Too many fans seem to be blown away

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Close shines in drama with strong language, adult themes.

Yes, it's one of those so many Eurospy made in the '60s, which amounts to a decent level, acceptable to a demanding spectator. Horst Buchholz (dead in 2003), one of the seven gunmen in "The Magnificent Seven"(1960), is here the beautiful boy who beats and shoot everyone and stays with the girl in the end. The girl is the beautiful Sylva Koscina(dead in 1994), the woman-killer Penelope in "Deadlier Than the Male", here an American agent. Klaus Kinski(dead in 1991), as a villain, as usual, appears too little. Gérard Tichy(dead in 1992), another villain, appears more than him. Last but not least, Mario Adorf, the best actor in the whole film, as in all the movies he played, a living legend, is another villain. Him and the director, Antonio Isasi, are the only still alive. The plot is cheap, as usual, a kidnapped nuclear expert, a lot of ransom money, a lot of Chinese spies, stupid Turkish policemen, etc. But is well done, not bad!

I caught this last week on the German 3rd / regional channel RBB, unaccountably included on a Spanish hotel cable TV service. Unfortunately for me, with a lot of work to do the following day, I couldn't bear to turn it off, so got to bed rather late. Why? Because as most of the other reviewers have noted, it's really rather good. The action just keeps flowing and the entirely watchable cast imbue the whole thing with a decent slickness.Spanish director Antonio Isasi-Isasmendi captured the emerging glamour/spy zeitgeist with style, underpinned with a workmanlike eye for detail (I forgive him the wrecked car replacements, I'm sure the budget was not over generous). The occasional asides of the Tony Mecenas hero are fine in the context of the time and probably soften the otherwise implausibly super-human aspects of the character. It's a technique already pioneered in similar genres, e.g. Roger Moore's "The Saint".Mid-sixties Istanbul comes across as very Euro-Mediterranean and serves as an excellent backdrop for most of the action. The plot was a satisfying mix of set pieces (meaning that one felt at home with the genre) and unexpected twists (meaning that there was no way the viewer could foresee the eventual outcome). Like a number of other reviewers, I also found the relatively low profile of Sylva Koscina for much of the action to be a bit of a shame, having fallen for her somewhat after watching the excellent "Deadlier Than The Male" recently.P.S. Retro-discovering these decently constructed sixties Euro-thrillers, particularly those made totally outside the Anglo-American sphere, has become a real pleasure in recent years.

The U.S. government is double-crossed when they pay a $1 million ransom for the return of a top scientist. They lose both the money and the scientist. Agent Kenny (Sylva Koscina) is sent to Istanbul to investigate. She enlists the aid of a gambler named Tony Mescenas (Horst Buchholz) to assist her in finding the scientist with the promise that he can keep the $1 million. The trail leads Tony and Kenny through the streets, masques, and waterways of Istanbul. Will the U.S. government get what it wants? Will Tony get what he wants? And will Kenny get out alive? That Man in Istanbul is a very good entry in the 1960s Euro-Spy cannon. While the film may lack some of the usual over-the-top spy accoutrements, it doesn't lack in exciting chase scenes, gun play, or fist fights. In fact, the action is pretty much non-stop. Director Antonio Isasi-Isasmendi keeps the pace at a high level throughout most of the film. The fight at the top of the masque tower, Tony's jump to the boat, and the underwater knife fight are real highlights. Both of the film's leads, Horst Buchholz and Sylva Koscina, turn in more than competent performances. A solid supporting cast, particularly Klaus Kinski and Gustavo Re, is more than up to the task. Throw in a bit of humor, suspense, intrigue, and some wonderful shots of 1960s era Istanbul and you've got the makings of a very entertaining film. If I have a couple of complaints they would be Koscina's screen time (she's absent for most of the second act) and the overall length of the movie (cutting 15 or 20 minutes would help). Still, a very enjoyable experience. I'll give it a 7/10.

MASTER PLAN: kidnap scientists and keep the ransom money. The James Bond film this obviously calls to mind first is "From Russia From Love" but, besides the locations, there is very little actual similarity. Horst (the snot-nosed hothead member of the original "Magnificent Seven") stars as a well-known rascally adventurer who is forced to foil the dastardly schemes of a criminal organization after he's targeted as an initial suspect. Koscina offers support as the FBI agent sent in to figure things out; she was in a few such roles in the sixties (see "Hot Enough For June" and "Deadlier Than the Male"). The story jumps around and drags in the first half, as well as being hard to follow. It's also a bit too long at nearly two hours and, as mentioned elsewhere, only washed out prints of the picture seem to be available.The action really picks up in the 2nd half, with Tony (Horst) doing a lot of running around in Istanbul, whether being chased or doing the chasing. At one point, he's thrown off a tower during a fight in the closest we get to a spectacular sequence. The best action bit, though, is when he uses a bulletproof glass table while an assassin takes potshots at him (the killer is played by Kinski in a small, yet memorable role). The action is sort of a mixture of slapstick and straightforward thrills which never really finds the right tone; a lot of it is presented as serious danger, yet Horst also winks at the audience a couple of times. He's probably a bit too cute for Bond fans, strictly for the girls. There's also some surprising (for mid-sixties cinema) bits of female nudity. Hero:6 Villains:5 Femme Fatales:6 Henchmen:4 Fights:5 Stunts/Chases:5 Gadgets:3 Auto:3 Locations:6 Pace:6 overall:5