Beautiful, moving film.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This cartoon is not only the last of the Superman cartoons produced by Fleischer. But the last animated short Fleischer Studios ever produced. This is one of the Superman cartoons i remember the most, of the 8 Fleischer cartoons, and 4 Famous Studios cartoons i had on DVD as a kid. It scared the crap out of me when i was little. But despite all these facts, this is still one of my least favorite of the cartoons produced by Fleischer, along with Volcano. But it's still great and enjoyable. Let's see why.The story is about this circus that Lois is sent to review. Later that night, as Lois attends the clown performance, a monkey wanders from the main tent and accidentally opens the cage of a giant gorilla (That looks an awful lot like King Kong). Growling, the Gorilla named "Gigantic" wanders into the tent, sending everyone into pandemonium, as the Gorilla goes on a rampage. Circus workers try to stop the Gorilla, but are overpowered by it's strength. Now it's up to Superman to save the day.So this is one of my lesser favorite Superman cartoons. It seems kinda weird that Superman is challenged by King Kong. I know it has a name, but i'll just refer to it as King Kong. I mean, he has been up against giant robots, death rays, and Godzilla. And destroyed them all with little challenge, and with ease. But he seems to have the same challenge against King Kong, as he had against all his other foes. Many of the action scenes in this one, also aren't quite as good as in the other cartoons. So what do i like about this cartoon?? Well i like that the animation isn't as colorful in this one, but darker. Fitting the tone of the cartoon. So this cartoon has great animation. An although i find it silly that Superman is challenged by an animal, i still find alot of the scenes with King Kong, and the other animals exciting. Even though they aren't the best action scenes in the series. And Lois proves to be very brave in this one. She doesn't get into trouble because of some selfish reason, but because she is trying to save a child. I also really like that they pay tribute to King Kong in this one.So although not one of the best, still highly recommended. 8/10Like i said above, this was not only the last of the Superman cartoons produced by Fleischer. It was the last cartoon that Fleischer Studios produced in general. Leaving behind a legacy of experimentation, wacky visuals, gags, and sensual appeal. Starting out with the groundbreaking Out of the Inkwell series, being the first animated films to use the rotoscope. An animated series made to demonstrate his invention of this technique.And later the Betty Boop cartoons, starring the first animated sex symbol. with they're dark and etchy humor, and surreal gags, these cartoons i sometimes think were superior to the old black and white Mickey Mouse cartoons.And of course the Popeye cartoons. Which alot of times i think were funnier than both the old Mickey Mouse cartoons and Donald Duck cartoons. Atleast the ones made by the Fleischers were. I especially love Popeye's voice, it cracks me up.They also created the Color Classics series, which i will admit were far from the quality of the Silly Symphony cartoons, which they were made to compete with. I will still admit alot of these cartoons still have they're own charm, and kept with the fleischer tradition of showing a grimmer reality than that of they're Disney counterparts.They also made 2 very good animated feature films. The second animation studio to make feature films in fact. These were Gulliver's Travels, and Mr. Bug Goes to Town. Although i will admit these films were not as good as the ones Disney made. They still had alot of charm to them.And finally the Superman cartoons. The first action cartoons ever.And they made other cartoon series as well, but the ones i mentioned seems to be the most famous, and i'm not even going to get into them all, i mean i could go on about this forever, i just love this stuff.When Fleischer Studios closed down, Paramount replaced the studio with Famous Studios. Which would continue the Popeye and Superman cartoon series' and would make other cartoon series' as well.Anyways, Terror on the Midway wasn't the best Superman or Fleischer cartoon, but it was a decent cartoon to end the studio off with.

This is the ninth, and final, Superman cartoon made by Max and Dave Fleischer. While the rest of these initial series of animated shorts are virtually made by the same crew, the Fleischer brothers are nowhere near them since they would get ousted by Paramount due to financial and personal troubles between them. In this one, Lois and Clark are assigned to cover the circus which isn't one of their more exciting projects...until a gorilla is inadvertently let loose by a monkey and causes havoc to his surroundings. As always, Lois is the damsel in distress and it's up to Superman to rescue her...Quite exciting seeing all the animals reacting to the gorilla's presence and Superman struggling to keep the simian at bay though, as always, it all ends a bit too soon. Still, Terror on the Midway is well worth a look.

Terror on the Midway (1942) ** (out of 4) Ninth film in the Superman series has Lois and Clark going to the circus to write a story on it when a large gorilla breaks loose and starts causing damage. When Lois finds herself in trouble it's up to Superman to save the day. This is a pretty weak short in the series as Superman actually doesn't show up until the six-minute mark, which is even stranger when you consider the short doesn't even run nine-minutes. It's nice seeing him not having to battle some sort of mad scientist but instead just a large gorilla. It's also nice seeing him take a beating from the creature, which was another new touch to the series. With that said, that's pretty much all there is here because the rest is pretty dull. Not enough action to make the film worth viewing and as with the rest there isn't any comedy.

The band strikes up a march as playful kids wave pennants, Lois smiles and shifts her gaze lazily; clowns caper, elephants dance. It's a high moment of oblivion, humanity with its guard down. --The sort of scene Hitchcock laid out with such care, so that the mayhem, when it strikes suddenly, is fully felt. Outside, a tiny monkey playing with a bright metal ring starts at a shadow. Jumping away, he doesn't release the ring in time; this pulls the cord that it's attached to, which springs open the latch on a circus wagon. Brief transition, and we hear a low growl at the entrance of the main tent, over the music and sounds of the crowd. We track reactions in montage as every person freezes in place. Then, only after we have been allowed take in the ripeness of the delicious moment of growing terror, are we shown what has paralyzed everyone.The few minutes of this cartoon work exactly like prime early Hitchcock. It builds deliberately, lovingly toward a pivotal/revelatory brilliant set piece that is still exciting. Before every large budget film tried to encompass the destruction of planet earth and the end of space time within its plot thread, choice nuggets of time-- like the one in this simple little cartoon-- were what cinema was all about. You'd wait for a moment. The moment built slowly and deliberately. Everything wasn't yielded at once. The experience was cumulative, not all sensory avalanche from first shot to last. Ultimately, the overdone-gasm sort of film doesn't last. It is seen through; the novelty, which is all it has, exhausts itself after a few viewings. Claptrap-- even well-mounted, noisy, big, breathless claptrap-- is still only that.I see this great short as a wonderfully fresh, storyboard-like look at how feature films used to be put together. For that reason, I give it ten stars.