genre. It's too bad that it sometimes was a bit slow, but I still give it a 7.5/10.