The Boston Strangler
The Boston Strangler
| 14 March 2006 (USA)
The Boston Strangler Trailers

Boston, Mass. 1962. The dawn of the serial killer was at hand. Thirteen innocent women were brutally slaughtered by a faceless monster. Now, through the eyes of the killer himself, we are taken on a sadistic journey from the jail cell to the grave, reliving each terrifying event one murder at a time.

Reviews
SmugKitZine

Tied for the best movie I have ever seen

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Steineded

How sad is this?

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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me-2392

Some extra-dark version of Samuel L. Jackson spends over an hour berating an investigator with severe cystic acne scarring. Annoying full-length shots of women being overpowered and strangled without any real sexual violation, even though the killer(s?) are supposed to be sexually driven. At some random point, some Tim Gunn-type man takes over investigation, advised by his distracting bowties. Flashbacks to the most lame murders of the movie. Boston has an ugly skyline and contributes nothing to the film. Accents change as drama escalates. Random clichés such as "innocent until proved guilty" randomly uttered by cast. Acting on par with that of my first play in elementary school.

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coffeepro

Right off the bat I noticed the same thing another reader mentions... the longish, styled 70's haircut the lead detective is sporting. NO police force allowed hair like that in 1965! Also annoying is the fact it is set in Boston, yet I hear ZERO Boston dialect! If you listen carefully there are a lot of phrases that didn't come into vogue until at least the 90's. I realize this is being nitpicky.. but c'mon these were obvious and very easy fixes. Who writes this junk anyway? The frequent night shots of the Boston skyline (same shot repeated over and over) were also annoying. If the set pieces matched the actual time frame I might have boosted this up a notch.

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charlene_boyle

This is a movie that works around a detective taking the confession of "the strangler." 90% of the movie is between the detective and the strangler talking. We are taken briefly through each of the murders, perhaps too briefly. There are a couple sections in the movie towards the end where it jumps ahead in time way to quick. It feels like the director decided to just finish the movie and wanted the quickest way there without resolving much of anything. So while you may have been into the story you feel cheated by the abrupt ending.It is apparent that it is a low budget film but thats not all that important since there are few scenes that are not the confession scenes. I would assume that is why the director failed to go into detail with the murders individually (to cut costs). As a suspense it is OK... an interesting watch. If you don't expect a lot from the movie you won't be disappointed.

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tilltugg

I've always had a thing for 'serial-killer-murder-movies', so of course i jumped at the chance to view this one. I'm sure that it has it's qualities, but the music... holy cr... I mean, c'mon. There's this underlying synth-thingie that becomes more or less audible depending on what's being said. That may work in some cheezy horrorflick... but it really put me off this one. Sad but true.I found myself listening more to the "crescendos" of the music rather that what was being said. So.. i cannot honestly say that I've seen the movie.Am i being picky? mayhap, but since i could not get past the (sort of) music, there was little or no treasure for me in this one. :(

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