Crappy film

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

The movie really just wants to entertain people.

I saw this film at the age of 19 or 20 and it colored my days for some time afterward. The subject matter was heavy for me, as it probably was for most young women living in small towns in the 1950s. Most of us were anything but sophisticated and mature in our late teens.The plot examined those sensitive subjects we were old enough to be aware of and wondering about, but too repressed or timid to discuss with our parents. And my girl friends were little help, as their experience, or lack thereof, was much the same as mine. Preston was great, and I'll never forget Dorothy McGuire, Shirley Knight or Eve Arden for their roles in this fine film. When seeing this movie, I was closest in age to Shirley's character and completely sympathized with her. Had I been going through the heavy stuff she and her family were dealing with, I would likely have been affected in much the same way.What a shame this is not available on video or DVD. It's a film of real substance---far better than much of what passes for good viewing these days.

I was fortunate to find someone who'd saved this film on videotape so I could archive it on DVD. It is one of the more profound films to come out of that period and one which stands the test of time.Rubin Flood (Robert Preston) is a victim of progress. At middle-age, he finds himself losing his job because his boss faces bankruptcy. With the coming of automobiles, no one wants the horse-related leather goods he used to sell. Cora Flood (Dorothy McGuire), his wife, is a victim too. Forced to 'make due' with little money even before Rubin lost his job, she must also face the problems of a her daughter, Reenie (Shirley Knight), as she transitions from adolescence to young adulthood ... and the problems of her son, Sonny (Robert Eyer), as he transitions from childhood to adolescence.Times are tough for the entire Flood family. But, they must come to terms with their problems of love, timidity, suspected infidelity, religious prejudices and the changing times in which they live. While the gadgets may have changed, the problems modern families face are no different than theirs ... making this film one that I think should be 'required' of all high school students to view.I rate this film 10 out of 10 ... and rate Warner Brothers 'zero' for taking a 'dog-in-the-manger' attitude toward releasing this gem on home video. Preston, McGuire, Knight, and Eyer ... not to mention Lee Kinsolving (Sammy Golden), Eve Arden (Aunt Lottie) and Angela Lansbury (Mavis Pruitt) all turn in stellar performances in their roles. Kudos go to Shirley Knight who was nominated for an Oscar in the film and Lee Kinsolving, who only appeared in one more film and a handful of TV shows before his untimely death at age 36. And special kudos go to William Inge (stage play writer), Harriet Frank, Jr. (screenplay writer) and Delbert Mann for his masterful direction of an enduring work.

I just want to comment on how refreshing it is to see a movie about sex and the rather twisted morals of the 50's and 60's. It is like Meet the Beaver meets Ice Storm.

One of the most simple yet moving of William Inge's plays is presented here with some of the finest American actors to grace the screen. This is American cinema at its greatest. Anything else I could say would sound even more trite. If you can find this film (it's never been released on video as far as I know) give it a try. I was able to tape it off of Encore once, and I am forever grateful that they aired it.