Why so much hype?

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The saga of Bonnie and Clyde has fascinated me since I was a kid. The classic 1967 film was probably the first adult movie that my parents let me watch; of course, TV greatly edited it, so when I saw it in its unedited state decades later, it had a larger impact. The songs of Frank Wildhorn and Don Black added soul to their characterizations in 2011, but as deeply touched as I was, I couldn't find my singing along with unrepentant killers. Even so, the twin soliloquy of "You Love Who You Love" stayed with me even though the show died a quick but painless death on Broadway.So there we are, and I have finally gotten to the 1958 American International drive-in cult classic, showing Dorothy Provine as the sociopathic version of Bonnie Parker, altering the story just a tad, changing important character's names, and taking away the desirability of Faye Dunaway and the sultriness of Laura Osnes. Provine is unapologetically vile, seeming like a sorority girl from hell playing gangster for Halloween. Jack Hogan seems swallowed up by her as Guy/Clyde, making her seem like the leader of the gang rather than an interloper. His brother and his wife fave been altered too with a name and marital status change, and they involve Bonnie's estranged jailbird husband (Richard Balkayan) into the story, at least adding one true detail not in the Arthur Penn version. I can see why this has a cult following and why it appealed to the lost generation of frustrated teens in the late 1950's. But like other gangster bio's of the late 1950's and early 1960's, it never feels like the era it's set in. Rothstein, Capone, Diamond, Floyd, all period stories with a modern style that never tried to step on the time machine to 25 years earlier. The time flow changes in badly edited in setting information that seems like it's off a bad TV documentary. Keeps em' on the cult list, but off the classic list.

BONNIE AND CLYDE happens to be my favorite film, but as far as "exploitation" flicks go, this one is much fun and I wish I owned it. Ms. Provine is a jewel - sassy and bold and beautiful! Sidney Lassick from CUCKOO'S NEST has a small part as well. A 5 out of 10. Best performance = Dorothy Provine.Late 50's and 60's exploitation flicks come with varying qualities, but this should be a camp classic, for it's inaccuracies, name changes, and outright hilarious dialogue, but Ms. Provine is a tough little cookie and means what she says and makes it a worthwhile film experience. Definitely hunt this one down!

The Bonnie Parker story is very different from many other American International movies. It doesn't deal with monsters or spaceships, but with a tough gangster, Bonnie Parker. Bonnie is played very well by Dorothy Provine, who's absolutely smashing in this picture (for all 50s style fans: she's a very good reason for watching this movie!). The story may not be as truthful as "Bonnie and Clyde" (1967), but there are many similarities between these two films. A difference is the fact they changed Clyde Barrow, Bonnie's partner, into Guy Darrow. I don't know why they did this, but it may very well be AIP wasn't allowed to use the real name, as has been the case with many classic true stories made in those days. Considering the low budget they had for making this movie, it's very well done. Some people complain about the 50s style approach to the story and to the music, but it didn't bother me at all. If you like the 50s style B-movies, you'll love this one!

AIP makes a 30s gangster movie, starring a very 50s looking Dorothy Provine as bombshell and bank robber Bonnie Parker. Why the screenwriters felt compelled to keep Clyde Barrow OUT of the story is only one of the confusing things about this film; instead they substituted a character called Guy Darrow!! And dig the so-close-to-rock-n-roll-it-made-me-put-on-my-blue-suede-shoes music on the soundtrack. Obviously aimed at the teen market of the time, The Bonnie Parker Story just looks weird now. Provine is actually pretty good if you can get past her Mamie Van Doren hair and bustline, but there's not much else to recommend here.