What makes it different from others?

One of my all time favorites.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A King Bros. Production. Locations filmed in California's High Sierras.Copyright 30 May 1948 by Allied Artists Productions, Inc. No New York opening. U.S. release: 30 May 1948. U.K. release through Pathé: 9 May 1949 (sic). Never theatrically released in Australia. 87 minutes.SYNOPSIS: Mild-mannered gunsmith moves from the Bowery to Arsenic City, Nevada, to cash in on the outlaw boom. Time: early 1870's.COMMENT: A delightful western satire which proves that even a normally pedestrian director like Kurt Neumann can occasionally excel. Of course he was handed a very entertaining script to begin with; and then had the services of a first-rate cast and the run of a large budget. The King Brothers unit aimed for both economy and quality. No doubt they persuaded some of the major studios to allow them to use standing sets that were otherwise idle (which explains the lack of an art director credit). In any case there is no sign of penny-pinching on the screen. Neumann's direction is relaxed, allowing such inventive touches in the script as the speech over the sign language (which is highly effective) and the delightful soliloquies to shine through. Another admirable feature of the screenplay is its excellent characterization which gives a splendid array of supporting players meaty opportunities that stay amusingly in mind long after even Karl Struss' skilled photography is forgotten. The plot itself is neatly constructed and allows Eddie Albert to exploit a side of his talent rarely utilized on the screen - his guitar-playing and singing. His three delightful songs alone make The Dude worth seeing.The Sales (Richard and Mary) were to tap this vein of western humor again in A Ticket to Tomahawk.

Eddie Albert is cast as amiable Daniel Bone, a New York City native of Brooklyn, who owns a gunsmith business in Brooklyn. He decides to pull up stakes from the Big Apple and head off westward to Arsenic City, Arizona, where everybody totes a hog-leg. Unmistakably a tenderfoot, Bone appreciates a good read and his familiarity with literary tomes helps him out of one tight spot after another. He heads west as the Horace Greeley adage goes and meets a pretty young thing, Liz Crocket (Gale Storm), who is bound for Arsenic City herself to cash in on her dead father's mining claim. Naturally, "Ellery Queen, Master Detective" director Kurt Neumann and "A Ticket to Tomahawk" scenarist Mary Loos and "White Buffalo" scribe Richard Sale pit these two young people through the standard-issue romantic wringer. No sooner do they meet at a railway depot than Liz's mother tries to turn her against all men, particularly Bone. They start out hating each other and end up in each other's arms. This lightweight but entertaining comedy doesn't demonize Native Americans. The Paiute Indians call Daniel 'Big Wind' because he fools them into liking him with parlor tricks after they escort Liz and he to their village. This lively 86 minute sagebrusher from Allied Artists is worth watching. Albert had a knack for playing upstanding citizens and rarely made a fool out of himself. Latin sensation Gilbert Roland plays The Pecos Kid and he makes a charismatic villain. Career heavy Barton MacLane plays desperado Texas Jack Barton. Although the titular hero is a tenderfoot, he has spent so much time working on firearms that he can light a wooden match with a bullet. He is a crack shot and this comes in handy when he must retire two gunslingers trying to abduct the heroine. "The Dude Goes West" is a western spoof related in flashbacks with Albert narrating the saga for his grand children. Amusing from start to finish.

I strongly recommend you see "The Dude Goes West" for one big reason--it's not like any other western. If you think about it, there really are only about a half dozen different plots for about 99% of the old westerns. Yet, somehow, the studio came up with some novel ideas that invigorate this film and make it quite charming.Eddie Albert plays a gunsmith (Daniel Bone) who lives in New York. The problem is that with civility reigning there, he decides to move to the West where there will be a lot more business. However, he is pretty naive and folks don't take him very seriously--after all, he's a fancy East Coast dude. Little do they know that despite his naiveté, he is a VERY well-read and resourceful guy...and a guy who turns out to be a crack shot. So, again and again when he comes into a collision course with various baddies (such as a tribe of Indians, Barton MacLane and Gilbert Roland), Daniel is able to somehow come out on top. It's all very charming and enjoyable and actually is somewhat reminiscent of Albert's later TV series, "Green Acres"--where he plays a New Yorker who yearns to move to the country and where he certainly does NOT fit in, either! It also didn't hurt that the film was so well-written and clever. Well worth your time--especially if, like me, you are tired of the same old recycled plots in westerns. This is anything but familiar! I really loved this film.

Kind of a cross between "Destry Rides Again" and Bob Hope's "Paleface" series, this little sleeper of a film takes a good-hearted book-learned innocent whose skills with a gun (learned for his job, that of gunsmith) are no more important than his wisdom and mind.Considering this movie was made in the late 40's it's quite revolutionary in its approach to the Western traditions -- the roles of indians, women and "bad guys" being held up and examined in very interesting ways. In that respect its comedic sensibilities make it a very good time indeed.Make no mistake about it -- this isn't a very deep film. However it will make for a very enjoyable 90 minutes whether you like Westerns or not. Eddie Albert and all the supporting cast turn in very credible performances. It made me wish they had had made the sequel this was so obviously setup for (they didn't).