Sadly Over-hyped

Your blood may run cold, but you now find yourself pinioned to the story.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The movie really just wants to entertain people.

One of the better Inner Sanctum Mysteries, THE FROZEN GHOST is directed by Harold Young and stars Lon Chaney Jr. A famous radio hypnotist Alex Gregor (Chaney) is guilt ridden after an audience member dies accidentally during a broadcast. Gregor "The Great" is so despondent he breaks off his engagement to his assistant Maura (Evelyn Ankers) and refuses to perform again. His business manager George Keane (Milburn Stone) gets him a small job with a wax museum. A mentally unstable sculptor Rudi (Martin Kosleck) becomes jealous of Alex and the attention he gets from the museum's owner Valarie Monet (Tala Birell) and her niece Nina (Elena Verdugo). When Mme. Monet disappears, Gregor desperately walks away and Rudi castes suspicion. Miss Maura appears to champion her former love. Douglass Dumbrille rounds out the cast as Inspector Brant.

Lon Chaney stars as a famous hypnotist, Gregor the Great, crippled emotionally after a belligerent, alcoholic volunteer drops dead while in the middle of his act, performing for an audience, believing he is responsible despite a coroner's report clearing him of any sort of murder. Alex Gregor felt hate for the volunteer due to the idiot's bad behavior, even mentioning that he could kill him, and this is what torments the hypnotist. He is so tormented, Alex quits his gig and decides to help Valerie Monet (Tala Birell) with her wax museum business, using the former celebrity to help bring in customers. Maura Daniel (Evelyn Ankers) was to marry Gregor (she is his assistant, often put under hypnosis and foretells what certain people in the audience are thinking) before the embarrassing death, which led Alex to call of their engagement and leave the profession. Of course, she still loves Gregor and wants to rekindle their broken relationship. Valerie Monet and her niece, Nina (Elena Verdugo; the gypsy in "House of Frankenstein"), both fall for Gregor (haha, these Inner Sanctum mysteries always have all the ladies completely enamored with Chaney's characters) leading to multiple complications. Martin Kosleck (the mad sculptor in "House of Horrors" co-starring Rando Hatton) is a former plastic surgeon, driven from the practice due to a patient's "miscalculation", now Madame Monet's wax sculpture artist, Dr. Rudi Polden, one of those creepy, *eccentric* weirdos who talks to his figures as if they were alive. Rudi is infatuated with Nina and has a severe dislike for Gregor because he "bosses him around". In actuality, Rudi is jealous because Nina carries a torch for Gregor (who considers her a child). There's plenty of jealousy to go around, though, as Valerie competes for Gregor even if he doesn't have the same feelings for her as he does for Maura. Milburn Stone is Gregor's business agent, George Keene, who seems interested in helping his client get over this obsession with causing death through hypnotic suggestion. When Valerie disappears after an argument with Gregor results in him using his hypnotism, out of anger, to "predispose" her, Alex is worried that he has killed again, blacking out for a period before finding himself near a pier. Douglass Dumbrille rounds out the cast as a pesky inspector who considers everyone a suspect in Val's disappearance, soon eyeing Gregor when Nina also vanishes (after making a startling discovery when one of Rudi's wax sculptures is a bit *too* lifelike.).A wax museum, a diabolical sculptor, a double-cross in the works for poor Gregor, hypnotism, disappearances, suspended animation, and a hero's tormented psyche questioning his unique ability as if it were a dangerous weapon he cannot control, "The Frozen Ghost" has a lot going on. I think by this point, the "Inner Sanctum Mysteries" series was starting to show its age, the fourth film has some pretty bland writing and practically little imagination, not to mention, Chaney's role isn't as interesting as, say, Kosleck's. Chaney is a weary, tortured soul—sound familiar? That's all it is, honestly, I wish the series had mixed things up (like they did in "Weird Woman" when Evelyn Ankers was given a juicy villainous part), and given Chaney a chance to play the corrupt character instead of always being saddled with the Lawrence Talbot victim. It isn't that Chaney cannot portray a heel, just watch "The Alligator People".Anyway, there's one surprising moment out of left field, when the story reveals a plot to have Gregor committed, the mastermind perhaps not who you would expect. Evelyn Ankers, after probably her best part at Universal Studios with "Weird Woman", resorts back to beautiful love interest to Chaney, a supporting part that doesn't require much from her other than the "stand by your man" aspect her characters are often provided. Kosleck has a keen ability at portraying the kinds of characters who can make your skin crawl; his love for Nina unrequited, only fueling his psychopathic behavior. The screenplay certainly throws in everything but the kitchen sink so there might be something for fans of Universal horror to enjoy.

In spite of its meaningless title, this is one of the better "Inner Sanctums" - though still not exactly a good film. Lon Chaney Jr. is at his most Larry Talbot-like here as a hypnotist constantly bemoaning his fate (thinking he may have killed a drunken and skeptical member of the audience by sheer will-power!). In fact, the opening hypnotism sequence features some unusually odd angles - which is then ruined by the stereotypical (and unfunny) intrusion of Arthur Hoyt as the drunk!! The plot then contrives to incorporate the well-worn wax museum theme, which results in the establishment of an adequate atmosphere throughout the film (not to mention utilizing its furnace for the effective climax). Besides, it's aided immensely by the presence of Martin Kosleck as the unhinged museum 'curator' (with a secret medical past) and Douglass Dumbrille as the wily investigating detective with a fondness for quoting Shakespeare (there's a section of wax figures devoted to characters from the Bard's work). Once again, the star finds himself in a tug-of-war between three females - Evelyn Ankers (playing the good girl this time, as Chaney's assistant/fiancée), Tala Birell (as the jealous and ageing museum owner) and Elena Verdugo (as Birell's ingénue niece, also desired by Kosleck).

Another uneven and lackadaisical performance by Lon Chaney Jr., accompanied by a cast of scenery-chewing melodrama players, somehow does not completely spoil this little mystery story from the "Inner Sanctum" series. Silly stuff, perfect for a Saturday morning in bed. Good, dopey fun in keeping with the tradition of '40s "B" pictures.