Very Cool!!!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

One of the most extraordinary films you will see this year. Take that as you want.

The character of the Emperor of Qin does not resemble the historical butcher that really existed. Indeed, I wondered to what extent this film was just veiled propaganda. At one point the Emperor in this film says, "If I can only unify all of China under one benevolent ruler, everyone will prosper!" Uhhh...hmmmmm..is that leader supposed to also represent the leader of the Chinese Communist Party? Basically the 'real' Emperor worked people to death on the "Great Wall," he 'unified' China as part of his tribe's hegemonic land-grab ambitions and his rulership only lasted for 14 years because he was such a monster.

The pace of the film is ponderously slow in parts, but if you can tune into its languid speed and lengthy silences then it is a satisfying piece of courtly intrigue. The story of the first Emperor of China, his childhood sweetheart and the personal cost of power. The film is very atmospheric, the extremely mannered and polite courtly ceremony and ritual contrasted with sudden brutal violence. Filmed in a way that evokes shadows and cold spaces. Battle scenes are rare and short, the focus is on the battle within the individual on what is right to do and whether the ends justify the means. The emperor's journey from idealistic peacemaker to ruthless tyrant is aiming to be subtle, but gives little background or convincing insight into the motivation of the Emperor, indeed his actions and aims do not really change throughout, only Gong Li's attitudes to him are altered. The most interesting performances are Gong Li's and the titular Assassin as they reassess when to fight, when to retreat, when to kill. The most expensive film ever made in China at the time, the Emperor and the Assassin does not rely on hysteric emotion or big battles, but rather a brooding atmosphere of menace and inevitability. Gong Li fans will be unsurprised to hear she is as stunningly beautiful as ever, giving an understated performance.

Unlike most Chinese films that can be related to similar events in history or society, this one may contains spoiler.As classic as it can be, especially the last part of the King facing the assassin, the director put a potential spoiler there by inserting the character of Lady Zhao simply to add Ms. Li Gong to the movie. The acting was not bad and the story still fits, but the character is definitely unnecessary for that eliminating her would not effect the movie.

Kaige Chen's epic co-incidentally covers much of the same historical period as Xiaowen Zhou's Qin Song /Emperor's Shadow (1996) but, despite the greater length and presumably larger budget, it emerges as the lesser of the two epics. Both films concentrate on the first unification of China by the ruthless and troubled King of Qin and feature a conspicuous branding of a female lead. But whereas Emperor's Shadow gives the whole process an obsessive gravitas, despite Kaige Chen's best efforts (and he manages some beautiful looking compositions) the present production is more diffuse and, to me anyway, was on a different level. The earlier film is more powerful (there is nothing as striking as the Tarkovsky-like 'sacrifice of the bells' moment, which is at the start of Qin Song, for instance) even though Kaige Chen has the full advantage of some marvellous locations. The portrait of the Qin King is also less impressive here. Fengyi Zhan simply has far less of a cruel, regal presence in the role than does Wen Jiang, and there is nothing like the overpowering relationship between the Emperor-to-be and his 'soulmate' - be it assassin or musician - that exists in the earlier work holding the long narrative together. Having said that, there is much well mounted angst and drama as the king inevitably exploits many of him around him, some grand battle scenes, and a lot else to enjoy. I would also add Musa to the list of worth-seeing Asian epics which are currently available on cheap import DVDs. This current title has the best picture with none of the occasionally distracting compression problems of the the others (the film is on a 2 sided disk).