Excellent, Without a doubt!!

A Masterpiece!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The film makes a home in your brain and the only cure is to see it again.

The first time this film was made it was 1934 and it was a precode of sorts entitled "Hi Nellie!" with Paul Muni in the role of the demoted newspaper reporter forced to author the paper's lonely hearts column until he can redeem his professional reputation. The idea was novel and anything with Glenda Farrell and Paul Muni is worth watching. The second time it was made it was 1937's "Love is On the Air" with Ronald Reagan as a demoted radio reporter who can't keep his mouth shut concerning his suspicions about a local gangster's involvement in murder. That one is notable as not only Reagan's first credited film appearance, but a starring role for him to boot.The third time around this story is moved back to a newspaper, and this time it is Wayne Morris, workhorse of Warner's B picture unit, in the role as the demoted managing editor. This time his girl Friday (Janis Paige as Kit Williams) is involved with Morris' character from the beginning, so she is always supportive. In the original 1934 film Glenda Farrell plays the female lead, but one that is antagonistic of Muni's character throughout yet helps him just the same. Here the gangster behind all the crime and Morris' character's demotion is played somewhat unpersuasively by Bruce Bennett, who usually played rather oatmealish good guys.I guess what I'm trying to say here is that these three pictures are not perfect replicas of each other, but by 1949 Warner Bros. no longer considers this story A-list material and treats it as such. For the gritty A-list version of this film see 1934's "Hi Nellie". For Ronald Reagan at the very beginning see "Love is On the Air". To see what Warner Brothers could do with this story a third time as far as adapting it to the times - post War America - see this film. Nobody could whip up a batch of celluloid leftovers and make it as palatable as 30's and 40's Warner Brothers.

"Hi, Dolly!", a copy boy screams to the new advice column editor after he is demoted from managing editor. In this remake of the 1934 film "Hi, Nellie!", it is Wayne Morris who gets the insulting nickname. Several years later, June Allyson would change the "Hi" to "Hello" when she greeted a gossip columnist in "The Opposite Sex". So don't confuse these two Dolly's with everybody's favorite matchmaker in a play and musical that featured an explanation point at the end of its title.Morris is supported by Janis Paige as a fellow advice columnist, Alan Hale Sr. as his boss, and Bruce Bennett, James Mitchell and Barbara Bates as the villains. The ever recognizable Charles Lane has a major small role as a nasty landlord that Morris encounters while investigating the murder which gets him demoted. Paige is great in her last film under her Warners contract (before she found Broadway fame in the original "Pajama Game") playing a down-to-earth girl who is less glamorous or earthy than her usual characters. And yes, that is "All My Children's" Palmer Cortlandt as the slimy gangster, even though James Mitchell's voice is not as recognizable as his face is.This is a typical Warner Brothers crime thriller with comic elements. An out of place barber shop quartet number has a nice payoff even if it seems 30 years too late.

***SPOILERS*** After police protected witness Villman, Jack Wise, was gunned down in his safe house by a phony letter carrier who was actually paid hit-man Eddie Marklin, Eddie Foster, newspaper reporter Dave Joslin,Wayne Morris, started putting the heat on the person whom he felt was responsible for Villman's murder big time mobster Matthew J. Keever, Bruce Bennett.Joslin's obsession in getting Keever indited for the Villman murder got so out of hand that his boss on the newspaper "The Star Chronicle" J.B Grennell, Alan Hale, fearing a libel suite from Keever had him yanked off his beat as a crime reported. Grennell then had Joslin demoted to answering the mail of mostly women with boyfriend and men problems on the newspaper's Dear Abby like column using the pen name of Dolly Trent. It's there that Joslin gets into trouble with his girlfriend on the paper Kit Williams, Janis Paige, whom he or his boss J.B Grennell bumped off the column to make room for him.It's when one of the readers Billie Martin, Lila Leeds, of Joslin's Dear Abby column came to visit him at his office about him not answering her letters, three of them, that Joslin got his big break in putting Keever behind bars! It was both Billie and her boyfriend Carl Schrader, James Holden, who were at the Keever's run bar "Horseshoe Harry's" the night before Villman was iced! Carl who was so boozed up that an outraged Billie left him cold after he spilled a drink on her. After passing out drunk Carl found himself in a rooming house the next morning without knowing how he got there! It was something that was going on at "Horseshoe Harry's" that whoever who slipped Carl a "Mickey" didn't want him to know or remember! And it was the waitress, Phillys Coates, who snapped the photo of a very drunk Carl with Macklin the background being paid off by Keever to, later that morning, knock off Villman that can break the Villman murder case wide open and thus put Keever and his hoods behind bars for committing it! Re-make of the Paul Muni 1934 crime/comedy "Hi Nellie" with a very old-looking, he was only 34 at the time, and overweight, he looked like he was wearing a size 55 pants, as well as impeccably dressed Wayne Morris.

I do not know if this would be considered a classic, but it is a nice little film starring Wayne Morris, who by the late 1940's was not seen in too many starring roles in Hollywood. Morris gives a good performance as a newspaper man trying to expose criminal kingpin Bruce Bennett as a murderer. Good pacing, simple script with some fine witty dialogue. I saw this movie during a cold and blustery snowstorm. This is the kind of film that used to grace our late late movies. I sure could use more of this kind of entertainment on tv in the wee hours of morning instead of so many infomercials. Check this one out if it is ever on. It's worth a watch.MM