Terrible acting, screenplay and direction.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Mostly, the movie is committed to the value of a good time.

This movie is about the emotional and historical journey taken by Arnon Goldfinger, a filmmaker, as he explores his grandmother's life based on artifacts he finds among her possessions after her death and interviews with people outside the family. Goldfinger's grandparents left Germany in 1936 for Palestine.As the daughter of someone who was similarly expelled from Germany by the Nazis, this movie resonated deeply. The silences, secrets and omissions in the family's communications about themselves and their history are very familiar. Goldfinger does an excellent job of revealing the sadness and confusion created when painful truths are revealed.The movie centers on Goldfinger's great-grandmother Susi, his grandmother Gerda, and his mother Hannah. Matralineality is recognized by the Jewish faith as the means by which Judiasm is conferred on offspring. In this sense, the women are the keepers of the faith. For Goldfinger's family, Gerda did not, or could not, sustain the powerful emotional family life that she knew in Germany. Her daughter Hannah was almost completely ignorant of her grandmother Susi's existence and had a relationship with Gerda that was not particularly close. When Hannah discovers Susi's letters among Gerda's effects, letters that proclaim love for Hannah and fervent hopes for Hannah's safe future, Hannah shrugs and claims she knew nothing about it. This is a profound emotional loss for Hannah, even though she fails to recognize it. Arnon's relationship with his mother Hannah is similarly not particularly close. In the end, this is the movie's most powerful message: how the Holocaust destroyed much more than the millions of lives terminated. Through the thread of the plot that traces the history of a highly ranked Nazi whom Goldfinger's grandparents befriended, it is also clear that the Germans were never held fully accountable for their crimes.Congratulations to Arnon Goldfinger for having the courage to explore the past, no matter where it led.

Having read multiple reviews before watching "The Flat" I knew that I would enjoy the film. It is a documentary of a family coming to terms with the death of matriarch and uncovering secrets about the Holocaust and relationships both within in the family and between cultures. Although slow at points, the film also has moments of deep emotional intensity as the protagonists asks simple questions of his family and newly discovered acquaintances/friends. The insights gained through the revelations are also highlighted by well-placed conversations with experts who try and decipher the nature of the relationships and how they influenced how the family tried to find their place in the world. Overall, a visceral film that should be seen by anyone who has interest in how their parents/grandparents deal with the aftermath of tragedy which in this movie revolves around the Holocaust.

Imagine that your grandmother has just passed away and your family is cleaning out her apartment. Amidst all the stuff your grandmother has collected, you find a tantalizing and shocking newspaper article involving your grandparents that you never heard about before from any other family member including your mother. This is essentially the set-up for 'The Flat', a fascinating new documentary by Israeli filmmaker Arnon Goldfinger.Goldfinger's grandparents, Gerda and Kurt Tuchler, were German Jews who emigrated to Palestine (now Israel) in 1936 after the Nazis forced them out. The article was from a virulent Nazi newspaper, Der Angriff, from 1934, which chronicles a trip made by a high Nazi official, Leopold von Mildenstein, to Palestine. The article features photos of Mildenstein traveling to Palestine with Goldfinger's grandparents.The mystery is not only why this SS man would go to Palestine with two Jews but why Goldfinger's grandparents would accompany him. Furthermore, Goldfinger discovers that his grandparents visited Mildenstein in Germany AFTER World War II numerous times and kept up a friendship with him and his wife.The documentary brings out the fact that in 1934 the Nazi policy of 'The Final Solution' (i.e. the extermination of the Jewish people) had not been developed and there was some consideration of deporting German Jews to Palestine. Mildenstein apparently was on a scouting mission to see if deportation was a feasible solution to the "Jewish Question". Mildenstein actually headed the SS Office of Jewish Affairs prior to it being taken over by the infamous Adolph Eichmann. Clips from Eichmann's 1961 trial in Israel are shown along with transcripts from the trial indicating that Eichmann considered Mildenstein as an "expert" on Jewish affairs and that he was basically his mentor! Nonetheless, Mildenstein, apparently was not a racialist and privately had no problems socializing with Jewish people. The Tuchlers may not have been aware of Mildenstein's Nazi affiliations and were simply glad a non-Jewish German would strike up a friendship with them.After Mildenstein's replacement at the Office of Jewish Affairs in 1937, his movements in Germany up until the end of the war were largely unknown. Goldfinger flies to Germany and meets up with Mildenstein's daughter, Edda, who firmly believed that her father was no longer affiliated with the Nazis during the war. Goldfinger seeks out a retired journalist who wrote about Mildenstein during the 1960s when he had become an executive for Coca-Cola. Although the former SS officer was mentioned during the Eichmann trial, his reputation wasn't tarnished as it was believed (as the retired reporter pointed out), that his affiliation with the Nazis had ended in 1937, when he was replaced by Eichmann. During the war (as Mildenstein's daughter's husband indicates) Mildenstein was believed to be a mere 'journalist'.The plot thickens when Goldfinger finds Mildenstein's wartime file in records located in the former East Germany, which were not available to journalists back in the 60s. Goldfinger discovers that Mildenstein was actually promoted as an official in Goebbal's propaganda ministry and worked there for the rest of the war. Goldfinger confronts Mildenstein's daughter with the new information about her father and she appears reluctant to believe what Goldfinger is telling her. Even after she shows her a copy of her father's resume indicating his Nazi affiliations during the war, it is obvious that she's now quite uncomfortable dealing with these new revelations.As for Goldfinger's grandparents, he interviews an expert on German Jewish history who points out that the Tuchlers obviously were not aware of Mildenstein's Nazi wartime activities. They were also willing to forgive him for any past Nazi associations, due to their past friendship with him. Despite being Jewish, the Tuchlers never learned Hebrew while in Israel and continued to speak German. They continued to identify with German culture in spite of the Holocaust and that's why they visited Germany many times after the war.For the most part, 'The Flat' is riveting--only the ending proves to be slightly awkward. As Goldfinger and his mother walk through an old German Jewish cemetery in Germany, they search for the grave of his great-grandfather. Goldfinger unnecessarily berates his mother for not taking more of an interest in her parents when they were alive in order to find out more about their history. Apparently, his grandparents were as complicit as the mother in not revealing information about their time living in Germany and their association with Mildenstein. The mother concedes she should have taken more of an interest in the family history but when she was younger, we have to believe her that she simply had no interest at that time.'The Flat' brings to the fore more revelations regarding issues of guilt and responsibility of ordinary Germans vis-à-vis the Holocaust. By the same token, it chronicles conflicting feelings on the part of those German Jews who survived. 'The Flat' plays out like a detective mystery, with its talented creator cast in the role of high stakes super sleuth!

