Wow! Such a good movie.

Disappointment for a huge fan!

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This is one of the scariest movies ever made. It is based on one the scariest horror books ever written. It has a great story line. It also has great acting. It also has great special effects. Doctor Frankenstein takes dead body parts from different dead bodies. He stitches the parts together. He brings it to life. Very scary. This is one of the scariest movies ever made. If you like really scary movies then you need to see this movie. Leon V.i.t.a.i.l The 1931 version of Frankenstein is a little scarier. But still this is a very scary movie. Per O.s.c.a.r.s.s.o.n was a great actor. He knew how to be scary. This movie wile make your skin claw. It might ever make you scream.

This made-for-TV version of the Frankenstein legend attempts with all good intention to be a thoroughly faithful version of Mary Shelley's novel. And that it certainly manages... but leaves character development, suspense and emotional depth somewhere by the wayside.Mindlessly translating the events of the book page-by-page to the screen, the film neglects to cover its characters in any emotional depth. Leon Vitali is a great bore as Victor Frankenstein (while unattractive enough that he may have been better cast in the role of the monster!), while the creature itself lacks all of its traditional sympathetic traits. The frightened, misguided and hurt creature of the novel and most movie adaptations is here just a banal, generic villain who isn't even that monstrous in appearance. As is sadly the case with even a lot of the better adaptations of the story, his alleged ugliness and deformity is so minor and subtle that it's hard to fathom how anyone could be scared of him based purely on his appearance. Here he resembles a lipstick-wearing rocker rather than any kind of monster... not only would he barely turn heads if placed on the street but he'd probably get all the goth and rock chicks swooning for him! Supporting cast members add nothing to the whole sorry affair either- Elizabeth, in her minimal number of scenes, is particularly annoying and you wonder why she keeps insisting on marrying Victor when they don't share a single intimate or affectionate moment throughout the whole movie and she's done nothing but complain about how he doesn't love her enough.As a previous reviewer mentioned, the bizarre lack of incidental music does not help the film in the slightest, the camera angles and directing style are unimaginative and create no suspense, and ultimately we end up just not caring what happens to any of these characters in the end. The only real moments of genuine entertainment along the way are a few unintentionally funny moments of bad acting.As it stands, this amateurish production is by far the weakest of all the numerous TV versions of the story, and is for completists only. For anyone wishing to see a good solid version of Mary Shelley's classic tale, skip this and go for the two far superior TV versions from 1973, namely the legendary "Frankenstein: The True Story" and the brilliantly acted Dan Curtis-directed version starring Bo Svenson.

This title suggests a very traditional Frankenstein film and Per Oscarsson's makeup is similar to Universal's defining appearance for the Frankenstein Monster that Make-up Wizard Jack Pierce created for Boris Karloff in 1931.Plus,Mr.Karloff gives the defining performance as the Frankenstein Monster in that film as well as it's sequels-The Bride Of Frankenstein(1935) and in his final performance as the Frankenstein Monster in The Son Of Frankenstein(1939). Every performer has since had to follow in those asphalt spreader's boots....which is almost an impossible task. However in 1977,Calvin Floyd decided to make this superb film with his wife Yvonne Floyd that is a Swedish-Irish production. Terror Of Frankenstein is the result and it is this writer's opinion that it's the best version of the very difficult Mary Shelley novel which was first known as The Fate Of Frankenstein Or The Modern Prometheus.This Classic novel was written in the early part of the 19th century. This is not Kenneth Brannagh's film(thankfully). Terror Of Frankenstein in it's own way is a disturbing adaption that while closely following a classic piece of literature,this filmmaker was able to find a way to tell a story about a man and his genius dooming himself,his family,his friend and his creation ...all because this man's genius wasn't farsighted enough to handle an enormous mistake...that mistake was the Frankenstein Monster.This film stars: Leon Vitali in an excellent performance as Victor Frankenstein, Per Oscarsson as Frankenstein's Monster, Stacy Dorning as Elizabeth Frankenstein and Nicholas Clay as a superbly cast and unique version of Henry Clerval.This Frankenstein is set in the 19th century as well ...and Victor Frankenstein follows the philosophy of alchemists.Soon after this film begins, Victor wants to study in Ingolstadt at a medical university where he can advance in his studies. Frankenstein rents his own rooms there and after studying life in closer detail,he decides to create life in a dead man who's made up of other parts of dead men.The creation scene is not a moment to equal the Universal or Hammer scenes of Frankenstein creating life from the dead...it's really a scene of surprise as this gigantic,patchwork man comes to life while Frankenstein realizes that his enormous man is not a man who's perfect in every bit of his being;HE'S AN 8 FT.TALL,BLACK-LIPPED,MOANING,MONSTER!(later in this film the audience is given a chance to look at the creation scene in greater depth and detail) Victor Frankenstein is terrified by his creation and passes out on his bed from fright. Frankenstein is later visited by Henry Clerval who takes his friend back to the Frankenstein family home.While Victor Frankenstein is recovering at his family home,his little brother William is murdered for no apparent reason. Later,Frankenstein is forced to meet with his Monster who's now verbally adept and begging his creator for a mate. Frankenstein relents and goes to a remote area of Scotland where he begins working on a mate for his Monster...but he stops when he realizes how this creation could create evil for mankind if the Monster and this mate were to give birth to an entire race of monsters! The Monster begs Frankenstein to continue but the creator cannot and will not continue.The Monster(with this new turn of events) warns Frankenstein,"I will be with you on your wedding night". Victor prepares to return to his home while the Monster murders Henry Clerval. Victor and Elizabeth's wedding ceremony is played not with a sense of joy but with a sense of doom as the scene is played from Victor's feelings and point of view as he and Elizabeth are walking toward the altar.The musical score and the way Victor keeps looking around the church allows the viewer to know he's not forgotten his Monster's warning while high pitched musical notes suggest a foreboding menace is all around them and can strike at anytime. On their wedding night,the Monster keeps his promise and murders Elizabeth by strangling her to death. Victor Frankenstein has to bury the last of his family and takes it upon himself to follow The Monster to the arctic. Finally Frankenstein comes upon a ship that's trapped in the ice.Frankenstein is now showing the effects of everything that he's been through.He's put on a bed in the Captain's quarters. That evening,the Monster comes aboard the ship and both creator and creation bitterly face each other but it's Victor Frankenstein who reaches out for his creation in a fit of rage screaming,"MONSTER!!"Frankenstein now dies and the Monster tells the ship's captain that he has nothing left to live for.This Frankenstein Monster leaves the ship and ventures off into the arctic never to be seen again. Per Oscarsson's Monster is an intelligent and cunning being whose brain works perfectly. This writer declares that this film is superb but not excellent. Even if the viewer watches this film only once...it is still worth the experience.Don't miss this Classic.

Though it's been a number of years since I've seen this movie, it still leaves an impression as the best and most faithful adaption of Mary Shelley's wonderful book. The two leads were very well cast. It's a shame no one else I know has seen it. This film is way better than Branagh's "rock and roll" version (even though DeNiro was great as the monster).