Truly Dreadful Film

The first must-see film of the year.

The movie is wonderful and true, an act of love in all its contradictions and complexity

The movie really just wants to entertain people.

A hit man working for the Yakuza double crosses his employers and flees with a cache of diamonds from the latest heist. Injured and hiding in the mountain regions of Spain, with Japanese assassins in hot pursuit, he takes refuge in the home of a local doctor and his two daughters, who nurse him back to health and hide him from his pursuers.Mirek Lipinski writes that this film is "one of Naschy's most intimate cries that something was wrong with humanity." Naschy himself wrote that at this point in his life he "didn't believe there were many things worthwhile in this filthy rotten world." This perfectly explains the mindset that went into writing and directing this film.An unusual blend of mystery, action, crime and horror, the one unifying theme of the movie is that no one is to be trusted and man is always ready to prey on his fellow man. For those viewers who like to have a character they can be sympathetic with, this film may have you searching in vain. Our "hero" is a double-crossing hit-man and thief. His saviors have their own agenda. The house servant is unfaithful to her lover. The only one who is arguably a good person is Meiko, who is justified in tracking down the man who wronged her. But even here, when we first meet her, she has orchestrated a jewel heist.Though not one of Naschy's better-known films (at least in America), it has some moderate star power. The two daughters are played by a former beauty contest winner and a former model, who were no doubt beloved in Spain. The cinematographer is Alejandro Ulloa (1926-2002), who may be known for "Horror Express" or Orson Welles' "Chimes at Midnight". The score even has a track from Ennio Morricone, albeit a recycled one from a much earlier film.Scream! Factory has included this film as part of their 5-movie Paul Naschy Blu-ray set. Interestingly, of the five films this one has the fewest special features. This is a shame, as a commentary would have been nice or better still an interview with star Eiko Nagashima, who could have added a great deal of knowledge about the production.The video transfer is very good. While not the most crisp and clean picture you will ever see, it is probably the best that could be achieved from the source material and looks exceptional. The only drawback is that Spanish (or Castilian) subtitles are embedded on the screen when characters speak Japanese. The sound, unfortunately, is not spectacular. While this is no doubt the way the original was and no fault of Scream, the vocals tend to fade in and out and the music is not as clear as it could be.So ad not to end on a negative note, this is still well worth seeking out. For those who only know Naschy from his werewolf movies, this will be an eye-opening experience and really showcases his versatility for various genres.

Paul Naschy plays a cold, heartless man who thinks nothing of stabbing his close ties in the back, however sordid they may be. But when he wakes up in a countryside estate, rippled with bullets, being nursed back to health by a very unusual family, he begins to open up his heart and shed his evil ways. But can he escape the wrong doings of his past and his destiny? Be prepared for some crazy twists and turns in this original, entertaining thriller.Naschy wrote, directed and starred in this very strange film. Departing from his regular Gothic tales, this movie mixes double-crossing, revenge, Oriental mobs, killer pigs and voodoo to create a very unusual but tasty tale. Some very offbeat characters, a slight touch of comedy, some racial political incorrectness and several splashes of gore add just the right flavor. Bon Appetite!

