This is How Movies Should Be Made

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

After playing with our expectations, this turns out to be a very different sort of film.

A clunky actioner with a handful of cool moments.

It says much for the skill of director Phil Rosen that we are actually able to follow this film's corkscrew narrative quite well, despite its trick opening (which is solely designed to form an excuse for the title), extremely complicated plot and multiple impersonations. Many of the players – in fact more than half the principal cast – are not what they seem. And this applies to small-time players as well as the stars. So credit must also of course go to the cast, particularly heroine Dorothy Tree, plus "Duchess" Mary Doran, Paul Fix as the innocent guy that hero Onslow Stevens has railroaded into prison, Lafe McKee as a sympathetic heavy, John Kelly as the cabbie thug, Robert Homans as the homicide captain who deserts his post to aid the reluctant hero, and Onslow Stevens as the dumb bunny hero himself. About the only members of the cast who not leading double lives are dull, no-brains Stevens and defense attorney Selmer Jackson. Directed with a sure hand by Phil Rosen, Bridge of Sighs (sic) is available on very good Alpha DVD.

With a novel beginning - a girl Marion (Dorothy Tree) is being mercilessly cross examined in the witness box. The deputy District Attorney ((Onslow Stevens) then asks her out to dinner - they have been fooling around in an empty court.Mary has a few secrets. When her brother Harry (Paul Fix)is arrested for a night club murder she decides to hire hot shot lawyer Alan Adams. When Harry refuses to tell the truth about himself he is convicted and sent to prison. I don't know how but next thing Marion's aunt and uncle get a cryptic wire from her. She is also going to prison as an accessory - she wants to find out all she can about the Duchess, the girl she is convinced is the real killer. Mary Doran, who had a memorable career - she played the fiery chorus girl in "The Broadway Melody", the other woman in "The Divorcée" and in occasional Jean Harlow films - usually inmates!!! - she plays Duchess.An escape is planned for Duchess and when it happens Marion (or "Mary") goes with her . The Duchess's boyfriend, Arnie (Walter Byron) orchestrated the break and instantly takes a shine to Mary. The police find their hide-out and set up a wire so they can hear their plans - but Arnie cuts the wire. While there Mary sees people that gave false evidence in court. Among them, an elderly man seems to be intimidated by Arnie but Marion convinces him to do the right thing for the sake of his son. Before they can get away Arnie arrives and knocks the old man down - he does not come into it again - what happened to him!!!! There is a car chase and of course Harry is exonerated of the crime.It is okay. Again the big plus is seeing stars on their way up or down.

This film is missing something. It's a sense of order. When it's all over, the whole thing is very confusing. There are so many plot holes and convenient events that it just doesn't work. What was that crime exactly and why did the guy get nailed so badly? And how could that girl be thinking so fast as to keep the gun? And why did she end up in a prison with rooms that looked like the YMCA with weapons all around? And why wouldn't she tell? It's so full of things that just wouldn't happen if a man's life was at stake. Then there are the criminals who set things up and the double cross. It's a veritable mess of events that just don't wash, even in the world of the low budget crime movie. The actors also look like they are a bit bored and have nothing to work with.

Phil Rosen directed many films of this type - - "B" crime themed melodramas - - and always with efficiency, as in the case here, a low budget Invincible Pictures Corporation production that, although replete with expected shortcomings, possesses those elements that result from the presence of stage experienced players acquainted with developing largely hackneyed scenes and dialogue into sequences that will provide entertainment for themselves as well as to an audience. Onslow Stevens, frequently cast as a heavy, here performs as Jeffrey Powell, New York City Deputy District Attorney who just happens to be at the scene of a nightclub homicide, following which he is tasked with prosecution of the accused, Harry West (Paul Fix), who distressingly is somewhat mysteriously connected with Jeffrey's romantic target Marion Courtney (Dorothy Tree), the latter not being convinced of West's guilt and ostensibly having such a profound interest in the case that she decides to personally involve herself in an attempt to find whomever might be the actual killer. In some unknown fashion, Marion creates for herself a lengthy criminal history, becomes arrested for an unknown crime, subsequently convicted and assigned to the state prison wherein, naturally, resides "Duchess" (Mary Doran), moll of the man, Arny Norman (Walter Byron), suspected by Marion as being the true murderer, escapes with the other woman, following which the pair flees to the residence of Norman who is in hiding from yet other evildoers due to gambling debts, and so forth, with logic not expected to befog a nonsensical plot that careers toward a climax that mixes puerile violence with farce. The film's title refers to a covered and enclosed walkway bridging from a courthouse directly into a prison, only vaguely evocative of the Venetian original. Tree works hard at making something of her role and the film includes several episodes that feature rather witty dialogue, but this is an unmistakable product of skimpy resources benefiting largely from the editing of Ernest Nims (his first English language assignment) that keeps the action moving briskly, leaving little opportunity for a viewer to focus upon the plot holes and glaring lack of sense.