Self-important, over-dramatic, uninspired.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

an ambitious but ultimately ineffective debut endeavor.

Blistering performances.

Italian stinker with a misleading title that tries to make you think it's a horror movie when it's not. The plot's about the kidnapping of a government agent's daughter. Of note only for the appearance of Boris Karloff. Unfortunately he is dubbed by someone else so we don't even get to enjoy that distinctive voice of his. Not that it would have mattered much. Despite the dubbing, using mostly actors with monotone deliveries, the biggest problem is the movie is just unbearably dull. Worth watching for a few laughs at the awful dubbing for the little girl, I guess. Otherwise avoid unless you are a Karloff completist.

I'm sure there were cheap crime movies made by the dozens in Italy, the only reason this one got dubbed-by an impersonator, is Karloff's role in it. True this is not a horror film though the title is mentioned in the film. The title sequence looks like something from a 1930's B movie serial, though these are the English language titles so can't blame the Italians for that part of it.Boris appears early on then vanishes for quite a while. It's this non Boris section that makes the least sense as it takes forever for them to actually kidnap the child which is then the focus of the rest of the plot. A good amount of real locations help the film rise above rock bottom production values. The post sound job is really awful with missing sounds and music cutting in and out.There are a few flashes of style but when Karloff is around it's rather shocking, given the overall poor quality, to see him running around, clubbing a guy in the head, shooting guns and carrying a kid up and down hills, rowing a boat in the open sea, and seemingly quite spry. The impersonator at least tries to sound like Boris which is better than the Italian versions of the otherwise--to say the least--much superior Italian versions of Karloff's Bava-directed films. And unlike several Christopher Lee American dubs of Spanish and Italian and German films where the dubber doesn't sound at all like Lee or ever try to which is totally distracting. So though the dubbing is terrible here at least it sort of sounds like Boris and lets his performance be a little less distracting.So once the kidnapping plot starts and Boris appears regularly the film gets better and though it doesn't exactly build in excitement it at least ends better than it started. So leaves a better taste in your mouth.A dog has a significant role which is fun, though odd. Better, or at least professional, post sound work and a more active music score would have helped. Probably the only reason most will see this is for Karloff and though this shows a gutter period before his 1960's work, he's at least got a part to play and a very active role when he's on screen unlike the total rip off scant appearances in those terrible Mexican films.Reasons to see it? Boris non horror completest and The Dog. The dog's dubbing is the best in the film. Oh, PD version I saw was watchable, not good but OK for what it is. Overall the whole movie and presentation is a few significant--if small-- notches above bottom of the barrel.

Boris Karloff and the title "Island Monster" does not a horror movie make, as is evidenced in this tepid crime-drama concerning a government investigator sent to break a drug ring, until things go awry when his young daughter is kidnapped. Local benefactor (Karloff) seems a kindly old gentleman, whose hospice for ill children paints him as the town's saint, but there's something distinctly unsavoury about the milk he imports.Karloff is wasted as the benevolent Samaritan above suspicion while local mule Franca Marzi has a decent role as a nightclub singer whose drug addiction has brought her into the criminal arena, with a sad past and an opportunity for atonement ahead. Fierro is okay as the frantic mother whose child is abducted, and Vicario, playing essentially the leading man, a debonair, ladies' man loyal to the uniform, is consistently monotone.The Napoli locations are picturesque and there's a hint of the continental lifestyle that's hard to ignore, but the film is otherwise bland and unimaginative, lacking suspense, and hopelessly clichéd - right down to the faithful mutt who does a pretty good substitute for Lassie.

MORD39 RATING: 0 out of ****I caught this foreign dud as a kid on television, under the alternate title of THE ISLAND MONSTER. It is without a doubt the lowest ebb of Karloff's career.Those expecting a horror film will be dumbfounded, as this bomb is about a criminal dealing with drug smuggling (as far as I can tell) and kidnapping a little girl. I've seen my share of badly dubbed movies, from the Godzilla features to the European horror imports...but this one wins the award for all-time lousiest dubbing in a foreign film. Karloff didn't dub his own character, but the guy who did sounds like he's doing a cheap Boris impression! The voice of the distressed little girl must have been dubbed by a woman in her thirties or forties...it's a riot!!!I guess if you want to laugh at the terrible English version, you can get a giggle or two out of this. It's not an easy film to find, but rest assured that if you never see it you shouldn't lose too much sleep; it's so atrocious that it makes the last bunch of Mexican features that Boris and Jack Hill worked on look like classics.