Sadly Over-hyped

Pretty good movie overall. First half was nothing special but it got better as it went along.

It's an amazing and heartbreaking story.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Another great film about childhood, this one from Colombia and despite, or maybe because of, the seriousness of the subject matter, one totally devoid of sentimentality. It was director Carlos Cesar Arbelaez's first film and it showed great promise, (his handling of the children alone is impeccable), but since then he has only made one other film which is a great pity. Of course, this is also a highly political film as you might expect and Arbelaez seamlessly ties together both themes. In the central role of Manuel, Hernan MauricioOcampo is quite superb and the film is beautifully photographed by Oscar Jiminez. Needless to say it wasn't widely distributed on its initial release but it cries out to be discovered.

Touching anti-war film about a nine year old boy in a small rural village in Colombia. The boy, Manuel, just wants to play with his friends, all of whom manage to stay fairly oblivious the the civil war slowly encroaching on their town. The rebels threaten those who won't join up (including Manuel's father), and the government troops on the other side are ready to kill any they even suspect of being rebels. It's truly a hellish no-win situation for the farmers and families of this otherwise pretty idyllic farm area.The film is told mostly from the boy's perspective, leading to some interesting contrasts between what we as an adult audience can glean about what's really going on, while enjoying the sweet innocence of Manuel and his friends' perceptions, as they try to hang onto their childhoods. While I respected the film, and even admired it, it's so understated, that it had a bit less emotional kick than I was expecting on first viewing. But it got stronger and more emotional on a second watch, once I was used it it's quiet tone. There were still a few moments that felt a bit forced, and not all the kid actors are great, but neither flaw was enough to get in the way of being left moved and thoughtful.

Carlos César Arbeláez, the listed as the director started by making documentaries in the Nineties including Cómo llegar al cielo, El cine en casa, Casa de mujeres and Negro profundo. This was his his first fictional feature film, and his background of aiming a camera at real people and settings is clearly seen. IMDb does not for some reason list the writer, but if you follow the link to the trailer, at the end it says "escrita y dirigida" which means that Arbelaez both wrote and directed this film; it is his baby, and how proud he should be. The dialog and actions of the characters could very well have been from a documentary, and this includes everyone from the focal adults to the incredible children and even the toddlers and the "attack" dog.This film depicted something that we who live in an ordered political system, even if far from any ideal, never have to experience first hand, a world of eternal lethal conflict where there is no way to opt out and choose to live peacefully. The genius of this film was that the horror of this existence was seen through the innocent eyes of children, in this case who had the comfort of their simple home, family and friends. We sensed the danger around them, but felt somehow protected from it, as they did. And their brand new soccer ball that was the gift to nine year old Manuel by his struggling farm family that was to provide pleasure to the whole gang of kids. A simple toy, that happened to fall down a ravine that while almost accessible, was in a field that had been strewn with mines by the guerrilla forces that were demanding fealty from Manuel's father. How close was the ball to being reached and saved, as close as the vulnerable families who were beset by violence with no way to escape it. How simple and pure is a ball, a device that combined with human creativity can focus the energies of children, and of adults to crescendos of exuberance, whether in a vast stadium or a simple flat area among the hills of a desolate farm community. A true work of rare artless art.

The humble people of the countryside, mostly, not want anything to live at peace with his family and neighbors. Caring for chickens, planting your garden and extract the milk of the cow daily what help them raise their children, are your greatest aspirations. They send their children to school only because they understand that being illiterate involves some limitations, but most are content to learn the skills that help them survive in communion with the earth, plants and animals. The farmer did not understand much -or want to know- about politics, armed groups, no war, let alone understand the worries of power, expropriation and exile that encourage so many men who seem to have been dead soul. But, one day, the sun illuminating the land is colored gray, the rivers and crystal clear water not only flows but, every now and then, drag the dead body of someone who sided or simply refused to stand with one, and in the mountains, the wind does not blow with his characteristic freshness but ill-fated day brings news full of despair. But in the midst of so much pain and distress, children are happy knowing that not everything is perfect. Encouraged the game, the color of the valleys and mountains, the proximity of their pets, the affection of his parents ... and above all, friendship.It is in this environment, where the life of Manuel, the son of Ernesto and Miriam, for whom football has a great meaning, and whose father feels that "the community has nothing to do with the thing they (guerrillas and paramilitaries )". Julián is the big boy friend who collects different types of bullets that have cracked their land. And Genaro, whom they call "Little Light" is the albino child who trying to convince someone - without reason- that for this feature, your life expectancy will be short.Results of a long wait and a few frustrations, "COLORS OF THE MOUNTAIN" It was like those who spend bamboo growing roots long, drawing directions, and calculating the size of the sky, and then emerge with impetus and glory. And then, reaffirms that the great and worthy is almost always the result of an big effort. Emotional and convincing interpretations of those small, without any acting experience, won a huge natural. Well, once more, Hernán Méndez (recycleman memorable in "La primera noche"), as the loving father of small Manuel. And good for Natalia Cuellar, the beautiful teacher who seeks to restore hope of peace to children. This is one of the best, poignant and true stories are told in Colombian cinema. Any recognition that can be made will be well deserved.