Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This is a gorgeous movie made by a gorgeous spirit.

I have to admit, this is a real favorite of mine in the graphic extreme bloody genre of semi-revenge thrillers. (is that even a genre?) Oh well, I saw this back in the day, and what I remember is the x-rating it got, and I don't believe it was ever edited to get any other rating. I watched it a 2nd time last night, and listened to the interesting commentary by director Roberta Findlay. She doesn't understand why it got an x-rating at all, but believe me, this was very strong stuff back in 1985. Basicially a gang of drugged out baddies get kicked out of their basement dwelling and arrested, and soon come back to kill everybody left in the tenement. This has some great stuff in it, some really zonked out homicidal gang members, and some residents that decide to put up a fight. And it is has some pretty decent production value, and the main goodies, extreme graphic violence and a high abundance of blood. This is a good eighties nasty, which deserves a place in your sleeze collection.

Tenement may clearly be a very cheap production, but this is excellently masked by the thoroughly mean exploitative style. The film is along the same lines as urban exploitation such as Assault on Precinct 13 and The Warriors and is similar in style to both also; although the film actually reminded me a lot of the Lamberto Bava trash classic "Demons", also released in 1985, as the main focal point of the film is on a disorganised group of people trapped in a claustrophobic building and facing off against a group of ravenous thugs. The central setting is a run down block of flats in a poor area of The Bronx. The flats come under attack from a violent street gang and naturally the residents call the cops and get them hauled off to the station. The gang doesn't take lightly to this, however, and after being released a short while later; they decide to take revenge by returning to the flats and trapping the residents inside. The gang hold the residents to ransom with brute force, but things take a turn for the unexpected when the locals turn the tables...Despite obviously being made on a budget, director Roberta Findlay clearly put aside enough of it to ensure that the film features plenty of gory kill scenes. The violence is not constant though it is gratuitous when featured and I'm sure that will delight anyone with a mind to see this film. The style of it verges on post apocalyptic and the costumes worn by the central gang reflect this. The block of flats at the centre of the film provides an excellent location for the film to take place and the director does a good job of enforcing the central situation on the audience and ensuring that the claustrophobia comes across as well as possible. The plot doesn't contain a lot of surprises and it's always obvious where it's going, so it's a good job that getting there is a lot of fun to watch. You can be sure that there's going to be another kill scene just around the corner and the film is pulled off with a pitch black sense of humour which bodes well with the unpleasant goings-on and atmosphere. Overall, this is a cheap and cheerful eighties gore-fest and I'm sure that it will please anyone lucky enough to track it down. Recommended.

A friend brought this DVD to my house after we got a kick of revisiting the unintentionally hilarious DEATH WISH 3. However, the goings on in TENEMENT aren't nearly as accidentally funny, as this is more of a straight-ahead gore film involving a violent gang of young junkies and losers who terrorize the people living in a slummy tenement building in the heart of the rapidly decaying South Bronx area of New York. They are arrested and taken to jail early on, but manage to get out quickly and return to the tenement for revenge by leaving the tenants no route of escape while these punks set out to kill them for their own kicks. As far as trash cinema goes, this one has its brief moments along the way. Directed by Roberta Findlay, who used to work with her late husband Michael on exploitation fodder from the '60s like the infamous "Flesh Trilogy", and who now is one of the few female porn directors, among other things. The title song by Kool Krew is delightfully stupid. *1/2 out of ****

If one were to crown Roberta Findlay's best film, I think TENEMENT would be it. A variation of "people trapped in the house" genre, TENEMENT takes place in a run down building, all in one day with Findlay keeping the tension going with on screen titles giving the time (and sometimes even the apartment levels). This helps as the gang ruthlessly tries to make its way up to the tenants.The gang is, as most gangs in films were during this time period, cinematic-ally goofy. It is a multi-ethnic gang dressed to the hilt in chains and leather. Findlay admits on the DVD audio commentary that during filming she encountered many real gangs in the Bronx and subsequently found out that her vision of gangs "wasn't very realistic." Regardless, the cast, comprised of mostly unknown but professional actors, is very convincing. Both Sam (Joe Lynn) and Chaco (Enrique Sandino), the leaders of the good guys and bad guys respectively, are given very strong portrayals by the actors. An interesting bit of trivia, TENEMENT marks the film debut of Paul Calderon, a recognizable character actor who went on to be in a wide range of stuff from PULP FICTION to LAW & ORDER.One of the multiple films in the mid-80s urban warfare genre, TENEMENT is perhaps the sleaziest of the bunch. Director Findlay goes for the throat in terms of the violence, featuring brutal rapes, stabbings, throat slicing, animal mayhem and castration. It created a cumulative effect so strong that the film was award an X rating by the MPAA (interestingly, so was the gang war epic DEATH WISH 3 at the time, but it was reversed on appeal).