hyped garbage

A brilliant film that helped define a genre

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Evil Oriental mastermind Fu Manchu (CHRISTOPHER LEE) abducts ten beautiful girls from around the world whose fathers are distinguished scientists and engineers. He then forces them to construct a "death ray", which generates phenomenal energy through radio waves. First he uses his new weapon to destroy "The Windsor Castle", an ocean liner, which was carrying several VIP's in order to show the world the extent of the damage he could do unless his demands are met. His next intended target is London's "St Paul's Cathedral" where an international arms conference is to take place. Nayland Smith (DOUGLAS WILMER) must locate his arch enemy's new installation and destroy the weapon, but in such a way that the lives of the girls will not be threatened.THE BRIDES OF FU MANCHU was the first sequel to the popular FACE OF... (1965), which went into production at the legendary Bray studios (once the home of the Hammer horror factory) on 12 January 1966 while its predecessor had barely completed its run of the UK's cinemas. The film also came with a huge publicity stunt, in which Lee would travel around different countries in Europe and select ten suitable girls (not necessarily an actress) to be Fu Manchu's brides in the film.THE BRIDES OF FU MANCHU is in no way as stylish as its predecessor, but its not bad as sequels go with the James Bond style plot carrying a little more weight than any of its subsequent successors. Director Don Sharp was wisely retained in the director's chair along with Cinematographer Ernest Steward whose lighting did so much for the first film. Between them they still brilliantly recreate the period atmosphere of 1920's London giving it a Conan Doyleish edge. The main problem with the film is that the script places more emphasis on torture and sadism here (one of the faults in subsequent entries) like when Fu Manchu forces one of the girls (in a state of trance) to throw another into his snake pit so the light-heartedness of the original is gone. A more explicit version filmed for overseas audiences apparently exists and Douglas Wilmer who was very popular on British television at the time as Sherlock Holmes is a disappointing substitute for Nigel Green as Nayland Smith.In summary, though by no means a perfect film, The Brides Of Fu Manchu is still the last of the good Fu Manchu's. From this point on the series was to sadly degenerate into shambling nonsense with lacklustre scripts, lower budgets and poor overall execution.

I love these old movies that were made when the words 'politically' and 'correct' were never used in the same sentence together. It is a bygone age of cinema where it was as simple as 'he's the good guy, that's the bad guy, sit back and be entertained'. Once again Christopher Lee absolutely owns the film whenever he's on the screen, such is the attention the man commands. Fu is a diabolical genius, he would probably be branded a terrorist in today's times. He has abducted the beautiful daughters of some of the world's prominent political figures and is using them to manipulate world politics. It's up to the equally nutty British cop Nayland Smith to cross swords with Fu (once again) and stop the yellow peril!! Not as good as 'The Face of Fu Manchu' but enjoyable nonetheless.

This is the sequel to 'The Face Of Fu Manchu'. Once again Harry Alan Towers is the writer/producer, Don Sharp is the director, and Christopher Lee plays the fiendish Dr Fu Manchu, criminal mastermind. Fu Manchu's arch enemy Nayland Smith is played this time around by Douglas Wilmer ('The Vampire Lovers'), replacing Nigel Green. I miss Green but Wilmer is pretty good and Lee is terrific as always. Smith's Watson-like sidekick Dr. Petrie is once again played by Howard Marion-Crawford, and Tsai Chin returns as Fu Manchu's evil daughter Lin Tang. Horror buffs will get a kick out of seeing Heinz Dracher ('Circus Of Fear') as Franz and Rupert Davies ('Witchfinder General') as Jules Merlin. Also keep an eye out for Burt "Kato" Kwouk as Fu Manchu's assistant Feno. The plot concerns Fu Manchu's development of a death ray with which he plans to dominate the world. He kidnaps beautiful girls from various countries who are the daughters of prominent scientists or politicians to force them to cooperate. But Nayland Smith (who is kind of Sherlock Holmes to Fu Manchu's Moriarty) is soon onto his scheme and it becomes a race against time to stop Fu Manchu from taking over the world. I always thought that Sax Rhomer's Fu Manchu was a terrific villain, but in these politically correct times it's unlikely we'll see him return to our movies screens. Even the recent comic adaptation 'The League Of Extraordinary Gentlemen' left his character out. Lee makes a perfect Fu Manchu even if he is sometimes let down by a mundane script and budgetary limitations. 'The Brides Of Fu Manchu' is just as entertaining as 'The Face Of Fu Manchu', so if you enjoyed the first movie you'll have fun watching this one. There were three more movies in the series and it is generally thought that each was progressively worse than the last, so proceed with caution...

The nefarious Fu Manchu is bent on world domination, and he has built a heinous gizmo in the Atlas Mountains of French Morocco which will bring the world's governments to heel. His contrivance is able to transmit massive energy charges in the form of soundwaves. In order to handle the technology, Fu Manchu needs western scientific experts, and he acquires these men by the fiendish ploy of kidnapping their daughters (all beautiful 20-somethings) and threatening to chuck the girls into his ghoulish snakepit. Unfortunately for the Chinese arch-villain, Assistant Commissioner Nayland Smith of Scotland Yard is on the case ....If the 'Fu' films which came after this one were considerably worse in quality, then they must have been execrable. This dire effort is difficult to watch, and two reviews would not be sufficient space to list all the improbabilities and nonsense contained herein. Portentous music and mock-heroic acting by Douglas Wilmer (Nayland Smith) and Christopher Lee (Fu) sit uneasily with cheap fibreglass sets and weak stunt choreography.Nayland Smith and his sidekick Dr. Petrie are obviously meant to be Holmes-Watson imitations. The film is set in some vague period of the early 20th century, with Edwardian touches (uniforms of jailers and nurses, telephone handsets) but with aircraft and automobiles of later periods. Marie Lenz (Marie Versini) dresses like a 60's girl, with her short skirts and mink coat. The captive girls and Fu's daughter Lin Tang (Tsai Chin) sport the ultimate in 60's lacquered coiffure, which seems to stay in place no matter how they are chained to pillars, held over snakepits or roughed up by Fu's guards. One of the girls has a very exposed black bra, hardly an Edwardian garment.When Marie and Franz are attacked near the Tower of London, Fu's men obligingly come at Franz one at a time, rather than overwhelming him - a curious behaviour trait repeated elsewhere in the film. Marie is a nurse, but she attends the ballet in a mink coat and sits in the royal box."They live only to serve me," says Fu of the beautiful girls whom he can hypnotise with a glance. So why does he chain them to pillars? Petrie has a suspiciously modern-looking wireless set in his home, and an even more suspiciously convenient uncle at the BBC. Nayland Smith laughably orders 'three carloads' of police officers to accompany him to Limehouse, and makes a personal call to the Home Secretary on a whim. Worse follows.Bert Kwouk, the ever-present British-Chinese actor, plays Feng, Fu Manchu's reliable technical boffin. Feng is worried about the power loads that Fu is demanding, because they might start a 'chain reaction' (an electro-magnetic chain reaction? huh?) Nobody even attempts to explain how the millions of tons of equipment found its way to Morocco and got assembled without the knowledge of the French authorities. Why do the men in the sham police vehicle drive to the scene in Fu costumes, and put on police uniforms once they are in situ?At the end, the ominous voice of Fu Manchu tells us that we will hear from him again. That is the most dreadful moment in the film - the threat of a sequel.