After playing with our expectations, this turns out to be a very different sort of film.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Boodle? What a silly word to use for a movie. Anyway, Errol is a casino dealer in Havana when someone passes counterfeit dough at his table and then he gets beat up for it and the cops think he's the counterfeiter and then people try to kill him and then enter two femmes and some action and smart Alic dialogue and chases and fight and more wise cracking and some sentimental stuff and red herrings tossed in here and there but all the way Errol has a nice suit and tie and band-aid over his eye but soon all the good guys and bad guys converge on the old fort in old Havana and naturally the final fight has to take place at the railing above the sea where the sharks are circling and Errol wins and walks away into the sunrise with the hot chick. The End. Roll credits. It's not awful, it's just not that good.

I'm a huge Errol Flynn fan even buying and reading his out of print autobiography "My Wicked, Wicked Ways". I can definitely say that this movie is one of his worse. I think it has to do with it being the end of his career, not much money put toward his projects, and the lack of patience movie companies would have with him. Sorry to say but all that shines thru in this movie, which is a shame. He went from Robin Hood and Captain Blood to a B-rated movie like this. He still has his moments on screen but they are too far and few between. W/ his diminishing good looks and his "off screen" antics, Errol Flynn no longer got his pick of screen plays to read. He had to keep working just to pay the bills w/ his ever growing amount of debt he was in. I think some of his last movies were more for the paycheck than his love of acting.

For fans of Errol Flynn, this is a rather tough film to watch. That's because after a lifetime of wild living and booze, the once handsome actor looks pretty lousy for a 48 year-old. He's puffy, flat and lacks the spark and charm that made him a matinée favorite in previous decades. Here, he's just "phoning it in" in a low-budget and rather dull film and it's only of much interest to fans with morbid curiosity or who want to see every film this star made.The story has Flynn playing a lowly blackjack dealer in a Cuban casino--quite a comedown compared to other characters he'd played in the past. While it is interesting to see street scenes of pre-Castro Cuba, the rest of the film is a dull affair concerning Errol being tossed, quite innocently, into a bunch of murderous counterfeiters. Because he was no longer the glamorous hero, he spends most of the film being beaten up and hassled. The best fight for him is at the end when he barely manages to beat up a doughboy-like villain. Not exactly CAPTAIN BLOOD or ROBIN HOOD--it's really a shame Flynn's final films are generally of this low quality.

A reluctant actor from 1953 on, Flynn roused himself for this unremarkable film. After splitting from Warner Brothers in 1953 he chose William Tell as his first solo effort, eager to star and produce. Flynn's finances never fully recovered from the resulting quagmire. This 1957 film arguably got his attention because as well as giving him a much needed pay cheque, it was also filmed on location in Havana. The location work is it's best feature. The Black and White photography adds to the Havana experience. The film is also helped by a good support cast, plus a plausible turn from Errol Flynn. The story, what there is of it, is about a world weary Croupier Ned Sherwood (Flynn) whose life gets almost fatally complicated "one night" when he finds himself with counterfeit Pesos. Pedro Armendariz is a delight as a crafty Colonel who doesn't believe or disbelieve Sherwood's story. Faced with no help from the Police Sherwood follows the funny money trail and uncovers some dislikable characters plus a larger plot. He also meets up with a mysterious blonde (Rossana Rory.)and Gia Scala (From Guns of Navarone). Sherwood struggles to untangle the web and clear his name. Despite the premise, location and likeable cast, the film is only just watchable. Flynn is worth seeing in one of his later roles, with Black and White allowing Flynn's hardening features a creditable rugged handsomeness.