Stylish but barely mediocre overall

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The movie really just wants to entertain people.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It's a risk featuring a child actor in a dominant role in a film; the child's acting maybe be adequate but not convince, or worse, he can produce a precocious, obnoxious performance which can lose the character sympathy. Luckily, Omar Muñoz is both convincing and appealing, which is refreshing, especially as his character Jesus is written as a mischievous scamp.The Dark Hour is a Spanish film which explores an unknown dystopian society.Jesus could be seen as the eyes of the viewer. He lives with a group of what appear to be survivors of a holocaust which may or may not have wiped out the rest of mankind. Their world is a sealed bunker of sorts. It seems to be infiltrated by ghost-like mutants, necessitating regular curfew. The relationships between the others is nicely outlined by Jesus, who seems intent to record a video-diary – however, this is not a found footage film, for reasons that become clear at the story's end.The bleak setting is beautifully conveyed, however the lack of apparent answers until the very end leads to the story dragging a little occasionally. The carefully built-up atmosphere is stiflingly grim, and there is a genuine sense of hope when the remaining characters manage to escape the bunker … or do they? I won't give away the final twist, which is tremendous and haunting. There are elements of zombie films here, although I would cautiously suggest this is better than most. It branches out into sci-fi territory, but is assuredly a claustrophobic horror film.

"The Dark Hour" deals with a group of people formed by eight survivors of an apocalyptical war , all of them are living into a rotten underground surrounded by strange creatures . They cannot leave the complex and they live in an usual state of vigilance . The misfit bunch is constantly in situation of control , as they are besieged by the contaminated mutants who spread a deadly virus and the Strangers , some invisible as well as menacing beings . The older people attempt the children learn about life by teaching them . They try to rehabilitate children who feel no pain or distress . But the food supplies are running out and they are physically suffering and urgently need medicines and weapons , so that they must leave the secure area . What lurks outside the small area they inhabit, however, is so threatening that they dare not even speak of it . Mankind's fate is sealed . There's a final quote during the end credits: "I am become Death, the destroyer of worlds," from the Hindu scripture Bhagavad Gita, as said by J. Robert Oppenheimer after the first nuclear test detonation in Los Alamos.Spanish Sci-Fi/horror film set in a dystopian world full of thrills , suspense , chills and creepy twists and turns . ¨La Hora Fria¨ or ¨The cold hour¨ weaves a fantastic story , about a group of eight people searching for whatever thing necessary for his survival . As they live isolated in crumbling installations , the group is finely performed by Silke , Julio Periñan , Omar Muñoz and special mention for veteran Pepo Oliva as a lonely old man . This scary , bizarre film contains tension , thriller drama , mystery , plot twists and shocks , including decent scares with tense terror sequences especially in its final part , in a creepy as well as amazing denouement . A low budget Spanish production with a timeline that spans through a few days , it is a thriller that begins introducing the varied characters and goes on through until a surprising final . ¨La Hora Fria¨ suffers from some sputtering about a quarter of the way in , the sputtering came from an unique scenario, away from spectacular set pieces and toward a very sad story line , one which suffers from some slow-moving scenes and claustrophobic atmosphere . Interesting screenplay by the same director revolving the mental disintegration of a diverse group and the various amazing surprises they find . The motion picture is pretty well , although sometimes deliberate pacing and packs a lot of turns ; however is entertaining for continuous suspense and intriguing as well as shady atmosphere . The picture is thrilling and some moment brilliant, and the players are quite reliable . Ghastly movie builds taut by showing virtually well staged set pieces , appropriately sinister settings , enjoyable soundtrack and gloomy cinematography . Few disagree that the film is professionally mounted , the performances solid , and that it respectfully carries on the tradition and borrowing several elements of Spanish "horror" films . Furthermore , ¨La Hora Fria¨ takes parts here and there from known films such as ¨Omega man¨, ¨Dark city¨ , ¨28 weeks later¨ , ¨day of the dead¨ , among others . Rousing as well as disturbing musical score by Alfons Conde , a good composer expert on dark atmospheres such as he proved in "Blind Alley" or ¨El Callejon¨ , ¨Viento En Contra¨, ¨Abandoned¨, and ¨Nodo¨or "The Haunting", the latter also directed by Quiroga . Adequate cinematography by Angel Fernández who creates an unique atmosphere , he's Pedro Almodovar's regular cameraman , as he photographed "What Have I Done to Deserve This?" , ¨Matador¨, ¨La Ley Del Deseo¨ . This is a motion picture displaying genuine chills , suspense, mystery and dark atmosphere and twisted finale , being skillfully proceeded by Elio Quiroga and turned out to one of the most unusual Spanish thrilling movies of 2006 and certainly one of the most unsettling . Quiroga is a good director and writer, known for ¨Fotos¨ , ¨Nodo¨ and this his most successful film , ¨La Hora Fria¨ ; he also directed shorts and documentary .

