Plot so thin, it passes unnoticed.

Most undeservingly overhyped movie of all time??

Beautiful, moving film.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

The title of this film is appropriate and describes well what the outcome of the conflict will be. Gerard Depardieu, working with co-director Frederic Auburtin, take us back to a not too distant past to an easier time. The flavor of the film is typically French.It's easy to see why Mina, the ravishing looking young woman at the center of the story, seems bored with her present situation. She has married a man that is, in some ways, a loser, to her eyes. Georges doesn't seem to share the same interests Mina, especially for the movies. Georges, an unemployed man, prefers to spend his time at the local pub, playing cards and drinking. As a couple, one wonders what has kept them together so long. She is a beautiful woman and it's hard to see what attracted her to Georges.Mina, on the other hand, jumps at the offer she gets from Claire, a wealthy woman in her town, who offers her a job as a housekeeper. When she meets Matthias, Mina loses all inhibitions and becomes involved with this man that is the opposite of her husband. Tommy, the son, plays a significant part in the affair. Mina has involved him from the start; this young man, instead of being horrified by what his mother is doing, shows a perverse side when he goes along in keeping his mother' secret.The last scene of the film offers a poignant reflection on the movie in that Mina and Georges' separation is permanent, as their lives have taken them in different directions.Carole Bouquet is a gorgeous woman. By pairing her opposite Gerard Depardieu, the contrast is even more evident. Despite of the costumes she is made to wear, one can see in her Mina an elegance that tells us she does not belong in this marriage, or this town. Mr. Depardieu's Georges is a man that reacts with resignation to the break up. By being philosophical, after trying to reason with Mina, he conveys to us that he knew this would come as their relationship went nowhere.Charles Berling, is seen as Matthias, an engineer who is in charge of the construction of the bridge. He is a married man, who will probably will end the affair and go back to his wife, as most of these romances have a certain time span. Stanislas Crevillen, plays young Tommy. This boy shows a cruel side toward his father, although nothing seems to be wrong in their relationship.This film has elicited some negative comments in this forum, but in spite of that reaction, the movie will be appreciated for the frankness in which these people tell one another where they stand and for not beating around the bush in denying or hiding the truth. Adultery, after all, is a fact of life that shows its ugly face in all types of society.

Gerard Depardieu can sometimes come off on screen as an oaf and other times he can be smooth and charming. I think his direction in this film can be described as the latter. This film starts out in 1962 in a small French city where Georges (Depardieu) is looking for work and decides to apply with a construction company that is going to be building a bridge. Georges wife Mina (Carole Bouquet) is bored with her life and goes to the cinema as often as she can with her son Tommy (Stanislas Crevillen). One day at the cinema Mina notices a man near her crying during the film. After the film they talk and he introduces himself as Mathias (Charles Berling) and it turns out he is her husbands foreman at work. Soon Mina and Mathias are having an affair while Georges is away with the work crew. I liked the pedestrian pace that Depardieu sets for the film and the cinematography is very well handled. Its a very good looking film and it surprised me that Depardieu could be so impressive directing. They're is a lot of symbolism in this film and of course its apparent that the bridge that Georges is lending his hand to build represents an exit out of their relationship. Another thing that I found interesting was the tomato plants that Georges seems preoccupied with, they seem to also symbolize George and Mina's marriage and when George knows his marriage is in trouble he spends his time tending to the tomato plants.*****SPOILER ALERT***** The last scene pretty much sums up where both characters are headed in life. They both meet by accident at a gas station and both of their cars are pointed in different directions. Film is written with a very mature focus to it and when Georges finds out about his wife he's not violent and doesn't make a big scene. He seems to understand it. No, he doesn't like what has happened. But he's such a level headed lug that it would be wrong to argue. Some viewers complained about the slow pace, but I found it refreshing. The characters stand out even more when a film is paced this way. Hollywood, are you listening?

"The Bridge" is a slice-of-French-life flick which, like many French films, is fatalistic, character-driven, and an almost plotless film about life. The film tells of a middle class housewife and mother who has an affair. The adulterous relationship is treated cooly by the husband (Depardieu), the wife (Boquet), and her lover (Berling) in this film in which, beyond the principals, everything else is just so much window dressing. Well acted, not particularly artistic but technically okay, "The Bridge" will appeal most to aficionados of French cinema while other will miss the sex, nudity, melodrama, and other appurtenances of a typical Hollywood product.

Carole Bouquet is a revelation as a woman approaching middle age (a long way from her Bond girl origins), and Charles Berling and Gerard Depardieu are in their usual top form. But the screenplay, adapted from a French best seller, but with a radically changed ending, is not the French BRIDGES OF MADISON COUNTY as some claimed. The screenplay tells an all too familiar story that even its excellent actors and technical team cannot overcome. In its fourth week of release, the public and the critics reflect these sentiments.