It is a performances centric movie

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

A Japanese American, Jimmy Mirikitani who survives in the streets of Manhattan by selling his paintings (cats) to by-passers for a few dollars, attracts the attention of the director of this movie, Linda Hattendorf. She wants to know his identity, his past and why he is surviving in such a dreadful manner. She discovers that the roots for his depressing situation were laid out decades ago by the racial treatment of people from oriental origin during WW II in the US. Considered as potential enemies and spies, they were incarcerated in special internment camps. Jimmy Mirikitani never recovered from this ordeal after the war. This documentary is edited like a thriller, with the director in the role of a true detective who unravels all the secrets of the main character's life puzzle. Linda Hattendorf has made a most remarkable documentary revealing some nearly undetectable ravages provoked by war on innocent populations. A must see.

This is not something I would normally go and see. The production company did a horrible job marketing it by putting the main character on the poster and I avoided it a couple of times because it didn't look very interesting. But after I read some good reviews and saw it won the Tribeca Film Festival, I couldn't avoid seeing it anymore. I was totally blown away by how good this film was. It was one of the most emotional experiences I've had in a movie theater in a long time. Better than all the Hollywood films I've seen in years. I felt like a little kid as I cheered for Jimmy Mirikitani as he makes an incredible transformation from anonymous street person to important living artist (the "Grand Master" as he so beautifully calls himself). I wish every person could see this story as a testament to what it means to be human and as an example to foreigners that not all Americans are gun-loving, war-mongering, selfish pricks who care little for the fate of other people, especially foreigners. See this film! I promise you won't regret it.

New York documentary filmmaker Linda Hattendorf should be proud of what she did in filming Asian-American artist Jimmy Mirikitani, his paintings, and his telling the stories of his life of living in an internment camp during World War II. This Sacramento-born, Hiroshima-raised artist is frank and occasionally profane in his feelings of what the American government had done to him especially when he had to sign his U. S. citizenship away, which explains why he initially refuses Social Security. Taking place before and after 9/11, Mirikitani experiences some deja vu when he watches television reports of Arab-Americans being treated like second-class citizens. But with Linda's help, he also talks on the phone with his sister who he lost contact with during the war and discovers a poet daughter of a cousin named Janice, who lives in San Francisco. He also gets his own apartment and starts teaching an art class. The most touching scenes come at the end when he and Linda travel back to where he was interned at Tule Lake. Essential viewing for anyone wanting to know how narrow-minded the American government was during World War II and how far we've come since then. Oh, and the title refers to the many cats he paints.

When film maker Linda Hattendorf stumbles upon Japanese-American artist Jimmy Mirikitani on the streets of Soho, he is huddled for warmth under the awning of a Deli, drawing charming, stylized, joyful pictures of cats. They get acquainted, and she starts filming. The morning of 9-11 she rescues him from the horror and chaos of the streets, and he comes to live with her. They make the "Odd Couple" look tame, and she continues to unravel the stories of his life from his birth in Sacramento 80 years before, to his growing up in Hiroshima, to his return to the U.S. just before WWII---and just in time to be carted off to one of the "internment camps" for Japanese Americans. The film follows Jimmy as he reveals more and more of his past, and follows Hattendorf as she helps him put together a life off the streets, and eventually to a reunion of internees at the Tule Lake Camp in California. This is a loving portrait, exquisitely filmed and told in a way that unfolds without pretense. Even when Jimmy draws parallels between his family's tragedy at Hiroshima and the tragedy of American stereotyping and anti-Arab sentiment after 9-11, the film is not heavy-handed or "preachy." It is simply lovely and poignant.Hattendorf set out to film this interesting character (and wonderful artist---he calls himself a "grand master," and not without reason) and ended up giving him a new existence and helping him tie up many of the "loose ends" of his life---and letting us get to know both of them intimately and without judgment.This is the simple art of film making and story telling at its best.