Strictly average movie

Some things I liked some I did not.

not as good as all the hype

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Hisayasu Sato, a very prolific Japanese director, further explores his favorite themes of alienation, erotic bondage, second hand imagery, and bodily corruption in "The Bedroom", a film as non-linear as it needs to be. "The Bedroom" is notorious for its casting of convicted cannibal Issei Sagawa in a supporting role as a voyeur. This is not Sagawa's only screen role, however. He also starred in a recreation of his crime in the tongue-in-cheek, obscure documentary "Seven Days of Cannibal Sagawa", a personal favorite of mine that I can't get listed on IMDb. He makes little impression in Sato's film, but he's an interesting curio, nevertheless. Films like this one are better attended than watched for they possess the tone of an art installation more than a piece of pure cinema. I am usually disappointed with the director's work (his "Lolita Vibrator Torture" irritated me) and "The Bedroom" is no exception. I recommend "Naked Blood", however, very highly.

This movie contains an "actor" by the name of Issei Sagawa. This man killed and raped a woman in Paris, and then ate her.THIS IS NOT A FALSE ACCUSATION! He was deemed insane in Paris and untreatable, as well as a risk to re offend. They're cheap and didn't want to pay for it, so the shipped him back Japan. Thing is his father's big in the industrial Japanese community( in other words the mafia), and got him off Scott free. Yes you read it correctly, he is a free man, walking the streets of Tokyo as you read this. For the sake of the memory of the innocent woman he killed and butchered(Renee Hartevelt), who he never showed any remorse or sadness do not ever rent this movie.

Hisayasu Sato was one of the most infamous of bad boy directors in the so-called Japanese new wave of the 90's. Some like Takashi Miike have become cult institutions; but Sato seems to have disappeared off the face of the planet. Still, when he WAS working he was something of a latterday Rainer Werner Fassbinder and very proloific... and as was the case with Fassbinders' films for a long time, it's really hard to track down and watch Sato's films. Which alone makes this film "An Aria on Gaze", sometimes boringly re-titled "The Bedroom" so important. If you like linear Hollywood stories, forget it, go rent some soft-core crap, this will bore you. I admit a large reason I wanted to watch this was to see real life convicted cannibal Issei Sagawa, who fled France to live a life of semi-celebrity in Japan. Sure, it may be morally questionable to watch him exploiting his notoriety, but I'm a human being and by our very nature we are curious beings. That's why we can build 'stuff' and dogs can't... but I digress. Imagine Rocco Siffredi directing a script loosely based on Last Year At Marienbad and you come close to imaging the world of Hisayasu Sato's stylised S&M collages.

Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.