The Daydreamer
The Daydreamer
G | 01 June 1966 (USA)
The Daydreamer Trailers

A young Hans Christian Andersen goes in search of knowledge in the Garden of Paradise in order to make his studies easier. Each time he falls asleep, he experiences in his dreams the different characters he would later write about in fairy tales including The Little Mermaid, Thumbelina, and The Emperor's New Clothes.

Reviews
Comwayon

A Disappointing Continuation

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Aneesa Wardle

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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Ortiz

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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silasandpattiebarnaby

I've always enjoyed Rankin Bass produtions, but this has to be my favourite. The other Rankin/Bas works, are great, but a bit sterilzed so that nothing goes out of bounds. The daydreamer was the first vehicle where Rankin/Bass could be a little loose and have fun, and it was aimed at all ages. I love Ray Bolger weaving in and out of scenes at random, throwing a pie here and there. It was a very clever movie, and by far outshines R/B's monster party.

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whpratt1

Viewed this film many years ago and it always was a great film for children and adults. The cast of actors were all veterans of the screen, namely: Jack Gilford, Ray Bolger(The Tin Man from the Wizard of Oz) and Margaret Hamilton(The Wicked Witch from the Wizard of Oz) and the king of Horror, Boris Karloff (Frankenstein Monster). It also featured the voices of: Burl Ives, Tallulah Bankhead, Terry-Thomas, Victor Borge, Ed Wynn, Patty Duke and Robert Goulet. Karloff was the menacing voice of "THE RAT" in this internationally produced, live-action puppet fantasy. It is a MUST SEE to find out the complete story and ending.

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primus8

The charismatic storyteller from Denmark was never quite like this, but it is none-the-less a profound and entrancing time capsule of fantasy spun with gossamer whole-cloth from the 1960's era. What it doesn't convey with staging and costume and storyline it equally expresses with what it leaves out from the whole of historical relation. The balance weighs it as entertaining, but it is also quite educational. Simply put, keep this one in your collection and pull it out when you feel like retreating into the younger years of a bygone age.

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thomandybish

Those among us who treasure Rankin/Bass' annual holiday specials like RUDOLPH THE REINDEER and SANTA CLAUS IS COMING TO TOWN undoubtably have wondered at some point or another why the production company never tried any full-length feature efforts. Well, they did, with mixed results. The most ambitious effort of several was THE DAYDREAMER, Rankin/Bass' live action/stop-motion animation effort that was apparently supposed to be their masterwork but didn't quite deliver. Sure, it's a children's musical fantasy, and it's cast with a plethora of then-famous movie and television stars, but the whole thing just doesn't work. The story concerns an adolescent Hans Christian Andersen, learning life's lessons as he dreams himself into adventures(the animated sequences)that turn out to be several of the beloved Danish storyteller's famous stories, like Thumbelina, the Little Murmaid, etc. What really puts one's teeth on edge are the live-action sequences with Paul O'Keefe and Jack Gilford as Chris and Papa Andersen. Despite their distracting Brooklyn accents, what really spoils the mood is the degree of disfunction in this family. Papa Andersen is indecisive and easily put-upon by his harpie customers. Chris is selfish and is easily swayed into abandoning many of his new-found friends. Several of the animated sequences are atmospherically dark with less than happy resolutions. The songs are not on par with most of the television offerings, and the film drags intolerably so that, by the time it does end, you really don't care if Chris does get back home. As an adult, I found it hard to sit through, and I can't see a child today(or in 1966)watching this with any degree of sustained interest, with the exception of Tim Burton. And surely, the decision to have Robert Goulet sing the film's theme song was the kiss of death . . .

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