Yawn. Poorly Filmed Snooze Fest.

Memorable, crazy movie

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Copyright 1956 by Loew's Inc. A Metro-Goldwyn-Mayer picture. New York opening at Loew's State: 3 April 1957. U.S. release: 29 March 1957. U.K. release: 13 May 1957. Australian release: 11 May 1957. Sydney opening at the St James. 10,269 feet. 114 minutes.SYNOPSIS: An American hotel magnate journeys to Rome to survey his new purchase.NOTES: Dean Martin's first film without his former partner, Jerry Lewis.COMMENT: A harmless, blandly innocuous little musical batted out by M-G-M's quickie director, Dick "Print It" Thorpe. The title may mean one thing to the innocent man-in-the-street. To the seasoned movie- goer, however, it signifies nothing more spicy than that Dean Martin owns a chain of luxury hotels. He's not a modern-day Casanova at all.Still, the film was lensed in Rome, and we do see all the sights in CinemaScope. Even a reprise of "Three Coins in the Fountain". For all that location filming, production values are very moderate. Lots of process screen work, for instance.Some of the songs are medium bright, but the staging is strictly minor. The best is Munshin's one number, "Money Is a Problem", which he shares with Dino virtually right at the end.Anna Maria looks absolutely smashing, but for all the efforts of the players, "Ten Thousand Bedrooms" tends to outstay its welcome. Trimming would definitely help. Lisa Gaye's songs — "We're Gonna Rock Around the Clock" by Max C. Freedman and Jimmy De Knight; and "No-One But You" by Jack Lawrence and Nicholas Brodszky — could go for a start. (And go they did. Reports suggest they're missing from the current TV print — not that anyone would be masochistic enough to watch this movie on TV — though they were definitely heard in the 117 first-release minutes). Martin and Alberghetti's "You I Love" and "Only Trust Your Heart" are strictly for rabid fans.I wasn't completely sold on Robert Bronner's lighting either. I thought it just a little too dark. Doubtless the lab has corrected present prints.Although it out-rated many far bigger theatrical hits when initially presented on American television — oddly it rated even more on its second network showing than on its first — "Ten Thousand Bedrooms" promises much but actually delivers precious little.

Marrying the wrong sister has become a basic theme in Hollywood films. No, this isn't "Green Dolphin Street," where the actual wrong marriage took place. Rather, this is a silly, pretentious film of a wealthy executive becoming enamored with the youngest daughter of Walter Slezak in Italy. Slezak steals every scene he is in along with Paul Henried, of all people, who turns in a gem of a performance as a Polish count-sculptor who loves the oldest daughter.Slezak is perplexed because he strongly believes in the old European custom that his children marry by who is the oldest, and so on and so forth.Dean immediately concocts a plan to marry his executives to the remaining three. He finally realizes at film's end that he is meant for the eldest daughter.The ending where all four girls march out of church married leaves a confused Slezak as he incorrectly pairs them with their beaus.

For those of us who admire Dean Martin, this is a rather famous film -- the one that almost sank his career after splitting with Jerry Lewis. It was a flop, and I agree it's just a "pretty good" movie. But as I watched it this time around I tried to figure out why it just didn't come together.I don't think it's the general plot -- a rich hotel mogul falls in love with an Italian girl...well, actually two Italian girls...sisters. And, their papa insists they be married in order of their age. I can see that, although some of the ins and outs of the story are a little...well...a bit of a waste. The story could have been told better.And, we've got a pretty good cast here, too -- Dino, Anna Maria Alberghetti, Eva Bartok, and Walter Slezak. And pretty good scenery, with significant parts of the movie filmed on location in Rome. A producer and director who both had any number of successes in film history. Dean's two primary songs -- "You, I Love" and "Only Trust Your Heart" are decent songs for the late 1950s, although his Capitol recordings of the songs are better than the soundtrack versions.I think in addition to some scenes that should have been deleted or completely rewritten, that the other sisters should have had their characters developed just a bit more, and without question, the pace of the film should have been picked up quite a bit.I disagree with a number of our reviewers who see this as a failed romantic COMEDY. I don't think it is a comedy...although perhaps that's what the public wanted to see Dean doing right after his decade with Jerry Lewis. Instead, this is a romantic musical film.It's worth watching, though admittedly it's a bit weak. But then again, so are lots of films. This one is "okay", and quite interesting (historically) for fans of Dean Martin.

This is Dean Martin's first film following his split with partner Jerry Lewis. MGM signed him for this romantic comedy. However, there is nothing funny here. Dean Martin was one of the funniest comedians of the 20th Century. His persona was that of a drunk, sex crazed ne'er-do-well who could not get through a song without either slipping up or telling a joke. Even when he was the low-keyed partner of manic Jerry Lewis, there was something silly about him. He can tell the oldest and cheapest jokes and charm the audience into laughing with him. None of this is seen in this film. This is just another example of how MGM had no idea what to do with comedians. Buster Keaton, the Marx Brothers, Red Skelton, Lucille Ball, Laurel and Hardy, Abbott and Costello, and Donald O'Connor were also poorly handled by MGM. Martin is in good company there! Dino plays the straight role of an airline pilot who romances Anna Maria Alberghetti and sings some very poor songs by Nicholas Brodzsky. If Dean's role would have been played by someone like Howard Keel or Vic Damone, maybe I would not be complaining so much about the lack of comedy. But even reliable character actors like Walter Slezak and Jules Munshin are wasted in this bore. Thank goodness Martin was given the chance to play a showy role in "The Young Lions". Another film like this and Dino's movie career would have been over.