The Bad Man
The Bad Man
NR | 28 March 1941 (USA)
The Bad Man Trailers

Lopez is a bandit who has stolen the herd at Gil's ranch, so Hardy is about to foreclose. But Lucia has come back from New York and Gil is happy until he meets her husband, Morgan.

Reviews
Cubussoli

Very very predictable, including the post credit scene !!!

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Evengyny

Thanks for the memories!

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Micitype

Pretty Good

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Kimball

Exactly the movie you think it is, but not the movie you want it to be.

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Michael_Elliott

Bad Man, The (1941) ** (out of 4) OK, try to follow this and I'll try to make sense out of it. A rancher (Ronald Reagan) and his uncle (Lionel Barrymore) are about to lose their ranch to a greedy banker (Henry Travers) after a bandit, Pancho Lopez (Wallace Beery) steals their cattle. The bandit soon learns that the rancher is the one who saved his life years earlier so he wants to do good and that includes hooking him up with the woman (Laraine Day) he loves but who is married to another man (Tom Conway). This western/comedy is rather hard to judge because it tries to do so much in its short running time but by the end of the movie the laughs had turned dry and I found myself getting rather bored. When you've got two scene chewers like Beery and Barrymore you'd expect something more and in the end this film just didn't deliver enough. I found the best thing to be Barrymore who is a hoot in his role, which really seems to have influenced Yosemite Sam. I'm not sure if the Looney Tune character was based on Barrymore's work here but it really seems like it. The two act very much the same way, use similar words and even have close to the same accent. Barrymore is downright hammy, in a good way, and you can't help but laugh at him constantly embarrassing and poking fun at Reagan. Reagan, Day and Conway add nice support but they have a hard time breaking through all the scene chewing by the two other leads. I was somewhat disappointed in Beery and his bad Mexican outfit even though I haven't seen VIVA VILLA!, which apparently this is somewhat spoofing. This was the fourth version of this film, including a 1937 version with Boris Karloff but it didn't impress me too much. The great cast will have people turning in to watch but to me only Barrymore was worth it.

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Trombonehead

After reading all the heavy reviews of this movie, I have to respond. Hey, chill out and don't be so serious, people! I had never seen it before, let alone even heard of it. So when I tuned into it one night on Turner Classics, at first I wasn't too sure what to think. But it didn't take long before I began to really like it. It doesn't pretend to be anything other than a corny, light-hearted spoof. Lionel Barrymore is great as always, and so is Wallace Beery. I really liked the fact that there is no musical soundtrack, and it's kind of a piece of theatre with long takes of dialogue and interaction between the goofy characters. All the other members of the cast like Ronald Reagan and Henry Travers simply revolve around the masterful characterizations of Barrymore and Beery. Yes, Beery has the worst Mexican accent of all time----he's doing it deliberately for laughs. And nobody can play a crusty old curmudgeon better than Lionel Barrymore, the world's greatest scene stealer. These two legendary talents have a great rapport. Don't even remotely attempt to take this movie seriously in any way, just enjoy it for what it is and appreciate the amazing talents of two of the greatest actors in movie history. Who couldn't help but laugh at the final scene of Beery galloping through the desert on his horse, pulling Barrymore in his wheelchair? Great comedic acting and a really original, funny script.

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C.K. Dexter Haven

I don't know if I'll ever see another Wallace Beery picture as bad as this one. I hope not, but I'm sure he made some other dogs. Usually Beery can be counted on to bring the laughs, and do something memorable with his character.Beery's is not the worst performance in this piece (that distinction belongs to Lionel Barrymore, obviously loathe to be in this production and cantankerously chewing the scenery with noisy and irritating aplomb like nowhere else on his filmography) but he offers little more than updating his Pancho Villa schtick from Viva Villa. Not much originality or send-up in his performance and he doesn't even appear until around the 30 minute mark. He does look cartoonishly amusing galloping away with the Mexican Federales in hot pursuit though.This really isn't a funny comedy or a watchable western. At 70 minutes it feels overlong. Everyone stands in one spot and talks endlessly, Ronald Reagan does the hero bit with his usual one dimensional panache, Barrymore won't shut up, and the oppressive sepia tone this was shot in kind of makes you queasy by the end. Chill Wills at least is his usual lovable self as Reagan's sidekick.Definitely not a Beery classic

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cinefan-7

Until Wallace Beery shows up, this is a dull Western with an all-too-familiar plot. But Beery, despite the worst Mexican accent of all time, is a hoot. He must have realized what a joke he had made out of Pancho Villa in VIVA VILLA! (1937) and decided to go for the laughs this time around. Beery ridicules everyone in sight, making fun of Ronald Reagan's ethics. As much as he tries to help Reagan, Beery does not understand all of the hero's moral objections. Berry and Lionel Barrymore fight to see who can be the bigger ham. Tom Conway, looking just like brother George Sanders, is a slimy villain who cannot compete with Beery. Laraine Day is useless as the token romantic interest. Viewers need to treat this silly movie as a what it is--a farce.

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