The Garden of Words
The Garden of Words
PG-13 | 31 May 2013 (USA)
The Garden of Words Trailers

Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches.

Reviews
Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Jenna Walter

The film may be flawed, but its message is not.

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Mehdi Hoffman

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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mattkerr-73017

An often underutilized element when it comes to rating a film is its length. A lot of critics (official and self-appointed internet forum nerds) would happily sit through films that push over 3, 4, or 5 hours long and not blink an eye. Usually, this is because the directors that make films that push these running times are out to make a magnum-opus. Very often, the product of the art is enough for not only the length not to be criticized, but praised in a manner that these films would not have the same impact without them (see Napoleon (1927), Gone with the Wind (1939), Ben Hur (1959), Once Upon a Time in America (1984), and many more). However, a good amount of these critics would also be more than willing to say that your average film pushing above as little as the two-hour mark is overlong and bloated. On the flipside of the above arguments for a longer viewing, if the content of the film does not justify anything more than a short afternoon pastime, then most people aren't happy about it invading upon the rest of their day; sure, you COULD spend 2 hours watching the Batman v Superman: Dawn of Justice directors cut (2016), however do you really want to waste an extra 30 minutes of your day when the original is already wasting a whole 2 and a half hours of it? The same thing could be said about even some anime that has a strong following and community. Sure, I COULD try and catch up with One-piece, and finally be in the loop about what some of my friends and other fans mean when they reference it, but am I willing to sit through *quick google search* 848 episodes of it?! (a feat that clocks in at just over 339 hours of my free time).However, as often discussed the ambitiously lengthy runtimes may be, people tend to neglect the effect the runtime plays at the other end of the spectrum with short films. Take The Garden of Words (2013) as a case and point; clocking in at around 48 mins, its around the length of an average episode of any drama show you can find provided Netflix or the like. This is easily one of the most beautifully animated films I have ever laid eyes upon. Every single frame of this movie could be taken out of context, framed and hung up on a wall and it would most likely catch the eye of anybody passing by. The backgrounds of urban Japan that give way to the green trees that provide the backdrop for where much of this movie is set - which plays into the plot by providing private security to our characters as they spend their rainy days together - are beautiful. Even the way that the raindrops hitting the ground are breathtakingly beautiful to watch. This level of consistency is rare in any animation, which often can have beautiful moments but can be standard outside of these. If movie anime tends to blow TV anime out of the water on this point, then this movie is another tier beyond that.Surely with a longer running time, these elements would be spoiled, correct? With the painstaking effort and time that must have went into each of these frames, surely making a longer film would compromise on these points? What could one gain from doing so? I'm going to be harsh and say, probably a lot more in terms of the characters and the plot. I often think that one of the very few advantages a TV show can have over a film is the amount of time that can be put into characters and their development, if not also lending way if done correctly to a richer plot. The plot is... fine, from the standpoint of delivering a story. Not much beyond the conversations between the two main characters and their own thoughts when alone are really shown for the first half of the film. In the second half (trying hard not to spoil anything so here we go), we are given a twist, and then we are given the elements of the plot that really drive the changes that bring about forward momentum to the plot. These elements do open us up to one of the characters more, however I don't think it was precisely necessary to do it the way that the movie did... though maybe, again, I'm being harsh. Overall there is just not as much going on here as I may have hoped. Which is fine, because we have all the interactions and dialogue between the main cha...For a "Garden of Words", there aren't all that many words that we get to hear. We get some introductions, a lovely haiku (yes, I know these are the titular "words"), and then some more dialogue, but a lot of what should be bonding that we see is merely shown quickly in montage. This doesn't work to the effect of the film, and means that we don't have as strong a connection to the characters as we maybe could have by the end of the film. I think this is my main gripe with the film; that if we had maybe been shown a bit more of these two bonding, then maybe by the end of the movie we would feel the sympathies of the characters some more. HOWEVER, doing this would lengthen the film, which means that the animation may have went downhill, or at least we would not be given the same amount of great backdrop for the plot.So do I think the movie could have been longer? When rating this, do I take the length into account and ignore some of the elements that I feel are missing, or do I rate this the same way I would any other film, including those that extend beyond the three hour mark? Honestly, it would be harder to do the latter; while I have some issues with the way that the film is presented, I don't think that it could have been presented in any other way. If it became more plot and character focused, and hence longer, we may have ended up with a mid-length average to good movie, rather than a shorter-length good to great one. And that doesn't sound like a good trade to me.Viewed 21/07/2018

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nestoryaviti

This is my second Makoto Shinkai anime to watch after seeing your name and I absolutely love it. Its story telling is wonderful and its stunning to look at. A beautiful art and a must see even if you don't like anime. Makoto Shinkai is truly a master of the arts.

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Irishchatter

I have to say, this anime really shows a great detail of the environment around the characters. It does make you think that everything is real in cartoon version and it gives you a very nice feeling of a little bit of happiness. I dunno what you thought of it but thats how I have seen it when watching this short.The storyline was extraordinary with both the young guy and the woman's perceptive of how they felt about each other. I think at the end there, they really should've ended up together regardless of age and the fact, she was moving away. It seemed to me that she had a bit of trouble with the students at the school, where she used to be working in. It actually did make me upset for the pair of them, it does make you wonder in your mind of what they are doing with their lives after their encounterment. Maybe, she found someone else and so did he, who knows? There didn't seem to be any conclusion to the story because all it left off was him concentrating with his schoolwork and her sitting on her baggage like feeling sorry for herself. I think it would've made more sense if we seen what happened afterwards but unfortunately it didn't show it to us. Really good anime film but bring a box of tissues towards the end, thats all i can say lol!!!

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Federico Pesce

It's hard to describe an emotion. I think that, for that very same reason, is hard to describe this movie. The way I feel when I watch Makoto Shinkai's movies is indescribable. The way he captures the concept of time and space is something that I've never seen before and that's exactly why I absolutely LOVE his movies.The reliefs and textures in his images make me feel that I could stretch my hand into the screen and perfectly perceived the distance between the different layers. The sense of loneliness, the sense of the time passing by can be easily felt and the music... it's like if the movie was created to fit that music instead of composing the music to fit the movie.It's truly a masterpiece.

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