The eight years boy Jesús (Omar Muñoz) has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptical war: the leader Maria (Silke) and her lover Pablo (Julio Perillán); the gays Lucas (Pablo Scola) and Mateo (Sergio Villanueva); the astronomer Magdalena (Carola Manzanares) and the teenager Ana (Nadia de Santiago); the soldier Pedro (Jorge Casalduero) and the lonely Judas (Pepo Oliva). They are permanently is state of surveillance, threatened by the contaminated mutants The Strangers and once a day they have to lock themselves in their rooms without heating to protect against the dangerous ghosts The Invisibles that attack in the Cold Hour. They cannot go to the surface, destroyed by a nuclear war. When they need supplies, medications and ammunitions, they organize expeditions to a store. When the menace of The Invisibles affects the safety of the group of survivors, they need to reach the surface."La Hora Fría" is a great low-budget movie showing a pessimist view of the fate of mankind after a nuclear war. The atmosphere is melancholic and claustrophobic and the story discloses the characters through the innocent eyes of an eight years old boy. I expected to find an explanation to their biblical names, but the film never clarifies. The story recalls "The Omega Man", "Day of the Dead" and "28 Days Later...", but is original and supported by a great cast that transmits fear, panic and lack of hope to the viewer, and by an excellent cinematography, using gloomy colors. I was a little disappointed with the ambiguous conclusion, and I understand that Pedro was right and the group was part of an experiment, but I am not sure if this was the intention of the writer. I believe the director Elio Quiroga failed since he was not able to express his real intention in the last scene. Probably due to commercial reasons, the Brazilian title does not correspond to the original Spanish title, as usual. My vote is seven.Title (Brazil): "A Hora Negra" ("The Dark Hour")

The tone and setting of "The Cold Hour" will instantly remind you of such genre milestones as George Romero's "Day of the Dead", Danny Boyle's "28 Days Later" and Ridley Scott's "Alien", but in his directorial debut, Elio Quiroga nevertheless manages to develop a very personal and unique atmosphere. This is more than just post-apocalyptic survival horror, it's a truly courageous drama that gathers relatively many characters in a very limited number of locations. And even though "The Cold Hour" introduces no less than TWO different types of hostile monsters, the battles against them are only secondary to the character drawings and the often complex relationships & vulnerable understanding between the 9 members of the underground community. The events that put them in this precarious situation are never properly explained, but the protagonists presumably are survivors of a devastating nuclear war that made it nearly impossible to live on the surface. Chemical warfare turned the majority of the population into contagious zombies, the Strangers, that wander around the surface and simply touching them is enough to transform into one yourself. Still, the bravest leaders of the group occasionally have to leave their underground lair in search for food and medication. The Invisibles form another and even greater danger, as they're ghosts that hunt once a day – during the titular cold hour – and spread frosty terror. There are a lot of things going on in "The Cold Hour", but there's very little on screen action or bloodshed. Still, the film doesn't feature a single boring moment as Elio Quiroga puts the emphasis on slowly brooding fear and desperation. You quickly develop sympathy & compassion for the identifiable characters and hope that at least some of them make it out of the adventure alive, but you also realize their chances are extremely slim and as good as hopeless. "The Cold Hour" ends with a, dare I say it, ... brilliant shot that suddenly and completely unanticipated alters everything you think you figured out about the story up until then! Regardless of what your personal opinion is on this shocking twist (either brilliant or disappointing) it definitely clarifies a lot and answers several questions that bothered you during the film. The film is beautifully photographed, with sober and depressing images of the survivor's pitiable living conditions, and the music is often enchanting. The cast is excellent, mainly featuring unknown but professional Spanish players, and even the child-actors were great. Elio Quiroga is currently traveling around the world to proudly present his film at several festivals, so if there's one near you, don't hesitate to see it in the theater. It's one of those films of which the emotional impact is even larger if you catch it on a big screen. Recommended!