The Dark at the Top of the Stairs
The Dark at the Top of the Stairs
NR | 08 October 1960 (USA)
The Dark at the Top of the Stairs Trailers

In Oklahoma in the 1920s, Rubin Flood loses his job as a traveling salesman when the company goes bankrupt. This adds to his worries at home. His wife Cora is frigid because of trying to make ends meet. His teenage daughter Reenie is afraid of going out on dates, but eventually makes friends with a troubled Jewish boy Sammy Golden, and his son is a mama's boy. He finally storms out of the house when Cora falsely accuses him of having an affair with Mavis Pruitt.

Reviews
Wordiezett

So much average

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Protraph

Lack of good storyline.

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Listonixio

Fresh and Exciting

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Contentar

Best movie of this year hands down!

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jpdoherty

Based on the Purlitzer Prize-winning play by William Inge Warner Bros. THE DARK AT THE TOP OF THE STAIRS (1960) was adapted for the screen by Harriet Frank Jnr. and Irving Ravetch. Produced for the studio by Michael Garrison it turned out to be a fairly engaging and entertaining melodrama thanks in no small measure to the well rounded direction by Delbert Mann and solid performances by a committed cast. Although unavoidably static, because of its theatrical origins, it nevertheless was nicely photographed in Technicolor by the great Harry Stradling and gorgeously scored by the studio's legendary Max Steiner.Set in a small town in 20's Oklahoma the story concerns the ups and downs of the Flood family. An average family trying to get on with their everyday lives. The head of the household is patriarch Rubin (Robert Preston) who because of the changing times suddenly loses his job as a saddlery salesman and keeps it a secret from his devoted but angst-ridden wife Cora (Dorothy McGuire). Cora is also mother to their shy and withdrawn teenage daughter (Shirley Knight) and their equally withdrawn adolescent son who is constantly afraid of the dark at the top of the stairs.Wonderfully acted throughout Preston gives a flamboyant portrayal of the irascible but well meaning Rubin and McGuire was never better as the ever worried and brow beaten Cora. Her performance is sensitive and heartfelt. Also fine is Shirley Knight in her Oscar nominated role as the young girl who's heart is broken much too early in life when she falls for the ill-fated Jewish boy Sammy Golden (Lee Kinsolving). But stealing the show is the entrance of Eve Arden as Cora's droll sister Lottie who arrives on a visit with her hen-pecked husband Morris (Frank Overton). "I just can't stand the sound of her voice" he confides in Rubin.Complimenting the whole production is the lovely music by Max Steiner. Full of exquisite themes this is one of the composer's most captivating scores. The main theme, first heard under the titles, is a beguiling waltz. Rubin's theme is a jaunty march-like piece while the theme for Cora is bluesy and reflective. But the highlight of the score is the ingenious little theme he wrote for the teenage lovers. Scored for Harmonica and strings it gives their scenes together a gentle and persuasive charm. The piece became somewhat popular in the early sixties when a cover version was recorded by the Percy Faith Orchestra. Evidently trying for another hit with a Steiner tune after that orchestra's runaway smash with the composer's "Theme From A Summer Place" the year before.THE DARK AT THE TOP OF THE STAIRS has never been released on DVD or VHS for that matter. Perhaps this accounts for it being without a reputation. Pity it's not better known but when it is seen the movie stands up well and all because of its fine production values, its memorable performances, its adroit direction and all wrapped up neatly in a gorgeous and unforgettable musical score.

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bbboomer49-1

I saw this movie years ago and fell in love with it. I have hunted for the video but unfortunately there isn't one. I was lucky enough to find it playing on TV several years ago and taped it. Although I am happy to have what I do, I think it's a shame it is not available for the Robert Preston fans out there. It is a movie that was before its time. It hit on topics that were seldom talked about publicly in the time setting. Topics hinted at but not openly discussed like they do in this film. Robert Preston did a remarkable job as the character, Rubin Flood. Your heart went out to him because you could see through his strong, always looking for the positive, family provider roll. The fear and uncertainty he faced each day as the head of his family and his aging prospects at being successful in the eyes of his family. The film has a glorious mix of humor and drama. Unforgettable!!

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Alec West

I was fortunate to find someone who'd saved this film on videotape so I could archive it on DVD. It is one of the more profound films to come out of that period and one which stands the test of time.Rubin Flood (Robert Preston) is a victim of progress. At middle-age, he finds himself losing his job because his boss faces bankruptcy. With the coming of automobiles, no one wants the horse-related leather goods he used to sell. Cora Flood (Dorothy McGuire), his wife, is a victim too. Forced to 'make due' with little money even before Rubin lost his job, she must also face the problems of a her daughter, Reenie (Shirley Knight), as she transitions from adolescence to young adulthood ... and the problems of her son, Sonny (Robert Eyer), as he transitions from childhood to adolescence.Times are tough for the entire Flood family. But, they must come to terms with their problems of love, timidity, suspected infidelity, religious prejudices and the changing times in which they live. While the gadgets may have changed, the problems modern families face are no different than theirs ... making this film one that I think should be 'required' of all high school students to view.I rate this film 10 out of 10 ... and rate Warner Brothers 'zero' for taking a 'dog-in-the-manger' attitude toward releasing this gem on home video. Preston, McGuire, Knight, and Eyer ... not to mention Lee Kinsolving (Sammy Golden), Eve Arden (Aunt Lottie) and Angela Lansbury (Mavis Pruitt) all turn in stellar performances in their roles. Kudos go to Shirley Knight who was nominated for an Oscar in the film and Lee Kinsolving, who only appeared in one more film and a handful of TV shows before his untimely death at age 36. And special kudos go to William Inge (stage play writer), Harriet Frank, Jr. (screenplay writer) and Delbert Mann for his masterful direction of an enduring work.

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MWATSON16

I'm known as a soft touch when it comes to the films I enjoy but this movie also touched and affected my two teenage sons who accidentally were caught up in it while I was watching it. It is very poignant especially the religious prejudice and the pain & destruction it caused. This is a tasteful story of first love, love lost and love re-discovered. The characters are wonderful. I hope to have an opportunity to tape it or even better to purchase it.

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