What a waste of my time!!!

the audience applauded

Excellent, a Must See

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

The title role in That Brennan Girl is played by Mona Freeman who learned early and hard to be a cynic. This was a loan out role for Freeman for this Republic production because at her home studio of Paramount she was normallyy playing sweet young ingenues.Freeman has a great example set to her by her mother June Duprez who says land a man with a bank account and hang on tight. Still she's a romantic sort and does fall for sailor William Marshall.It all ends tragically for her when Marshall is killed during the war. But he's left something behind and that forces an attitude readjustment.Top billed however in That Brennan Girl is James Dunn who was a lead in the 30s with Fox but who gradually fell out of top tier parts and studios due to a drinking problem. But winning an Oscar for A Tree Grows In Brooklyn the previous year gave his career a temporary rebound.He's an Irish-American gangster who's between Duprez's and Freeman's age sparks an interest in both. He too undergoes a change in life as only a stretch in the joint might affect some. In many ways this is similar to the part he played in A Tree Grows In Brooklyn.Freeman is the real revelation here. You won't find her in too many roles like this one.

Mona Freeman was brought up by a tough, money-hungry, shady, single mother -- June Duprez in quite a change from her role in THE THIEF OF BAGDAD -- and soon falls in with grifting James Dunn. When she steals a watch from a drunk military man, Dunn shows some patriotism and tells her to give it back.... and she winds up married, a war widow and struggling to keep her baby in this movie directed by Alfred Santell.Miss Freeman was 20 when she made this movie, but she always seemed younger than she was, a factor which hampered her screen career; in this, she looks quite convincing in the opening scene as a 14-year-old girl buying a flower for her mother. She gives a fine, layered performance, but the script, from a story by Adele Rogers St. John, tries to cover too many bases, half tough-girl drama, half weepy-mother-loses-baby soap, with a dose of judicial moralizing and a dash of miraculous intervention. As a result, her characterization, and that of James Dunn, fresh off an Academy Award win for A TREE GROWS IN BROOKLYN may seem not so much nuanced as inconsistent.I think not. I think it's a good movie, although I find the first half more interesting. That, however, is largely because I don't care for weepy melodramas. Judging by the record, no one was particularly impressed by this picture at the time. Dunn's career resumed its slide, aided by alcoholism; Freeman worked in minor movies for another ten years, then in television until 1972; and Santell, whose directorial career had begun in 1916, and who lived until 1981, never directed another movie.

When Mona Freeman was given a chance to expand her range on "That Brennan Girl" she jumped at the chance. In the Adela Rogers St. John story she was required to age from 11 to 25 but critics weren't impressed and felt her performance didn't rise to the weighty story. The truth was she looked too young and that seemed to be why her career never got off the ground. Her first part was going to be as Barbara Stanwyck's step daughter in "Double Indemnity" but she was replaced as she photographed like a young teen, another part that was taken from her was as Elizabeth Taylor's older sister in "National Velvet", she was thought to look younger than Taylor so Angela Lansbury replaced her.If Freeman looked too young - she makes poor James Dunn look ancient!! With his weather beaten face (courtesy of too much alcohol) he looked just too old and careworn to be playing a hot shot con man full of big ideas! He didn't win an Academy Award for nothing (although it did nothing to boost his career) and he really comes into his own and gives out some Irish charm in the scenes with his mother.This film is a showcase for Mona and from the time she is introduced as her mother's sister she becomes an eager pupil for her mother's creed - which is "don't let your looks go to waste, take men for everything you can get and you can never start too young"!!! After being expelled from school she is plunged into Natalie's world and catches the eye of fast talking Denny (Dunn) who gives her a job convincing customers (usually older, well heeled ones) that when moving house they simply must use "Denny's Removalists" - and that is usually the last people see of their precious possessions!!When Ziggy meets naval officer, Martin Neilson, she falls for his obvious sincerity but when she finds herself a war widow with a baby it is all too easy to slip back into club life. This movie has more plots than a "soapie" and you just know things are not going to be good when the young high school girl (Shirley Mills) that Ziggy has hired is keener to go riding with the boys than stay put looking after the baby. The juvenile authorities are alerted and suddenly Ziggy is up before a judge on a suspended sentence and the baby is in care!!It was a big stretch to have beautiful June Duprez (for whom Technicolor seemed to be made ie "The Four Feathers", "The Thief of Bagdad" etc) and who was only 8 years older than Mona Freeman having to play her mother!! She pulled it off though, looking like a big sister in the first scenes but later looking much older as her playgirl lifestyle catches up with her. She was British but quickly went to Hollywood to cash in on her fame and as the British equivalent to Maria Montez but unfortunately her agent asked for too high a salary and she found herself almost unemployable.

Raised by a flamboyant and irresponsible mother, Ziggy Brennan (played by Mona Freeman) gets involved in hustling men at a young age. She hangs around with a wild crowd and learns gets her "street smarts" first from her mother (who wants everyone to think they are sisters) then from an older man. He starts teaching her his tricks of the trade and she falls right in line with his crooked ways. Then one night she meets a tall, handsome, honest farmer boy who's a soldier and they fall in love. While he's away fighting the war, she discovers she's pregnant.I won't say more so as not to spoil it. But I found the ethics that this film teaches to be something sorely missing in our films nowadays. Suffice it to say that even though she goes through some heartbreaking experiences, she reforms her ways and there is a happy ending.Probably not a film that most young people would enjoy. Not any action and some parts drag a bit, but it's Frank Capra type of message left me with a good feeling. Baby-boomers will most likely love it.