The Bamboo House of Dolls
The Bamboo House of Dolls
R | 22 August 1976 (USA)
The Bamboo House of Dolls Trailers

A nurse in a Japanese women's POW camp during World War II masterminds an escapee.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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Leoni Haney

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

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Skyler

Great movie. Not sure what people expected but I found it highly entertaining.

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Brooklynn

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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Uriah43

During World War II a Red Cross hospital in China is ransacked by the Japanese army and the female nurses are sent to a concentration camp. While there they are beaten, raped and tortured by the guards. However the women have found someone to help them escape and as soon as they get the chance a small group of them make a break for it. Unfortunately, things don't go exactly as planned because a traitor within the group has forewarned the beautiful but sadistic female officer in charge of security named "Mako" (Terry Liu). And now their mistreatment really begins. Anyway, rather than reveal any more of the story and risk ruining the film for those who haven't seen it I will just say that this turned out to be a fairly good Women-in-Prison movie. I personally liked the luscious blonde prisoner named "Jennifer" (Birte Tove) and the aforementioned Terry Liu although there were quite a few other pretty ladies in this movie as well. Be that as it may I recommend this film to those who enjoy this particular genre and I rate it as slightly above average.

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BA_Harrison

Hong Kong's legendary Shaw Brothers studio, best known for its classic martial arts movies, jumps on board the women-in-prison bandwagon with Bamboo House of Dolls, an entertaining exploitation effort that, although not as sleazy as a Franco, as sadistic as an 'Ilsa', or as stylish as a Female Prisoner #701, still offers fans of dubious film everything they could ask for from one of cinema's most disreputable sub-genres.Set during WWII, the film opens in typically tasteless WIP style with a group of sexy nurses being violently accosted by the evil Japanese army (in a cool slow motion credits sequence, the action freezes whenever a bare breast or panty gusset is exposed); these women are taken to a concentration camp where they are abused, raped, tortured and occasionally killed by the camp's sadistic guards and the sexy, lesbian head of security, Mako (Terry Liu).After loads of delightfully depraved action, including girl-on-girl shower sex, forced strap-on-action, cat-fights, and sadistic punishment, a small band of plucky prisoners make a bid for freedom, led by Hong Yu Long, the wife of a Chinese partisan (and the only person who knows the whereabouts of a secret stash of war gold) and the camp's interpretor (played by Lo Lieh), who has fallen for tasty blonde prisoner Jennifer (Danish softcore sex star Birte Tove).Once the action moves from the camp to the countryside, Bamboo House of Dolls becomes a far less sleazy affair, with the concentration being on bloody sword and gun battles between the nasty Japanese and brave Chinese guerillas, and unimpressive martial arts fights on barren hill-tops.Rather surprisingly, the whole film has a very polished look that suggests rather a lot of money was spent by Shaw studios, and the cinematography is quite beautiful at times (although I wish director Chih-Hung Kuei hadn't used his 'starburst' filter on EVERY shot!); it also benefits from a pretty snazzy soundtrack, which adds immensely to the overall 'coolness' of the film. If only Bamboo House of Dolls had managed to maintain the amazingly trashy vibe of its first half for the entire running time, then it would have easily have ranked as one of the best of the genre (but even though it loses some momentum towards the end, it is still well worth checking out).

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christopher-underwood

Weisser calls this the 'granddaddy of WIP films' and it is easy to see why. This Shaw Brothers production is non stop sexy, violent action. From the opening credits where the picture frequently freezes to show up the skirt shots of skimpily dressed fighting girls, we know which direction this one's going. In fact the girls are in and out of the same little costumes throughout the film and PC this is not. The first half is real sleazy WIP with very violent scenes of torture and more, with bare female flesh much to the fore. With the second escape we leave the prison camp for good and the movie becomes more a violent kung fu thriller with a little less skin and much more blood. Certainly a considerable tour de force and according to Weiser again, banned in Hong Kong for 10 years! Oh and by the way this is the Japanese in SW China during WW2 and it is they of course who are the baddies.

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Bogey Man

Bamboo House of Dolls (1973, 1974 or 1977, various years are given for this title) is a Hong Kong veteran Chin Hung Kuei's (Killer Snakes, Boxer's Omen, Payment in Blood etc.) women in prison flick produced by the legendary Shaw Brothers. Yes, even they got their hands into low exploitation sickies like this, and Bamboo is definitely among the worse attempts of the whole genre, even when compared to the Western attempts that usually pale in comparison with the Eastern films!The story is about a Japanese war camp in which the Chinese women are brutalized, abused and raped by the bad Japanese (what else?) during the World War II. The girls also know a secret place in which a box full of gold is hidden and also learn that a Chinese military officer raised in Japan (Shaw veteran Lo Lieh) is actually now an undercover agent among the other Japanese and naturally helps the girls escape the hell. What follows is sequences full of gratuitous nudity, female kung fu, some nasty torture, gore, sleaze and extremely offensive anti Japan attitude that make this film pure and honest garbage that doesn't even try to be more than it is.There are hardly any interesting elements in Bamboo House of Dolls. The occasional photography especially at the end looks nice with its sunbeams and beautiful nature but that's about it in the merits department. The fight scenes are plenty and always include half naked females hitting and kicking each other. The violence overall is quite nasty at times with several bullet wounds, misogynistic torture scenes (for example, one poor girl is brutalized on the floor filled with broken glass etc.) and extremely repulsive ending and moral behind it. Of course it is stupid to talk about "moral" when writing about this kind of film, but still there are elements I won't accept to be found from any film.The film has also some enjoyable turkey elements for sure! For example, the gold box, filled with heavy gold, seems suspiciouly light as the weak and suffered girls don't seem to have any problems lifting and moving it, not to speak of throwing it! Also those numerous "skin fight scenes" make this quite smile inducing for fans of trash cinema. I have seen the same director's Killer Snakes (1973) which is ten times more noteworthy as a piece and even though it has many alive snakes killed for real, it is also visually more interesting and shows us some nasty sides of the other side of the big city and society. Also, it is a must for those who fear snakes.Bamboo House of Dolls has suffered some censorship, too, which isn't a surprise considered the subject matter. The uncut version, (dubbed into a non-English language) released in Europe at least in France, Italy and Switzerland, runs 104 PAL minutes while the cut, English dubbed print released in Holland, Belgium and Greece runs only 84 minutes in PAL. From what I've heard, the cut scenes are not only violence or other graphic stuff but also dialogue and "plot development" and the like. Bamboo House of Dolls is garbage cinema in its most trashy form and definitely something I wouldn't have liked to see from the Shaw Brothers or Hong Kong in general. Some of the Italian exploitation films of the same subject matter are much more interesting and noteworthy than this quite ridiculous, calculated and worthless piece of cinema exploitation. 2/10

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