Purely Joyful Movie!

It is a performances centric movie

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

The first picture of Mickey's decline from stardom after the previous year's Words and Music where his terrible performance pretty much ended his tenure at MGM. It's fitting that it's a racing movie because it's a skid picture for the Mick without question.After years of the plush surroundings at Metro this low budget loser must have come as a rude shock. He's overly earnest as was typical of his starring career which was endurable in parts where he was the brash teenage Andy Hardy and similar roles but as he aged became arch and annoying. The story is standard cocky hothead knocked down a few pegs until his learns the necessary life lessons junk but if you're a race fan and don't mind the obvious rear projection shots it a certain entertainment value. What's great about these old Hollywood films is that even in an economy production like this the film is full of quality character actors who had more latitude in moving between studios, genres and types of productions. This one has a supporting cast better than it deserves with three greats in the cast, Spring Byington, Thomas Mitchell and in a small part Hattie McDaniel, this was her last theatrical feature.

Wanting to be a race car driver like his deceased dad, Mickey Rooney (as Billy Coy) gets a job as mechanic in a garage run by fatherly Thomas Mitchell (as Arthur "Red" Stanley). There, Mr. Rooney meets "tomboy" Mary Hatcher (as Louise "Buddy" Riley), who likes him so much she puts on a dress. Rooney rises in the racing world, crashes his car, and notices Ms. Hatcher is pretty. He also discovers a dark secret about the father he idolizes. Meanwhile, mother Spring Byington (as Mary) finds romance with Mr. Mitchell.In formulaic territory, this film shows Rooney back in good form, after his disastrous starring performance in "Words and Music" (1948). "The Big Wheel" was also the production that showed his days as MGM box office superstar were indeed over. Fame made him brashly difficult to work with at times, but his "cut down a peg" role is quite professionally done. Having Mr. Mitchell and this cast helps. Note, this was Hattie McDaniel's last feature, in a role that reads like it might have originally been written for Richard Lane's wife.***** The Big Wheel (11/4/49) Edward Ludwig ~ Mickey Rooney, Thomas Mitchell, Spring Byington, Mary Hatcher

This movie screened today on BRIZ31 (Brisbane Community Television)1949, Indianapolis 500 was in it's 33rd year. Mickey Rooney played the hard ass carby engine driver to a T! Sure, the backdrop of the great race track was exactly that, with Rooney walking around as if he was actually there, but let's face it, SFX was still 5-6 years away. :-) The story was fast paced and believable. Tough nut owners and their equally tough nut drivers. Punch ups were the way to settle an argument. Never mind a quiet talk.An enjoyable yarn, with typical Rooney happy ending. 8 stars of of 10 from me.

Mickey Rooney gets a character well-suited to his abilities, and the good atmosphere at garages and auto racing tracks also helps make this a solid B-melodrama. The story follows a familiar pattern, but the setting is different enough to make it interesting.Rooney plays the son of a race driver who wants to establish a racing career of his own. The character goes through a number of changes as his fortunes ebb and flow, and Rooney makes him believable at each stage. He had the ability to be sympathetic when necessary, and he also had the knack of making a character turn abrasive in a believable fashion. Here, it helps to flesh out a familiar plot.Most of the other characters are one-dimensional, and are only there to give Rooney something to play off of. An exception is Thomas Mitchell, whose skill at playing seemingly simple roles makes the garage owner into a believable character in his own right.The auto racing settings are interesting, and although the racing sequences rely on stock footage, they are still enjoyable. The story takes Rooney's character from hot rods to midget racers to the Indianapolis-style cars. It was set in what was then the present, and race fans in its audiences probably could have spotted some familiar cars. Now, it is also of interest as a decent recreation of the Indy racers of its day.