Waste of time

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A story that's too fascinating to pass by...

Worth seeing just to witness how winsome it is.

Beware, this film may creep up on you, it can be so easily dismissed but any viewer infused with the passion of humanity and what makes us tick will be enthralled.Some reviewers missed the point (or simply didn't want to see it!) The insightful will relish the final outcome. Writer Wynyard Brown brings to mind the intensity of Eugene O'Neal, but somehow makes it easier to take. Brown's collaboration with Producer/Writer Anatold De Grunwald offers the discerning viewer a true gem. Pity writers and Producers of this quality were given over to the bleak grittiness of the 'kitchen sink' movement (who managed to leave us a somewhat limited legacy)Performances are quite remarkable, especially the principal characters (Richadson is a standout) The stories search for faith in life over self pity is solid.Sure, it was written as a play (as was O'Neill) but unlike some others, I felt the coupling of an astute Director, and Cinematographer, has fashioned many subtle, but smart cinematic moments.D.O.P Ted (Edward) Scaife an amazing all rounder, often associated with outdoor action spectaculars (Outcast of the Islands, Dirty Dozen, Tazan's Greatest Adventure/The Magnificent, Night of the Demon, to name just a few) gives this mostly indoor film a unique look and feel, allowing the personalities of the characters to speak directly to us.If you enjoy a film to think about and feel, this could be for you. Malcolm Arnolds well arranged Music score adds greatly. I would like to buy it on DVD but don't know if the original 83min vers has been transfered or only the inferior 74min (sadly the one usually run on TV) is all thats on offer. The full running time is moderate anyway, but in this case, the longer is the better. Its rare, so find either and enjoy....

As various members of the Gregory family gather for Christmas, secrets are revealed and tempers flare.Clunky editing, theatrical directing and ridiculous casting choices should leave this film a creaky and dated mess, yet somehow it radiates a seasonal (and very British) charm. Richardson is hilariously miscast as the Gregory patriarch, donning 'old man' make-up and wandering in and out of a dodgy Oirish accent. As his 31 year old daughter Jenny, 43 year old Johnson fares better, convincing and always watchable as the dutiful child resigning herself to a future of servility. 30 year old Elliot is astonishingly youthful as twenty-something son Mick, and 30 year old Leighton captivating as troubled daughter Margaret.Obviously an adaptation from the stage, many of the scenes play like theatre, although all credit to the cast for mostly toning done the theatrics. Best moment? Margaret telling Jenny about the tragedies of her life as they wash up after Christmas Eve dinner. Leighton and Johnson beautifully convey the shock and grief of Margaret's story, Johnson particularly fine as she reacts to the dreadful story, allowing surprise and delight turn to horror.Yes The Holly And The Ivy is from another age, yes it has a theatrical flavour, yes Richardson is obviously far too young to play the elderly parson... nevertheless it remains a charming and quite moving seasonal favourite of mine.

Please, please, somebody get this superb movie on North American DVD or VHS. We need this film at Christmas time and always. Straight from the heart to the heart. To add even greater meaning to this fabulous treat, do some research about the symbolism of the holly and the ivy and consider the lyrics and tune of the Christmas carol. Personally, I've always thought of the two wonderful aunts as representing the holly and ivy of Christmas lore, probably with the priest's sister being the holly and his sister-in-law the ivy. Of course, they represent much more than the masculine and feminine principles: poorness vs richness, bitterness vs gratitude, disappointment vs hope, negative vs positive, pessimism vs optimism. All of these oppositions are worked out beautifully by the perfectly cast and capable actresses playing the aunts. A masterpiece!

This movie is a little gem for the most part. And a welcome change from the usual Christmas fare. The only fault is with the ending which appears rushed and we are left to grieve the characters a little. Rather like a dessert that gets whisked away before one is quite finished. Unsatisfied. It tells the story of a widowed parson and the family members who come home for the holidays to a quaint old village. Father, played wonderfully by Ralph Richardson, has always been shielded from the facts of life by his three - now adult - children. For the era in which it was made (1952)the secrets one of the three carries is quite a shocker. A flaw is that Celia Johnson, an actress I enjoy, is far too old in this to play a thirty one year old. Margaret Leighton's brittle charm is never more appealing than here. However, the two aunts steal every scene in which they appear, two wonderful stage actresses, Margaret Halstan and Maureen Delaney. A great script, a little stagey, and ending far too swiftly, I gave it a 7 out of 10.