Slow pace in the most part of the movie.

Plenty to Like, Plenty to Dislike

Great Film overall

While it doesn't offer any answers, it both thrills and makes you think.

The fun of watching this movie is the music, of course, but other than that, it's a typical 50's whitewash kind of film. All the issues that existed at the time are glossed over. 1. No mention is made of the fact that Alice was married when they met, that they had an affair, and that her British husband divorced her for infidelity. She's portrayed (charmingly by Donna Reed) as an innocent rich girl. 2. The fact that Benny is Jewish and she's not is alluded to one time, but not even mentioned outright. 3. Race is completely ignored. There's this illusion that the black musicians were accepted everywhere, hotels, restaurants, 5th Ave. mansions. The Benny Goodman Story could be made today and tell the realities of the integration of the bands, and it would be a great story. The good parts--well, seeing Gene Krupa, Teddy Wilson, and Lionel Hampton portray themselves. All that talent on display! That was great. One last thing, the costumes. It was fun to see Alice's gorgeous 1950's dresses. But the movie was set in the 30s! WHY didn't they bother to put the cast in 1930's clothing? That part is just laugh out loud odd.

Viewed from the point of view of a jazz fan interested in the history of swing, this movie is a treasure. There are moments all through when some of the true greats in jazz can be at least glimpsed, and some have ongoing parts: Buck Clayton, on trumpet, Teddy Wilson on piano, Gene Krupa, on drums, Lionel Hampton on vibes, Stan Getz on tenor saxophone (he was the farthest to the right on the front row--almost always cut out of the pan-and-scan print shown on TCM, but he has a great solo and closeup in one of the numbers, in the Palomar ballroom section). There are other stars who appear for one scene, but it's fun to see them, even briefly. Ziggy Elman plays his trumpet solo on "And the Angels Sing" glibly verbatim from the famous recording, but rushes, unfortunately. The plot is quite predictable, and there's no clinch at the end, just shining eyes. A must-buy for the jazz sentimentalist--but get the wide-screen version.

I enjoyed the music in this film immensely but the thing that drove me absolutely crazy was the costumes. This film is supposed to take place from 1910 - 1938 yet Donna Reed is in full 1950's dress including her hair and makeup. It actually screws up your whole perception of when the story takes place. Would it have killed them to dress her and the other women in period dress? There is one sad attempt at a 20's outfit where Donna is at a speakeasy and has on a cloche hat with her bangs in spit curls but of course her dress is a total 50's Dior 'New Look' with a cinched waist and huge skirt. It's also sad that original Benny Goodman vocalist, Martha Tilton, is only on film for like 1 minute singing one short refrain.

Enjoyed this very entertaining film about Benny Goodman performed by Steve Allen who himself was a great composer, piano player and all around actor and late night show host. This was a very compact Hollywood story detailing the life of the great Jazz King of the 30's. Donna Reed, (Alice Hammond) gave a great supporting role as Benny's girlfriend and then his wife. The film was filled with all great jazz musicians, Gene Krupa, Lional Hampton, Harry James and Sammy Davis Sr. along with many other famous jazz musicians. In the 1950's you were able to go to the Roxy Theater, Paramont and Music Hall in New York City and see these great musicians in between the showing of their feature movies and at very low prices, especially at 10 AM for a price of $1.25 to $2.00. This is a great film and the musical selections will keep you glued to this film from beginning to end.