People are voting emotionally.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Great movie. Not sure what people expected but I found it highly entertaining.

Ditch Brodie (Sheen) is a radically awesome skydiver who you know is radical to the max because he works at a Jump Center. He is also the bad boy of said Jump Center. He's probably spilled more Mountain Dew than you've ever drank. When Ditchington Brodie III (which may or may not be a variation on his name that we made up) meets the alluring Chris Morrow (Kinski), he becomes embroiled in an intrigue that involves the KGB, missing gold, thugs, goons, murder, and all manner of danger and mayhem. The skydiving man must become "Detective Ditch" as he attempts to get to the bottom of it all. And there's only one way to stop the madness - more skydiving. In Ditch's world, skydiving is the solution to all problems, even on the world stage. So while James Gandolfini and Christopher McDonald are on his tail, Ditch pulls his ripcord into heroic legend. We should all be more like Ditch Brodie. The 90's "Terminal" trend hits the big screen just in time to capitalize on another 90's trend - for all things outrageous, "Xtreme", and radically awesome. Everyone was always talking about "feeling the rush", or some variation thereof. Even Nastassja Kinski says at one point, "Is it a rush?", referring of course to skydiving, because if it isn't - not interested. And who better to be our guide through the awesome world of rush-feeling than Charlie Sheen, Ditch Brodie himself? The thing about Charlie is he does have a lot of charisma and screen presence. He also has good comic timing and cool hair. A lot of these elements are important to carrying Terminal Velocity, because the plot is pretty weak. It's all about the aerial stunts, and we give a lot of credit to the stunt people who worked on this film. They clearly went above and beyond. Of course, this wasn't the only skydiving movie flying around at this time - there was also the same year's Drop Zone (1994), as well as the somewhat later Cutaway (2000). Terminal Velocity is bigger-budget Hollywood-stupid, but a lot better than anything Hollywood is putting out today. At least it's an original idea, not a remake, sequel, or superhero movie, which are the exclusive province of Hollywood these days. It's also a PG-13-rated middle-of-the-road Hollywood action thriller, enlivened by the cast and stunts. Of course, there are the requisite silly moments which make it worth watching. Director Sarafian, known to readers of this site as the director of Death Warrant (1990), backs off on the violence so he can turn in a movie readily accessible to a wider audience. Sure, there are some blow-ups, a couple of fights, and some gun-shooting, but nothing you wouldn't see on TV. What he does deliver are skydiving scenes a-plenty, many of which include squealin' guitar on the soundtrack because it was the 90's, it was extreme, blah blah blah. You get the picture. Many people in our age bracket remember going to the video store and renting Terminal Velocity on VHS, or at least remember seeing it in the store. In light of that, the movie served its purpose - being an entry-level action movie for younger viewers. It still works in that capacity today, but now it also has the added bonus of having some nostalgia value for those are of an age who remember it from back then. So, strictly speaking, this may not be an all-time classic, but it has a special place on our shelf.

The end of the Cold War in the late eighties and early nineties did not cause as many changes to the thriller genre as one might have imagined. Ever since the late forties had Hollywood got used to the idea of casting Russians as villains, and the habit proved hard to break. If the villains were no longer KGB agents they could now be Russian gangsters or political extremists. There were a number of films of this nature in the nineties ("Crimson Tide", "Air Force One", "The Peacemaker" and "Fair Game"), and the tendency has continued into the twenty-first century with the likes of "The Sum of All Fears", "Salt" and "Transsiberian". "Terminal Velocity", dating from 1994, is an early example of this phenomenon. Richard "Ditch" Brodie is a former elite gymnast turned skydiving instructor. Brodie's operation is already under investigation by the FAA because of his laissez-faire attitude to their regulations, and it seems that he is in serious trouble when Chris Morrow, one of his pupils, is killed during a dive. And then something unusual happens. Unusual, that is, by the standards of real life. Less unusual by the standards of the action thriller, in which the sudden return to life of a character whom both the hero and the audience believe to be dead is a familiar (indeed, over-familiar) plot twist.Chris (that's Chris as in Christine, not as in Christopher) turns up alive and well with a semi-plausible explanation for her supposed "death". (That shouldn't come as a surprise. Did anyone think the producers were going to cast Nastassja Kinski as their leading lady and then kill her off after only one scene?) Moreover, she also turns up with a new identity. It turns out that she is actually Krista Moldova, a former KGB spy who has been redundant since the fall of the Soviet Union. The rest of the film tells the story of how Ditch and Krista join forces to thwart a gang of her former KGB comrades, now members of the Russian Mafia, who are out to steal a cargo of gold. It appears that the gold is needed to finance a coup which will return the Communist Party to power in Moscow. (Despite her former allegiance, Krista regards such a prospect with horror). Cue the standard explosions, chase sequences, suspense sequences and a finale, cribbed straight from one of the Roger Moore Bond adventures, in which Charlie Sheen performs several completely impossible feats in as many minutes.I fell in love with the lovely Nastassja when I first saw her in "Tess", when she seemed like a breath of fresh air. Unfortunately, our love was not to last; Polanski's masterpiece was a tough act to follow and none of her later films, including this one, seemed to be in anything like the same class. It didn't help that the second film I saw her in was "Harem", which must by any standards count one as one of the worst movies of the eighties.The film may borrow from the Bond franchise, but it doesn't really bear comparison. Even at their worst, the Bond films had a lightness of touch which "Terminal Velocity" lacks. With her Slavic looks- she may officially hold a German passport but her family are of Polish descent- Nastassja might have made a decent Bond Girl, but there is little in the film to inspire her. The villains are a nondescript lot and if Sheen drew any inspiration from the Bond series it must have been from the wooden George Lazenby. "Terminal Velocity" is the sort of dull, derivative thriller that we have seen too many of over the last quarter of a century. 4/10

I can't say I'm too surprised that Terminal Velocity gets such a low IMDb overall rating and was a box office loss, making just $17 million dollars, $33 million short of its budget, but that's a bit misleading: it's not exactly bad, it's just that it isn't very good. It is something of a curio. It many different ways, not least the toe-curling 'macho' dialogue, it seems more like a refugee from a cheesy Seventies TV series than a Hollywood film. Why it was made I really couldn't guess. It would be entertaining enough if you have enough beer and chips handy and an evening to kill - and you're not to choosy - but don't bother going out of your way to see it. Win some, lose some, I suppose.

This was a generally fun film that is considered an action movie, and rightly so, but has its share of good comedy, too. Charlie Sheen showed he was well on his way to being successful playing comedic roles, as he's doing on television right now.Nastassja Kinski plays the typical new young macho-female role that introduced on screen in the past generation in which females beat up males. Give me a break! Anyway, I still liked her despite the characterization. James Gandolfini was the best of the villains, and also demonstrated how he was about ready to hit the big time, which he also has on TV with The Sopranos. Christopher McDonald was another villain in here but was stupid, not fun to watch. He was angry all the time and his bleached hair looked ludicrous.There are a couple of outrageous action scenes in this film, mostly notably when an automobile with Sheen and Kinski still in it is dropped from an airplane! Yes, to enjoy this film don't take any of it seriously! It's simply fast-paced entertainment. For that, it gets a good rating.