Good idea lost in the noise

Charming and brutal

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

As has been generally observed, John Ford was making adult westerns long before the release of the high profile 'adult western' High Noon, and he was doing it under the radar of 99% of the critics of his day.While no Ford, Gordon Douglas directed lots of highly watchable films that likewise never got their due in their time. Doolins is one of these. As a well-known director for hire, Douglas once credited the existence of his entire oeuvre to having a family to feed.--Fair enough, and a pretty bravely self-deprecating and self-aware attitude in a town of pretentious auteur-wannabes. I'd offer the opinion that Douglas was the average intelligent man making films for his peers. Because of that, his films remain worth a sit-through. (His Kiss Tomorrow Goodbye rivals Walsh's White Heat in energy and noir viciousness as a late Cagney vehicle.) This is the best Randolph Scott western after the Boetticher films. Place it alongside other fine non-Ford westerns of the era, including Angel and the badman, Winchester 73 and Yellow Sky. It's definitely worth a watch.

Fictionalized account of Bill Doolin, member of the Dalton Gang and founder of the Wild Bunch. The movie concerns itself little with history. Instead, it tells a pretty simple "outlaw trying to leave his past behind" story. The Bill Doolin of this movie is a relatively good guy who only kills in a fair fight. Scott's fine in the role. He could play this in his sleep. Nice supporting cast full of familiar faces like John Ireland, Robert Barrat, George Macready, and Noah Beery, Jr. Macready also narrates. Virginia Huston is Scott's love interest. Gorgeous Dona Drake and Louise Allbritton have small parts. It's not a good history lesson but it's a watchable western. Nothing special but some action, humor, and romance. A nice way to pass time on a lazy Saturday afternoon.

"The Doolins of Oklahoma" begins with the faked Dalton Gang being blown apart during one of their many bank robberies. However, one member of the gang, Bill Doolin (Randolph Scott) escapes and eventually forms his own gang. They, too, terrorize the countryside--robbing banks throughout the territory. However, and this REALLY annoyed me, the film tried to portray the gang as a bunch of NICE crooks--and Doolin was the nicest of them! This is a very bad cliché and making heroes out of scum is something Hollywood did a lot in the so-called 'good old days'. I don't get it--and it seriously damaged my enjoyment of the film. It's a shame, as Scott, as usual, was quite good in the lead and the movie was reasonably entertaining and well made. But, because it starts off with a ridiculous premise and makes it hard to care about the characters, it's definitely one of the weakest Randolph Scott films you can see. Not terrible...just not very good.

The big switch in THE DOOLINS OF OKLAHOMA is that GEORGE MACREADY is on the side of the law as a U.S. Marshall, while RANDOLPH SCOTT strays far from the heroic cowboy image he played in so many previous westerns.He's a hunted man, a fugitive wanted for murder during the era of the Dalton Brothers--and rightly concerned about his survival. As Bill Doolin, he forms his own gang of robbers. On the lam from some pursuers, he enters a church during service and meets a family of church-goers, falling in love with the deacon's daughter. Soon he has a farm, is married to the young lady (VIRGINIA HOUSTON) and wants to go straight and put the past behind him. That is, until his old friends from the Doolin gang show up in town and have other ideas.When his wife learns his real identity, he rides off to rejoin the gang after a talk with her deacon father (GRIFF BARNETT). The western takes a darker turn, the action gets grittier, and the gang members--including NOAH BEERY, JR., JOHN IRELAND and JOCK MAHONEY--have a little more to do, including some energetic fight scenes well directed by Gordon Douglas.With a good background score by George Duning, it's a better than average western with Scott in fine form as the ambiguous anti-hero.