Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Now I don't claim to be an expert in the field of catching a child killer, but I'm pretty sure that renting a house next to the road where you think he frequents, and then hiring a woman under false pretenses to be your housekeeper so her young daughter can be used to lure him out into the open, is pretty reprehensible behaviour.And yet, we're supposed to SIDE with rogue detective Richard E Grant's character here, in his mad quest to capture the murderer. The policemen who try to stop him and possibly save this child's life are depicted as being in the wrong... And there's your first problem from the off. What kind of sick mind would say that Grant was justified in his illegal activities? Not me... So a story based on this dodgy premise is difficult to watch when you hate the so- called hero's guts.Aside from that 'slight' misstep, the actual portrayal of the killer is laughable. He has this stuffed dog puppet you see, and uses it to tempt his victims out into the open... Where he slits their throats. The way he voices this cuddly pooch though, could only possibly appeal to babies. No kid old enough to walk would go along with this weirdo, who talks like a lobotomised Play School presenter. And yet, all these young girls he slaughters think it's a 'magic dog' he's holding, and follow him like lemmings walking off a cliff. I didn't buy it for a second.His motives are never really explained... All we know about him is he's a doctor, and he holds tea parties with child dummies at his house. A wacko most definitely, but a bit more information about his background would be nice if we're to be convinced he's a psychopath. Anything would be better than the endless scenes of Grant sitting around taking down the registration plates of cars, or his just-a- little-bit forced relationship with love interest Lynsey Baxter, who of course forgives for him for lying and putting her child in mortal danger at the hands of a predator for weeks. As you do.And if all THAT wasn't bad enough, the acting here can be summed up in one word... hamtastic. What do you mean it's not in the dictionary?! Well, one day it will be. And you have this film to thank for putting the inspiration in my head. Well done, The Cold Light Of Day. You might as well be eulogised for SOMETHING... 4/10

In the countryside of an Eastern Europe country, three little girls are murdered in the wood by a pedophile and found naked with one precise cut on the throat. Detective Viktor Marek (Richard E. Grant), who has come from the city, investigates the case, but his superior Pavel Nowak (James Laurenson) arrests a scapegoat, the pothead Alexi Berka (Thom Hoffman), and tortures the youngster to confess the murder since he is disputing the elections. Marek does not agree with the result of the investigation and resigns his job but continues to track the killer. While following a lead in an old road, Marek meets the girl Anna Tatour (Perdita Weeks) that has a flat tire of her bicycle and he offers a ride in his car to the girl. Then, he tells to Anna's mother, Milena Tatour (Lynsey Baxter), that she should instruct her daughter to not accept ride from strangers.Marek becomes obsessed to hunt down the pedophile and he decides to rent an old gas station in the old road near to the place where the crimes where committed to see the cars that use the road and he invites Milena to cook for him with the intention of secretly using Anna as a bait. Meanwhile the killer is the disturbed pediatrician Vladimir Kozant (Simon Cadell), who puts his eyes on Anna while refueling in the gas station. But Marek has fallen in love with Milena and Anna and he decides to call-off his investigation. "The Cold Light of Day" is a great thriller with murder, pedophilia and obsession. Viktor Marek is an interesting character that becomes obsessed to accomplish his promise to the parents of a victim and changes his life expecting to catch the killer. Anna is a beautiful character, pure and traumatized by her past. In the end, "The Cold Light of Day" is a thriller recommended for viewers that want to see a different and quite unknown movie. My vote is seven.Title (Brazil): "Isca Mortal" ("Mortal Bait")

This was a fairly interesting story but I didn't like the lead actor, Richard Grant, who played "Victor Marek." It's about a British cop ("Marek") trying to trap a sick child killer, and at the same time his mind is on a woman and her kid. He winds up using them as bait to get the killer. In doing so, he lost me. He wasn't a "good guy," himself and certainly not a likable person that we are supposed to root for in the film. Even Richard Grant's looks in here (tell me that wasn't eyeliner on him) were annoying.The best part of the film was the cinematography. This was a nice-looking film on VHS and it's too bad it isn't available on DVD. I wouldn't buy it, but I might rent it to catch the good photography.

Less satisfying than "Silence of the Lambs," but nevertheless haunting, suspenseful, and worth a rental. It was one of those that stayed with me.At heart, it is the psychological study of an ex-cop (Grant)trying to balance two opposing aspects: his compulsion to apprehend a child killer and his growing love for a woman (Baxter) and her young daughter (Weeks). The struggle forces him to confront his own limitations, the denial of which leads to the climax and possible tragedy. This is paralleled by Baxter's convincing portrayal of a mother vacillating between suspicion and trust, fear and love.The film subtly but effectively sexualizes the daughter to give us glimpse of childhood through the psychopath's eyes, a technique which sharpens and crystallizes both the plot and mood. Unfortunately, the psychological study of the killer, though ample, seems week and would have benefited from more attention by the writer.