The House of Tomorrow
The House of Tomorrow
| 11 June 1949 (USA)
The House of Tomorrow Trailers

Tex Avery's narrator shows us the amazing features of the ultra-modern House of Tomorrow.

Reviews
StunnaKrypto

Self-important, over-dramatic, uninspired.

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Palaest

recommended

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Exoticalot

People are voting emotionally.

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Myron Clemons

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

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TheLittleSongbird

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'The House of Tomorrow' is another example of an animated masterpiece and one of his all time best. Like the best of Tex Avery, 'The House of Tomorrow' is a cartoon of amazing quality, is very creative and hilarious as one would expect from Avery on top form like he is here. Even when he wasn't at his best, he still delivered, have yet to see a "bad" effort from him.Simply love the house of tomorrow/of the future, it is so cool and makes one wish that they had the appliances that are as innovative as the plot summary suggests. Particularly loved the automatic orange juicer, the radishes device and the guest chair. 'The House of Tomorrow' is somewhat of the time, but it also feels ahead of its time.The characters are great fun. The mother-in-law is a riot and the jokes around her are deliciously witty and sly, personally didn't think they were that over-used. The voice work is terrific, which is not unexpected.Avery does a wonderful job directing, with his unique, unlike-any-other visual and characteristic and incredibly distinctive wacky humour style all over it as can be expected.Once again there is nothing sadistic or repetitious, instead it's imaginative, wonderfully wild, rapid-fire, razor-sharp and hilarious throughout from start to finish. The sight gags throughout are an absolute joy and are immaculate in timing.It is no surprise either that the animation is superb, being rich in colour and detail. The character designs are unique, Avery always did have creative character designs, and suitably fluid. The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed.Summing up, another Avery masterpiece. 10/10 Bethany Cox

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etoiwins

The model the female model in this cartoon is not Irene Dunn! Irene for one thing was a Burnette the girl in the cartoon is a blonde! Also the girl in the Bikini is very young. Irene was born in 1898 she would of been over 50 years old when this cartoon was made!IMDb is becoming more and more inaccurate. I don't know who the Bikini girl is yet.Its safe to say it is not Irene Dunn. The bikini girl does look like Virginia Mayo.It is possible that it could very well be her seeing she was working at MGM at the same time .It was either a very young stock footage of Virginia Mayo or it was stock footage of another girl during the same time era.

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Robert Reynolds

This is a very good cartoon from Tex Avery, a master of the art form known as the animated short. Avery typically came up with a premise, often an innocuous one and then proceeded to do the most outlandish and ridiculous sight gags imaginable fired rapidly at the audience starting from the basic idea. Usually, there is a running gag threading its way throughout the short. This time, Avery is ostensibly giving his ausience a look at the house of tomorrow. Hilarious and glorious fun. Highly recommended.

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Squonk

"The House of Tomorrow" is a great Tex Avery short which focuses in on the wonderful inventions certain to be part of our lives in the near future. Many of the gags are very clever and original. The machine designed to answer all of your children's questions is my favorite. Though, I give this short high marks, it still gets into a major rut. That being, the overuse of the Mother-in-law jokes. Those segments can only be called predictable, a word you'd almost never use to describe the work of Mr. Avery.

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