Fantastic!

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

While it doesn't offer any answers, it both thrills and makes you think.

Story: It's very simple but honestly that is fine.

Marked as the first pairing of Jack Lemmon and Walter Matthau, who subsequently worked together on 11 future additional films, the Fortune Cookie directed by Billy Wilder, was a tasty delight. The movie tells the story of a crooked lawyer, Willie Gingrich (Walter Matthau) whom persuades his brother-in-law, a CBS sport-cameraman Harry Hinkle (Jack Lemmon), to feign a serious injury, so that, both can receive a huge indemnity from the insurance company. Without spoiling the movie, too much, I have to say, while it's not the funniest movie, in Billy Wilder's filmography, but it's by far, my favorite John Lemmon & Billy Wilder film, they shot together. Jack Lemmon was near-perfect in this film. He wasn't so over the top, here, like his previous roles. The way, he acted like he was injury, honestly made me believe, he was indeed stuck being wheelchair bound, at times. Walter Matthau as Willie Gingrich, was just as hysterical and wonderful as Jack Lemmon. Matthau won his Academy Award Oscar for Best Supporting Actor playing bottom feeding lawyer, Whiplash Willie from this film. I think he deserve that win, big time. Walter Matthau really put, everything in this role. Mad props, go to the fact that Walter return to the role, after suffering a heart attack. He had slimmed from 190 to 160 pounds by the time filming was completed, and had to wear a heavy black coat to conceal the weight loss. That's shows, how driven, he was, to this film. Despite, his character being a shyster, Walter had enough charm with his attitude, to make Whiplash Willie, a bit likable. The chemistry between Jack Lemmon and Walter Matthau is so far, the best thing in the film. They bonded so well. So, it was no surprise that they would remain friends the rest of their lives. The snobbish Lemmon and the bad-tempered Matthau provided the perfect counter-point. The supporting characters were pretty good, as well. While, his character was a bit underdeveloped, I kinda Ron Rich as Luther "Boom-Boom" Jackson. A lot of people, criticize his character as a man-servant, but I don't think it, that way. He felt guilty, for 'injuring', Harry, so he just wanted to help. He had that All-American Boy-Scout charm. It hasn't nothing to do with his race. One of my favorite characters in this film has to be Cliff Osmond as Chester Purkey, Private Eye Insurance investigator. I love the whole cat-and-mouse game starts between him and Gingrich. The only character that I didn't like, was Judi West as Sadie Hinkle. It wasn't, because her character was one-dimensional selfish or the actress portraying her didn't do a good job. It was, because how late, in the film, she appeared. For somebody, that supposed help, the good nature, Harry to go along with the scheme. She really doesn't get, much screen-time for odd reason. While, this movie has some of Billy Wilder's most famous trademarks, such as feature characters who try to change their identity, women often represented as dangerous, lust, greed and manipulative, and last often cynical but humorous, sweet and sour dialogue. There was one thing that this movie was missing from the great Hollywood provocateur. It didn't have that great narration. With no narration, the movie moves like a book, instead of a film; from chapter title screen to chapter title screen. While, this seem like nitpicking. The way, the film does its story-telling, makes it seem like the source was taken from a famous book, than an original work. It was a bit weird. This movie might be one of the very earlier films, that I can remember, that had product placement. Like Wilder's previous film, 1961's One, Two, Three, which feature the Coca-Cola company; this film has the National Football League (NFL), and Columbia Broadcasting System (CBS) intertwining with the script; giving the movie, a sense of realism. While the film does somewhat make those companies look bad, due to how stubborn, their insurance companies were; it does give some insight, of what these companies were going, through at, the time. The first Super Bowl was only a year, away after all. I like how Billy Wilder shot the opening sequence during an actual Vikings-Browns game on October 31, 1965. Surprising, this might be the only footage of that game, as networks at the time, commonly wiped broadcast sports tapes at the time, and recorded over with different content to save cost. So, if you ever, like to see an old school football game, before the 1970 merger. Between the NFL and AFL (American Football League). Here is your chance! Even if you're not a football fan, this is a great film. The movie had a great story that influence other works, such as 1990's TV Shows like Simpsons and Wing's episodes, where they tackle a similar premise. Overall: The fortune cookie is worth a bite, into. It is poignant as it is funny, and I highly recommend it to any generation.

Favorite movie quote - "Marriage is like being in the army. Everyone knocks it, but you'd be surprised just how many guys choose to re-enlist." Yes. The Fortune Cookie (from 1966) may have been noticeably overlong at 2 hours & 6 minutes, but, for the most part, it was a surprisingly engaging, little comedy that was clearly power-driven by Walter Matthau's over-bearing, dry-witted performance as the cynical, All-American, shyster-lawyer, Willie "Whiplash" Gingrich.When Willie's brother-in-law, Harry Hinkel (cameraman for CBS) is accidentally knocked over a barricade by the 220 lb. halfback Boom-Boom Jackson and rendered unconscious during an action-packed football game between the Cleveland Browns and the New York Giants, Willie cries "Foul Play!" Without missing a single beat, Willie cleverly convinces the reluctant Harry to feign a crippling spinal injury following his collision with Boom-Boom. And together these 2 greedy charlatans make big plans to split a cool million in phony insurance claims.But, as anticipated, nothing of this sort ever goes as planned. And when Harry cracks open a fortune cookie whose ominous message reads - "You can't fool all of the people all of the time."- This, like a sudden turn of fate, serves as the writing-on-the-wall for the outcome of this seemingly fool-proof scam.Filmed in stark b&w, The Fortune Cookie was directed by Billy Wilder whose other notable films include such titles as Some Like It Hot, Sunset Boulevard and Double Indemnity.

This movie was the first pairing of Walter Matthau and Jack Lemmon, and they work together well, with an especially good performance by Matthau as an unscrupulous lawyer who convinces his brother-in-law Hinkel to exaggerate the nature of his injuries he sustained as a CBS cameraman at a Cleveland Browns football game when a black football player accidentally runs into him. Not a bad premise, but the movie could have told the story in less than two hours.The movie also isn't helped by the joke of Hinkel's mother always uncontrollably crying, a joke that stops being funny after two minutes, and the football player's personally helping the supposedly maimed Hinkel didn't work either. A celebrity athlete wouldn't be acting that way; even if he felt guilty, he wouldn't make himself a manservant. Perhaps the movie makers wanted to make some sort of statement about race relations, but it lacked credibility. The scenes where Hinkel's ex-wife has come back are overlong and unnecessary too; we already know she is insincere about wanting to get back to him.Not a bad movie, but it could and should have been better.

The problem with this film is that it is very predictable. What's the mystery? Anything surprising (at least at this point in his career) with Walter Matthau playing a shyster lawyer? Don't we know that in the end Jack Lemmon will rebel and ultimately refuse to go along with the scam? So the question is, why watch? Well, how can you resist watching the acting abilities of both Jack Lemmon and Walter Matthau, even more so when they are appearing together.And, there are some fine performances by supporting cast members, including Judi West (with whom I was not at all familiar) as the sort-of ex-wife who is out for $$$. And, Cliff Osmond, as the sleazy detective. I was particularly interested in Ron Rich, whom I was also not familiar with...does a nice job as the football player here.In fact, although mostly overlooked, it is the relationship between the Rich character and the Lemmon character that is most interesting here. Interracial in a time that you didn't see that quite so much, and the scene where race suddenly rears its ugly head is, arguably, the best in the film.This is not Billy Wilder's best. And, there are a number of other films where one can better enjoy the interplay between Jack Lemmon and Walter Matthau (this was their first match-up, I believe). But, this is a very good film...just not a great film.