How sad is this?

Good movie but grossly overrated

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Houston Story, The (1956) *** (out of 4) Gene Barry plays an ambitious oil worker who gets involved with a Mob boss (Edward Arnold) because he hopes to work his way up. Barry comes up with a way to steal about $5 million in oil each year but he soon learns there's always a way to get yourself knocked off. Here's another gem that rarely gets talk about and even though the thing starts to get dragged out towards the end, this is still highly entertaining. Castle is best known for his horror films but this is perhaps the best directed film I've seen from him. He does a great job with the visual style of the film and I'd also add that he handles all the action quite well. It certainly doesn't hurt that Barry turns in a remarkable performance. He is so incredibly good in the role and believable because you can't help but feel his desire to succeed in not only his body language but also his voice. You can even look into his eyes and see his passion for making money. Arnold is also very good in his supporting role of the Mob boss. Barbara Hale, Paul Richards and Jeanne Cooper are also good in their work. Apparently Lee J. Cobb started out in the lead role but suffered a heart attack so he can be seen in a few of the medium shots. Apparently Castle filled in for him during the long shots before Barry eventually took over the role. When people mention film noir this film often gets overlooked and while it's not a masterpiece of the genre it's still a very entertaining little gem that's worth checking out.

(Some Spoilers) Sizzling but very complicated crime thriller involving former Galveston oil driller Frank Duncan, Gene Barry, cooking up this plan to siphon off oil from the Huston oil fields. Duncan plans to accomplish all this by using a dummy oil company as his cover. Needing 5 million dollars to get his plan into motion Duncan strikes oil in tracking down his former oil drilling foreman Joe Hempner's two-timing wife Carrie. Carrie who dropped out of sight has now resurfaced in using the name of nightclub singer Zoe Crane, Barbara Hale, in Huston Texas.As it turned out Zoe faked her own death and started a new life as a nightclub singer and mistress of top Huston hoodlum Paul Atlas, Edward Arnold. By becoming a member of Atlas' gang Duncan can not only get the cash he needs to start his oil stealing operation but take over Atlas' organization from within. This all takes a lot of planning but Duncan has all his bases covered except his own greed and that in the end does him in. By him double-crossing not only Atlas but even the one person who would lay her life down for the selfish and ungrateful Duncan the girl he left behind, in Galveston Texas, the Derrick Diner waitress Made, Jenne Cooper.Duncan slowly worms his way up the Atlas mob ranks by not only getting his head honcho Gordon Shay, Paul Richards, to get caught in a purposely setup oil rig bombing adventure. That was in revenge for Shay earlier having an oil trucker murdered that he stupidly tried to frame Duncan with. This has the head men of the national crime syndicate Emile Constant, John Zaremba, who greatly dislikes violence, he feel it's bad for business, have Shay unceremoniously dumped as Atlas' head man.Caught red-handed in his grenade attacks on a number of oil rigs Shay fingers his boss Atlas not knowing that it was Duncan, not Atlas, who had him set up in the blotched bombings! Atlas himself ends up being gunned down by the police with Shay, feeling that Atlas doubled-crossed him, turning the tables on him by turning evidence in order to save his hide and stick it to his now on he run, from he law, boss. Constant, the non-violent one, now realizing that Duncan is threatening his very existence as a national crime boss gives into his fears of ending up behind bars and orders a hit on Duncan in order to save himself and his now collapsing crime syndicate.***SPOILERS***The hit on Duncan by out of state-from St. Louis- hit men Kalo & Stokes, Pete Kellett & Charles H. Gray, backfires with them killing the wrong person-Zoe Crane-who tried to leave town with Duncans $25,000.00. This alerted Duncon of not only their intentions, of whacking him, but their identities as well. Duncan who by now had gotten way over his head could only throw in the towel, or throw away his handgun, knowing that his plan to live the good life, on stolen and pilfered oil money, was just a pipe dream. In the end Duncan finally listened to his girlfriend Madge whom he tried to use without her knowledge as a human shield, in protecting his own sorry a**, in her telling him to call it quites and face the music. That's before the pursuing Galveston police force who had him trapped in the Derrick Dner blows him to pieces.

Every time I see this movie, I can't prevent myself to think of another thriller from the 50's: "711 Ocean Drive", a little masterpiece directed by Joseph M Newman.The topic is nearly the same. A "honest" worker becomes greedy, ambitious, ruthless and implicates himself with gangsters, planning to take over crime syndicate. In this case, it concerns stealing oil.I find it unusual. A man who is not a thug at the beginning, that's the most interesting. Of course, what happens next is predictable.Gene Barry gives us a pretty brilliant performance.I recommend it. Catch it if you can.

Though he will doubtless be remembered as a master of creepy schlock for the pubescent audience which emerged in the late 1950s and early 1960s, William Castle directed half a dozen noirs. His first, and probably his best, was Betrayed, aka When Strangers Marry, but Johnny Stool Pigeon and Undertow have their admirers, too. His last noir, The Houston Story, doesn't number among his best, but it too has its moments.Wildcatter Gene Barry has ambitions that go beyond collecting his paycheck for working on the oil rigs. He dreams up a scheme for siphoning off oil from the big pipelines and selling it to fly-by-night distributors or foreign interests. He approaches Edward Arnold, local boss of a sinister "combine" based in St. Louis, who goes for the plan (meanwhile planning to dispose of Barry once the oil and the money start flowing). It turns out Barry is a bit smarter and more ruthless than he seemed; forty years later, he would have been a vice-president (at least) of Enron.Along with his slithering around to evade the various minions of the complicated syndicate, he finds romantic complications as well. On the right shoulder sits good-gal Jeanne Cooper, waitress in an eatery called The Derrick. But on the left side is Temptation, in the person of Barbara Hale. Identified almost entirely with her television role as Perry Mason's loyal and efficient Girl Friday Della Street, Hale displays an unsuspected side to her talents. Gussied up in strapless gowns and a platinum "Italian" crop, she plays a shantoozie kept by a racketeer. Of course, she falls for Barry (well, sort of) and he for her (again, sort of). She's also the most memorable thing in this watchable but confusing and derivative film.