Very very predictable, including the post credit scene !!!

Absolutely Brilliant!

To all those who have watched it: I hope you enjoyed it as much as I do.

The first must-see film of the year.

I don't comment on many movies, but felt compelled to on this one. I have nearly every Chan film made, (Oland, Toler, Winters), and Winters doesn't come near par, in this one. Good: Keye Luke & Victor Sen Yung, maybe Mantan.. Bad: Everything else. Seems like actors are simply reading their lines. "Action" scenes look like a elementary school play. This one just dragged on. I've made it through it once.

Here, Charlie and crew (Mantan Moreland; Keye Luke & Sen Yung), are on vacation in Mexico. They stumble upon a man, who is in terrible condition, walking in a nearby field. Charlie takes him into his auto and heads quickly to the nearest city for help. The man is delirious so Chan can get little information out of him other than the fact he was held prisoner and he was on an expedition hunting for a lost Aztec treasure.Chan arrives in a nearby city and soon meets members of an expedition who are also hunting for this lost treasure. In fact the sick man is a member of their group. The ailing man and another archaeologist went missing during their search. Before the ill man can explain what happened he is murdered.Charlie and company join the expedition with the purpose of finding the missing archaeologist and perhaps the lost treasure. Much is made out of the fact that this film features the return of Charlie's son Lee (Keye Luke) and the only teaming of Charlie's Number One and Number Two sons. It's interesting but the screenwriters don't pull off the union effectively. Lee is much more domineering here than he ever was in the Fox films. So it is a bit of a miss, but still of interest to a long time Chan fan.Lastly, I'll comment on the other reviews who need to call the Monogram Winter's films garbage. Yes, they don't have the skilled writers of the Fox series. Yes, the production values don't match Fox, and the plots can be a little oddball. But these are solid little mysteries and quite good compared with other independent studios.

Oriental detective Charlie Chan(Roland Winters)with chauffeur Birmingham Brown(Mantan Moreland)and both #1 son Lee(Keye Luke)and #2 son Tommy(Victor Sen Yung)is on vacation headed to Mexico City when a struggling man collapses in their view. The man is Prof. Farnsworth(Leslie Denison), who has been missing since his search for fabled Aztec treasures. Before being stabbed to death he reveals his son is held hostage and his daughter Joan(Beverly Jons)hires Chan to now find him. Since Winters signed on as the revered Chan the franchise has rapidly lost enthusiasm and popularity. You would think that the one positive thing being the first movie with Luke and Yung together would save face; but the predictable script only have the brothers providing some comic relief with Brown. Other players: Robert Livingston, Carol Forman and George J. Lewis.

"The Feathered Serpent" is unique among Charlie Chan films for a number of reasons. For one, we learn the identity of the master criminal well before the movie's end. Professor John Stanley (Robert Livingston) has kidnapped colleague Henry Farnsworth to learn the location of an ancient Aztec treasure. Only Farnsworth can decipher the Aztec hieroglyphics that may reveal the location of the riches. Perhaps even more meaningful for fans of the Chan series, Keye Luke has returned after an eleven year absence to reprise his role as Number #1 Son Lee. The last time Luke appeared in a Chan film was in 1937's "Charlie Chan at Monte Carlo", then with Warner Oland in the title role; he had never appeared in a Sidney Toler Chan film. On top of that, this is the only pairing of Keye Luke with Victor Sen Yung, who again appears as Number #2 Son Tommy (although he was Number #2 Son Jimmy in all the Sidney Toler Chan films in which he worked). The movie takes it's name from the ancient Aztec practice of worshiping a feathered snake or serpent. It's a bit difficult getting used to Roland Winters' speech pattern as the Chinese detective in this film, it seems a bit more exaggerated than in his earlier pictures. And I can't imagine why the film makers chose to have Chan run around the Mexican wilderness in his trademark white suit and hat, when a safari suit would have made a lot more sense. The end of the movie plays a lot more like an Abbott and Costello film than a Charlie Chan picture. There's a lot of animated fighting and the Chan brothers actually get a bit violent in pummeling the bad guys, particularly Tommy who repeatedly pounds his opponents' head against a stone step inside the discovered temple; it's actually quite gruesome if you analyze what's going on. But probably the most off kilter moment comes when Charlie himself warns his party to be careful in handling a weapon intended for himself - "Poison dart probably dipped in poison".