This time Naschy is turned into a criminal mercenary who deceives ,steals and kills and goes on a murderous rampage until to terminate in the ¨Texas massacre house¨. The story starts in Japan on the lake Hakone near mount Fujiyama . Bruno Rivera (Paul Naschy) a tough mercenary is hired by an organization of fanatic idealists to carry out a hold-up on a valuable stash of diamonds. Bruno double-crosses his pregnant Japanese girlfriend and the criminal group and returns Spain. There he is located , taking place a chase and exciting pursuit nearly an old monastery . Being wounded , he is healed by the medic Simon (Lautaro Murua) and his daughters Alicia (Azuzena Hernandez)and Monica (Silvia Aguilar) . He takes shelter in their mansion but his former love interest Mieko (Eiko Nagashina) swears vengeance and is relentlessly looking for Bruno . Finally Bruno decides to escape until a creepy and surprising finale .The picture is full of perverse images , sadism , morbidness and some nudism .It packs a crossover between noir cinema , gangsters genre and horror . Also displays acceptable photography , and Nazi iconography as usual in Naschy films. The film is narrated by means of flashbacks with Bruno's nightmares , developing Japan events and actual deeds when Naschy lives in the house of the rare family. The pig scenes of Ridley Scott's ¨Hannibal¨ seem to be taken from this film .Jacinto Molina ,under pseudonym Paul Naschy turns out to be the continental Europe's biggest horror with his classic character , the unforgettable Waldemar Daninsky and frightening to viewer. He played as El Hombre Lobo for the umpteenth time . Jacinto Molina Aka Paul Naschy ,who recently passed away, was actor,screenwriter and director of various film about the personage based on fictitious character, the Polish count Waldemar Daninsky. The first film about Waldemar was ¨The mark of the Wolfman (1967)¨ by Enrique Eguiluz , after that ¨Night of Walpurgis¨, ¨Fury of the Wolfman¨ , ¨Doctor Jekill and the Wolfman¨ ,¨The return of the Walpurgis¨, ¨Howl of the devil¨, ¨The beast and the magic sword(1982)¨ that is filmed in Japan and finally ¨Licantropo(1998). After ¨The craving¨ it was such a box office disaster that Jacinto was bankrupt. He was forced to turn to Japan for making artist documentaries, as he filmed ' Madrid Royal Palace and Museum of Prado' and he gets financing from Japanese producers for ¨The human beasts¨, the first co-production Spanish-Japan and followed ¨The beast and the magic sword¨. Both of them are lavishly produced for the Paul Naschy standards. As the Atrezzo and gowns were well manufactured and exterior shot on both countries .It's a B series entertainment with abundant sensationalistic scenes and a Naif style.The movie has a bit of ridiculous gore with loads of blood similar to tomato and is occasionally an engaging horror movie full of slashing, beheading, and several other things. This time Paul Nashy/Jacinto Molina exhibits little breast but he was a weightlifting champion . Pretty slow going and some flaws and gaps , but hang in there for the incredible and unexpected ending . In the picture appears habitual secondaries from Naschy films as Luis Ciges , Pepe Ruiz , Rafael Hernadez and other known supporting cast as Tito Garcia and Ricardo Palacios .Good cinematography by Alejandro Ulloa (Horror express and The return of the Wolfman )is accompanied by a correct remastering and filmed in Japan , Madrid , Valley of Lozoya and surroundings . The motion picture is professionally directed and played by Jacinto Molina , a slick craftsman and mediocre actor.The flick will appeal to Paul Naschy fans and terror genre enthusiasts. Rating : 6, passable and entertaining.

The incomparable Paul Naschy, horror film icon of Spain, lends his talents to this entertaining if not scattershot film. What begins as an action flick ends up a horror story. All I can say is just sit back and enjoy the ride.Paul Naschy plays a cold-hearted hit-man hired by some shady Japanese diamond hunters (one of which is his flame who is carrying his child) to swipe a cache of diamonds from a Belgian businessman. When the deed is done, the allure of the diamonds is too tempting for Paul to dismiss so he kills his Japanese cohorts. His girlfriend, whose brother Paul killed, vows revenge and chases Paul through the forest, shooting him up and leaving him for dead. However, Paul is found by an egghead with two horny daughters and brought to his estate to recuperate.At the estate, the two daughters, Silvia Aguilar and Azucena Hernandez, fight for Paul in his weakened state, with the busty Silvia Aguilar determined not to lose out to the sweet and prim Azucena. But things get hairy for Mr. Naschy who begins to see the ghost of the daughter's long dead mother on the estate grounds. Couple this with the Japanese lass looking to finish the job of killing Paul and he gets pulled from two sides.STORY: $$ (The story goes a number of ways and doesn't fully satisfy. The script builds up a fight for Paul between the daughters but Silvia, whose character seems assertive and volatile, simply lets Azucena win in the Paul Naschy sweepstakes without putting up a fight. Personally, I would have preferred the ghostly apparition story to the revenge seeking of the Japanese woman)VIOLENCE: $$$ (You get gunplay, a blown-up babe and pigs eating some poor schmuck alive. Gore hounds will not be letdown with this Naschy flick).ACTING: $$$ (Paul Naschy, as always, is fun to watch but he does spend a bit too much time in bed recovering from his wounds. Starring with him again are the luscious Silvia Aguilar and the beautiful Azucena Hernandez, who teamed with Mr. Naschy in the little gem "The Craving." Both girls do a fine job).NUDITY: $$$ (You get very brief glimpses of both Aguilar and Hernandez but they are strategically placed, keeping the naught bits covered. Full nudity is supplied by the two lesser appealing actresses: the Japanese woman chasing Paul and the African maid that works for Silvia and Azucena).