not horrible nor great

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

After a series of strange communication failures in a small town, a rescue party finds the cause to be rooted in a strange alien-like parasite from the Earth's core latched onto the necks of the townspeople, leaving them to stop the impending invasion.This one wasn't all that great but is certainly worthwhile. The big thing with it is the fact that the film is not even an hour long, so it's got major problems already in trying to cram enough material that actually works in a decent, full-length release into a shorter amount of time, rushing along through everything despite their being no need to do so, cutting down the action to a few brief inserts that are fun but definitely could've been stretched out, a totally pointless narration running over everything that doesn't need to be there and several other rather big problems that really don't help to elevate it's 50s Sci-Fi origin, admittedly fun suspense in the part of who's under the spell and who isn't and what happens once the creatures are loose, which is barely explored but could've been good. Overall, this one was fine but had a lot of problems going for it.Today's Rating/PG: Mild Violence

Were it not for the presence of two men who scored great success later on television, Ed Nelson on Peyton Place and Leonard Nimoy on Star Trek, The Brain Eaters would have no reason to be remembered. Then again with your half eaten cerebrum it would be impossible to remember this film anyway.It's not monsters from Outer Space, but a collective of Borg like parasites, speaking of Star Trek, from the Earth's core who've come to the surface in rural Illinois and start invading the populace of Riverdale. When they take over the police authority and cut communications from the outside, our intrepid heroes led by a US Senator of all things have to deal with them on their own.Ed Nelson and Leonard Nimoy play two of the scientists. But the saving grace of the film if it has any is the performance of Cornelius Keefe as the blustering United States Senator who is most aware of the prerogatives of his office and ain't gonna let no aliens, parasites, whatever stand in his way.Leonard Nimoy's name is misspelled in the credits and for reasons of posterity he probably considers it a blessing.

Brain Eaters, The (1958) ** (out of 4) AIP sci-fi about a ground an alien like critters that attach to the neck's of humans of suck their blood out. This is a decent time killer since it runs just over an hour but God knows this isn't the greatest film the genre has to offer. The low budget nature adds a lot to the film and the alien things are actually pretty neat and work well with the small budget. The performances and direction aren't anything to write home about but if you like silly little "B" movies then you might enjoy this one. The film would have worked a lot better without the Dragnet like narration.

I found this movie amusing for its low budget effects and several flaws in its continuity. The most frequent flaw was the splicing of scenes in which it would appear to be day and then night and back and forth. Despite, or perhaps because of its flaws, I liked it. It does help if you like 1950's "B" sci-fi films and Shostakovich to start with.In addition to the plot strongly resembling Robert Heinlein's "Puppet Masters", the music was also not original. I could find no evidence that there ever was a "Tom Jonson" who wrote any music for this film or anywhere, ever. Most of it was taken, uncredited, from Dmitri Shostakovich's symphonies 1, 5, & 10. I also recognized an excerpt from Sergei Prokofiev's music score for the Russian language film Alexander Nevsky. At the time Brain Eaters was distributed these composers were not as frequently performed in the US and their music would not have been familiar to almost all movie goers. Both composers were from the Soviet Union (Prokofiev died in 1953). They were perceived as Communist and there was a certain amount of prejudice and/or fear about performing it. During the cold war it would also have been difficult for Shostakovich to pursue legal action against the film company if he even knew his music had been used. I suspect this is exactly why this music was used. I also would not be surprised if it turns out that the source of the performances were records purchased at a record store and the musicians were not compensated either. The credits do not list any orchestra(s)/conductor(s). The editing of the background music was also poorly done. There were several places where the music did not transition smoothly to the next scene or even within the same scene.