The death of six million Jews in Nazi concentration camps during World War II is a well known fact. What is less known and generally not talked about is that there were Jews who, for whatever reason, collaborated with the Nazis. Though Jews were forbidden to join the Nazi Party, some were members of the ghetto police that helped round up Jews for deportation, some were known as Judenrats who, under Nazi orders, compiled a list of other Jews to be deported. Others edited pro-Nazi anti-Semitic magazines, turned in fugitive Jews hiding under false identities, or were informers and Kapos who served as Nazi enforcers in the concentration camps.The issue of possible Jewish collaboration comes up in Amon Goldfinger's award-winning documentary The Flat, a story of three generations of Jews seeking to come to terms with uncomfortable events in their family history. A short time after their 98-year-old grandmother dies in Tel Aviv, the son Amon, who is also the writer and director of the film, together with his mother Hannah begin the process of going through mountains of the grandmother's accumulated belongings including books, clothes, antiques, letters, and photos. It is readily apparent that the grandparents, Gerda and Kurt Tuchler, who came to Palestine from Germany at the beginning of the war, retained a strong identity with the old country."They never leave their homeland behind," Amon remarks, noticing that Gerda's books are all in German and that neither of his grandparents ever learned Hebrew. He also discovers a strange two-sided coin that has a Star of David on one side, and a Nazi swastika on the other side. In looking through piles of letters, Amon is baffled by finding a Nazi propaganda newspaper, Der Angriff, containing an article titled "A Nazi in Palestine," showing pictures of his grandparents accompanied by SS member Baron von Mildenstein, and his wife during a trip to Palestine in 1934. After more searching, Amon finds that other letters and photos reveal that the Tuchlers maintained a friendship with the Mildensteins during and even after the war, even though Gerda's mother had been killed at Theresienstadt.Mother and son travel to Berlin to meet with their remaining relatives and try to make some sense of the relationship their grandparents had with the von Mildensteins. They also travel to Wuppertal, Germany to engage in conversation with the Mildenstein's daughter Edda. In the beginning, the discussion is friendly but becomes more and more uncomfortable as Edda repeatedly denies that her father was ever a Nazi official. Unwilling or unable to confront deeply unpleasant truths, Hannah insists that she knows nothing about her parent's friendship with the Mildensteins, had never asked about it, and that children in her day were brought up to not ask any questions.Though the truth is incomplete and still uncertain in its scope and detail, both Edda and Hannah remain in denial that anything out of the ordinary took place, unwilling to confront troubling aspects of the Jewish past. The Flat is short on dramatics but it serves as a potent reminder that, as author Andrew Sullivan has said, "When there's a challenge to our established world-view, whether from the absurd, the unexpected, the unpalatable, the confusing or the unknown, we experience a psychological force pushing back, trying to re-assert the things we feel are safe, comfortable, and familiar," or as Matthew Henry put it, "None are so blind as those who will not see."