Plot so thin, it passes unnoticed.
... View MoreIt was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
... View MoreI enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
... View MoreI think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
... View MoreNicely done rendition of the classic melodrama, with Mandy Pantinkin taking a turn as Quasimodo, the bellringer of Notre Dame. Salma Hayek is marvelous as Esmeralda, with Richard Harris quite good as the wicked Monsignor Frollo, supported by a nice score by Edward Shearmur. The film stays faithful to the Victor Hugo storyline, while adding a new subtext about the new printing press' threat to the power of the Church, which adds to the story's existing political class substory and fuels the behind-the-scenes politics between Frollo and the King, within which the story of Esmeralda, Quasimodo, and the idealist Gringoire (quite competently portrayed by Edward Atterton, although both his role and that of Phoebus - a blasé Benedick Blythe - are quite abridged in this adaptation) play out. Jim Dale (reader of the Harry Potter audiobooks) is also quite notable as Clopin, King of the Thieves, whose presence throughout gives the story quite a fine dynamic. Small budget lessens the story's epic impact - and the setting resembles more of a rural farm than the center of Paris, but like most TVMs the story centers on the characters and this focus remains effective and likable. There have been many capable versions of the classic story - none of which have come close to matching the spectacle of the original silent version with Lon Chaney as Quasimodo; however this, along with the Charles Laughton version, is a worthy successor and was very nicely helmed by Peter Medak.
... View MoreThis version of the Victor Hugo story was good as a whole. Quasimodo wasn't particularly ugly, and it was amazing that he had read so much. Esmeralda was sweet, and it was no wonder she rejected Frollo since he looked very old and was far from attractive. However, at the beginning he really wanted to protect Quasimodo.I was surprised that the art of printing books was so important in the film. It was incredible that Frollo was even ready to kill the King's minister rather than to let the people have books!The public humiliation of Quasimodo and Esmeralda was shocking. It was touching that Esmeralda tried to appeal the King for the bellringer. I was very delighted that those two became friends, and again, it deeply touched me to hear Quasimodo talk about his appearance.I had never before seen a version in which Quasimodo addressed Frollo as his father. He wanted to get him to confess his crime, but still, he tried to save him from death. And he was even strong enough to defy his guardian when he said: "You are a freak."At the end, it was touching to see Esmeralda ring the bells for Quasimodo - at least, he was happy at the moment of his death.
... View MoreA realistic and good performing cast made this a good movie. The ugly, but nice Quasimodo (whose face looked quite ridiculous, but still very misformed), the beautiful and enchanting Esmeralda and of course the mean Frollo. They were all very good, although I must saythat Mandy Patinkin, as Quasimodo, made the biggest impression on me, he really could make you cry. Richard Harris was great as the clergyman torn between his belief and Esmeralda and Salma Hayek, of course, was as stunning and beautiful as ever. As for the story, well I believe I don't have to explain that to anyone.Great, but yet not very much acclaimed or famous film. 8/10
... View MoreHarris is intense and frightening as dom claude an expert actor who knows his trade very well. Patinkin is very sympathetic and hayak looks good but offers little emotion. a decent film but the 1982 derek jacobi version explored characterization much better.
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