a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

So it's not really exceptional when compared to other movies by the director. Méliès may have done better before in longer movies, but this attempt is a fun diversion. It begins with a jester who appears on a pyramid of chairs, who makes a trunk appear and brings men out of it which sit on the pyramid. While little can be said about the material, I think the edits here look very seamless and hold up well even now. The surviving print (one more recently discovered by the FilmoTeca de Catalunya) is rough around the edges and at the beginning has some physical deterioration, so it could use some more restorations. All in all, it's only a mildly interesting diversion but pleasant while it lasts.

What can I say. Melies has a chest that seems to contain a number of men who hop out and form a human pyramid. One at a time they join the group. They look like 18th Century fops. The magician who owns the box, waves his arms and turns all the men into women. Not exactly suspense producing.

I saw this film in October 2007 at Le Giornate del Cinema Muto in Pordenone, Italy. The festival screened a brand-new acetate print, specially struck from an original nitrate print which has miraculously survived since 1899, and which is now archived at Filmoteca de Catalunya in Barcelona.This film's title -- 'The Pyramid of Triboulet' -- is a mystery to me. Triboulet was of course a character in a Victor Hugo story which became the inspiration for the opera 'Rigoletto'. The word 'triboulet' is also a generic term for a court jester dressed entirely in red. In this movie -- one of Georges Melies's 'trick' films -- we indeed have a (human) pyramid, but no triboulet that I noticed.Melies himself appears costumed as a wizard. He opens a steamer trunk, and produces from it a whole series of male athletes, one at a time. When the trunk is finally empty, the athletes form a human pyramid. After they break the pyramid, Melies transforms them into elegantly-dressed ladies!As usual for Melies, the magic tricks are achieved with a jump cut. Although these tricks undoubtedly astounded cinema audiences in 1899, 21st-century audiences are now far too jaded to marvel at a camera trick which has been done more skilfully in 'Bewitched' and 'Lost in Space'. Having worked with circus performers and acrobats, I was more impressed here by the human pyramid, which involves no camera trickery: it's a genuine gymnastic feat, performed honestly and expertly.Melies shows some cleverness in transforming these male athletes into female fashion plates ... but again, this is just one more jump cut. More than 60 years after this film was made, Monty Python's Flying Circus used the same gimmick to turn a group of Mr Gumbies into women and then back again. More for that human pyramid than for any other reason, I'll rate this minor Melies entry 5 out of 10.