Very very predictable, including the post credit scene !!!

One of the best films i have seen

Most undeservingly overhyped movie of all time??

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

From director Ronald Neame (The Prime of Miss Jean Brodie, The Poseidon Adventure), any old film with Sir Alec Guinness is definitely worth trying in my opinion. Basically this is the charming story of Edward Henry 'Denry' Machin (Guinness), who finds many ways to rise in the ranks of business and social standing, both honest and some dishonest, and you can't help but like him. It starts with a job in an accountants, and then an invitation to a ball for the Countess of Chell (Valerie Hobson), and he keeps getting more and more money with every new and better job who charms his way into. He also forms a bond with dance teacher Ruth Earp (Mary Poppins' Glynis Johns), they do break up and he finds a new love with Nellie Cotterill (Petula Clark), but in the end, he manages to get to the rank of town mayor. Also starring Edward Chapman as Mr. Duncalf, Veronica Turleigh as Mrs. Machin, George Devine as Mr. Calvert, Gibb McLaughlin as Emery, Frank Pettingell as Police Superintendent, Joan Hickson as Mrs. Codleyn and Michael Hordern as Bank Manager. Guinness doesn't have to try to be nice and charming, he is so natural and I just found myself smiling all the way, and the support of Johns and Hobson are good too. I can see what the critics mean when they say that it is trying to present itself like an Ealing Studios comedy, but it doesn't matter, it is a nice pleasant film. It was nominated the Oscar for Best Sound, Recording. Sir Alec Guinness was number 12 on The 50 Greatest British Actors, he was number 2 on Britain's Finest Actors, and he was number 11 on The World's Greatest Actor. Good!

I first saw this film a number of years ago and had never forgotten it. I took the opportunity to watch it again recently and realised what a little masterpiece it is, based on a timeless premise of rags to riches. Each member of the cast is faultless and the direction is superb, Guiness shows what a consummate actor he was admirably supported by some of the fine character players of the time. Glynis Johns plays manipulation and seductiveness to perfection ably supported by Valerie Hobson and Petula Clark as the other central women working to the finely crafted screenplay. To me it ranks along with the finest Ealing comedies. The Card is an example of British film making at its best.

The Card must have been an interesting if somewhat painful film for Alec Guinness to make. This might have been the most autobiographical piece of work Guinness ever did.In The Card Guinness plays the son of washerwoman who learned early on to keep an eye out for the main chance and always strive to improve yourself by whatever means. In real life Guinness's mother should only have been a washerwoman In fact she was a prostitute who never married his father, whomever that could have been. In real life Guinness overcame bigger obstacles than his character in The Card ever did.But I'm sure he drew from real life in playing Denny Machin. Guinness in 91 minutes goes from a humble clerk to a position of real power in his area of England. The story is how he did it, the legal and extralegal methods employed and the people he used. When you think about it, The Card is a kinder, gentler version of Room At The Top.Guinness courts two women on his way up, Valerie Hobson the widow of a local lord and dancing instructor Glynis Johns. Glynis is quite the climber herself as we learn when the story unfolds. In fact she nearly steals the film from Guinness, no easy task.The Card which was released in the USA under the title of The Promoter is a good followup to such other Guinness everyman roles like he had in The Lavendar Hill Mob. The screenplay is quite good, I was kept very entertained seeing how Guinness could always make lemonade out of lemons. Definitely required viewing for Alec Guinness's legion of fans.

One of the greatest British comedies of the 1950s and one of Alec Guinness' most satisfying roles early in his long career. As Denry Machin, son of a washerwoman and the "card" of the title, Guiness brings to life one of the almost forgotten stories about the "five towns" (Stoke-on-Trent) of Arnold Bennett. The old-fashioned and very English word "card" had to be translated into the American title "the promoter", but that is a far less accurate description of Denry Machin's combination of charm and opportunism.He is supported by four magical actresses, in sharply contrasted roles. Gold-digger Glynis Johns, her friend Petula Clark, aristocrat Valerie Hobson and mother Valerie Turleigh are all charmed in their different ways by Guiness' smiles as he "gives providence a helping hand". William Alwyn's music is perfect, with a jaunty theme-tune that has lingered in my memory for more years than I care to remember. Ronald Neame's direction, also at the start of an impressive directorial career, brings the best out of Guinness, although the setting is disappointingly 'comedy-Northern' rather than specifically Stoke-on-Trent.Overall a delightful film, and the perfect pick-me-up after watching a depressing Hollywood block-buster (Million Dollar Baby). And watch out for one of the movies' great sign-off lines, from Valerie Hobson.