Sadly Over-hyped

Don't Believe the Hype

Although it has its amusing moments, in eneral the plot does not convince.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Mickey Rooney received an Oscar nomination for Best Actor in a Supporting Role in this movie which presents a small group of American soldiers in Italy in 1944. Three types of soldiers are presented here, based on their reactions to their first encounter with the German enemy while in Italy. Rooney is the energetic and a happy go-with-the-punches soldier. Wendell Corey is a fairly well balanced soldier but is unable to kill the enemy when he is faced with the possibility. Don Taylor is a superman in battle situations but has trouble when faced with normal human spiritual matters, no doubt stunted by his upbringing. Nicole Maurey is a local Italian prostitute, forced to sell herself for survival.

Set in a unit of the U.S. infantry during the Italian campaign of 1944, this focuses on three soldiers. Fairchild (Wendell Corey) whom in civilian life had got by doing very little after marrying a rich woman, further doubts himself after failing to kill an enemy sniper. He is saved by his sergeant, known as Preacher (Don Taylor) a puritanical bigot whose upbringing has left him with all sorts of hang-ups with the notable exception of "Thou shalt not kill". Extrovert Willie Dooley (Mickey Rooney) is a compulsive and successful gambler, obsessed with winning as much as he can to set himself and his family up in the restaurant business after the war.This is a mostly gripping film which succeeds in portraying the heroism, courage and spirit of self-sacrifice demanded of soldiers in battle without glorifying war. The leading actors are all good with Rooney's fast-talking ebullient character particularly memorable; his marathon crap game provides the film's funniest moments. Nicole Maurey gives a sensitive performance as a beautiful Italian girl with whom Preacher falls in love, prior to callously dumping her on learning she's previously been with other men for money to survive. Perhaps best of all is Wendell Corey, one of those actors who could create believable characters with hidden depths, while apparently doing very little, who brings a quiet integrity to the part of Fairchild. It's all introduced with a rousing march, to which Mickey Rooney supplied the lyrics.

I recently viewed this movie after not seeing it in several decades. It had always stuck out in my memory as one of the best of the 1950s war movies.The writing was excellent, a great story of men in war, the brave, the bold, the fallen, the fallen women, and the pious men. The crux of the plot concerns a religious zealot that disdains alcohol, women and gambling, yet feels no empathy at blowing away the enemy. God and Country I guess. As the story progresses, he feels betrayed by his comrades.The problem I had, was that during the first half of the movie, the acting seemed stiff and all but Rooney seemed to be over-acting...to the point of parody. Then about half way thru, things pick up and so does the acting. I wonder, since Rooney is "un-credited" as one of the directors, perhaps he stepped in to pull this one out of the fire.The crap game is legendary, and the final action is quite good. The ballad sung over the opening credits and at the conclusion are an added bonus.While not quite as good as "Attack"(1956) or "The Steel Helmet"(1951) this is still fun 50s war stuff.

This low-budget, old-fashioned film, set in Italy during World War II, is probably best remembered for Mickey Rooney's Oscar-nominated performance in a supporting role. And he does steal the show as Dooley, the fast-talking soldier with a dream. But the primary plot revolves around Wendell Corey and Don Taylor's roles as soldiers with very different approaches to war, and life. Corey and Taylor also do fine work, if less flamboyant than Mickey's. The film is extremely well-plotted, in a way that's very rare in today's movies, and the screenplay also was Oscar-nominated. It's a thoughtful piece with something to say about human character. The film has basically disappeared from view. It never appears on TV, and is very hard to find anywhere. But if you come across it, it's well worth viewing.