Best movie ever!

Admirable film.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This was brutal to watch. Seems like they had to say it was about Abe as a kid so you'd think there was a reason to watch it, but it was more like random "artsy" shots of some people living in the woods, but not actually doing anything the entire length of the movie. Something happened to a dog too, but I couldn't figure out what it was. Total waste of time.

This beautiful film really took me to that time and place. I enjoyed this movie more than any other I have seen lately. This thought provoking portrayal of Lincoln's boyhood is fresh. I have already read so much about Lincoln and seen films about him and thought this might be tired ground to cover. But, I was completely drawn in by the experience of this film. The subtlety of the piece is much appreciated. I work with children and I would like to show this film to elementary - high school students and get their impressions of the film. The way that childhood is captured here is lovely and meaningful. This story within a story is a gentle and welcome addition to films about a great American President.

"The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature." Abe Lincoln If writer-director A. J. Edwards wanted to show in his biopic, The Better Angels, the influence of angelic women on young Abe Lincoln, he succeeded. This minimalist, dialogue-spare depiction of Lincoln's early life in the woods of Indiana is rife with beautiful shots of trees and sunlight, not to mention a pristine cabin, but mostly it is filled with the love and direction given by Nancy (Brit Marling) and Sarah Lincoln (Diane Kruger).Not much to do out there in the frontier but cut wood and think about ways to be a better human being. While the women chat with Abe about life, Tom Lincoln (Jason Clarke), his dad, contributes a considerable amount to Abe's tough mindedness, largely by testing Abe's patience with dad's harsh discipline.While this less-than-epic activity occurs, it is encased in gorgeous photography, black and white crisp, with light streaming through tall trees, frequently at low angle to emphasize the child's point of view. You could almost say it's a copy of Terrence Malick's work, and you'd be right because the ethereal cinematography of that master (Tree of Life, Badlands, for example) no doubt influenced Edwards, whose film is produced by Malick and with whom he has worked.On the other hand, the poetic images could be off putting for those who accuse Malick of being pretentious or just interested in painting rather than telling a story. I go where a director wants to take me—in this case, to a lyrical feeling about the early life of an immortalized leader.Although The Better Angels is mostly impressionism, symbolic shots couched in terse language, be it by actors or voice-over, the picture of young Abe up to his rural schooling seems spot on for the intense, brilliant, iconic president we have come to know. I'm impressed."All that I am, or hope to be, I owe to my angel mother" Abe Lincoln

Not really, especially if you watched this without having a clue who the young boy is supposed to be. It could be just any story about any young boy growing up. But it's not. It's young Abe Lincoln, something you could completely miss, like I did. Which happens because I do watch movies without reading up on them. So while it was obvious this was going to be a black and white film, I didn't know what it was about. It played at the Festival in Berlin, which does not always says a lot about the quality of the movie itself, but I tried.And I wasn't disappointed by the story of this boy. A story that is interesting in itself, but would not allow any conclusions about where this boy would go. Something people obviously did ask the director too, who was present at the screening. A very interesting stylised form, of a story of a man/boy you might not have heard/read yet ...