You won't be disappointed!

SERIOUSLY. This is what the crap Hollywood still puts out?

not horrible nor great

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The Great Garrick is an unusual, sometimes brilliant comedy presenting a fictional chapter from the life of the great English actor David Garrick (Brian Aherne). During a breathtaking opening, the mercurial, caddish thespian manages to both entrance London and offend the French, who've just invited him to star at the Comédie-Française - so they hatch a plan to humiliate him, staging an elaborate ruse during his stay at a rural hotel. When Garrick is tipped off by an old acquaintance (Etienne Girardot) to expect a set-up, he becomes wrongly convinced that the virginal runaway countess falling into his arms (Olivia de Havilland) is somehow involved. Aherne is absolutely sensational, the climactic reveal is stunningly powerful and there's a superb supporting performance from Girardot (the absent, balding comedian who somehow matched John Barrymore in Twentieth Century), but the tricks within the central scheme aren't very funny and the lushly romantic love scenes are somewhat undercut by the fact that Aherne is having de Havilland on. There's still much to enjoy and admire in both the original material and Whale and producer Mervyn LeRoy's masterful evocation of the period, but this tale of a Shakespeare-quothing ham enjoying the affections of de Havilland pales in comparison to 1937's other - the irresistible It's Love I'm After.

Ernest Vajda's "play for the screen" revolves about a fictional encounter between the celebrated 18th-century English actor David Garrick and the members of the equally celebrated Comedy Francaise at a country inn.Under the direction of the estimable James Whale, the film is generally lively but sometimes sags with too much talk. It also benefits from a team of choice supporting actors (Melville Cooper, Lionel Atwill, and especially Edward Everett Horton and Etienne Giradot) who come to the rescue with inspired line readings or bits of business. A theatrical spirit prevails. Heading the cast is Brian Aherne as Garrick who gets a rare chance to chew the scenery and does so in high style. But we never know from this scenario whether Garrick was really great or just a charming ham. When does the acting stop and the real Garrick take over? The line between the two is not clear here. Maybe it's not meant to be.The story: the French troupe, having heard a false rumor that the visiting Garrick arrogantly intends to teach them how to act, impersonates the staff and guests of a country inn where they know Garrick will be staying on his way to Paris, with the intention of devising such mayhem that Garrick will bolt in terror, whereupon they will reveal who they really are, proving they are indeed great actors, and humiliate him. But he sees through the ruse and turns the tables on them. Olivia DeHavilland, effective in an early role, turns up at the inn as a young woman fleeing an arranged marriage and falls in love with Garrick, who spurns her, thinking she too is part of the collective trickery (as the film's trailer states, he "couldn't tell the difference between real love and bad acting").

James Whale's "The Great Garrick" is perhaps the most overlooked classic of 1937, a year that also saw such classics as "Stage Door", "The Awful Truth", "Make Way for Tomorrow", "History is Made at Night", "Angel" and some others."Great Garrick" is a brazen but abundantly enthralling costume comedy on David Garrick, a Shakespearen ham actor and the most famous English actor of the 18th century. Garrick played a significant role in the development of English stage in this period which saw the rise of Shakespeare and other playwrights. Garrick had a reputation of enthralling his audiences on and off stage. Here in "Great Garrick", he is ingeniously played by Brian Aherne, a sadly underrated actor giving one of his most memorable performances. Aherne's co-stars include Olivia de Havilland as Garrick's love interest Germaine, Edward Everett Horton as Garrick's sidekick Tubby, Melville Cooper, Lionel Atwill, Lana Turner, and Luis Alberni.Beautifully shot in stark black-and-white photography by Ernest Haller, "Great Garrick" is a nonstop laugh riot. The opening titles tell us, "David Garrick the actor was at the height of his fame. He was the idol of London and the tale we are now unfold is a romantic adventure that might have happened during the vividly gay career of the colourful Garrick". Garrick is just finishing playing "Hamlet" and makes a farewell curtain speech to the audience at London's Theatre Royal Drury Lane. He has been invited to Paris by the Comédie Francaise, a famous French theatre which rivalled in fame London's Theatre Royal. To convince the audience he is not actually ditching them, he reads a blank letter telling them that he is going there to teach the French. In Paris, the actors of the Comédie Francaise hold an emergency meeting to discuss what they consider to be an insult. "Ridicule kills" says one of the actors. Thus, they perpetrate a series of hoaxes at an Adam and Eve inn near Paris where Garrick and his Tubby will be staying there before they arrive in Paris.Some of the hoaxes are outrageously hammy and over-the-top, especially Luis Alberni's annoying Basset, but that doesn't really hurt the picture at all. There are genuine glories in "Great Garrick" and most important of all are Whale's inventive, stylized direction, Ernest Vajda's endlessly witty screenplay, and Aherne's quietly graceful incarnation of Garrick.The film works as a companion piece to Whale's underrated 1936 musical "Show Boat" in that both films are entrancing and exuberant celebrations of the theatre. "Show Boat" concerns a group of traveling actors who are putting on a show; "Garrick" is bio-pic of a famous actor. Both films display the talent and versatility of a great director.

I anticipated getting a lot of enjoyment from THE GREAT GARRICK based on previously read reviews and the great cast involved. I was sorely disappointed. James Whale may have been a master at directing horror films but stylized comedy was not his forte. Worst offender of all is Brian Aherne (hamming it up considerably as the great actor) and Luis Alberni, obnoxious as a thespian anxious to do a "mad scene".Some of the humor is painstakingly obvious with everyone determined to see who could outdo the other in shouting their lines and mugging to the nth degree. Edward Everett Horton is best with the comic lines and Melville Cooper is reasonably restrained in a good supporting role.As for the stars, Brian Aherne looks attractive as the gentleman actor but forgets that he is supposed to be a "great" actor, not a "ham" actor and overdoes his role with painful results. Olivia de Havilland is pretty as the leading lady in an ingenue role that gives her little to do but look admiringly at Aherne, which she does dutifully. If you look hard enough, you can spot Lana Turner and Marie Wilson in supporting roles as giggling players in the French company. Wilson seems to be getting in the foreground whenever possible if only to get some notice from the hapless shenanigans going on in the country inn.Disappointing, to say the least, and watchable only to see Brian Aherne and Olivia de Havilland co-starring in the same film. (Aherne later married de Havilland's sister, Joan Fontaine).