Thanks for the memories!

Overrated

Good movie but grossly overrated

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Now, Margret Pomenez, one of SBS's movie critics, says that this movie has an unforgettable sex scene. This is a shame because I was expecting something incredibly erotic, and what I got was a monk literally screwing a woman simply because he had not had sex in a long time. What it was was him falling to temptation rather than the beautiful act that occurs between two people in love. I guess that this is the whole point of the movie, and it was at its climax, but there was much more to this movie than a monk succumbing to his lust.Temptation of a Monk is set in 1626 in the Tang Dynasty and is focused on General Shi. He witnesses his emperor overthrown by his brother but is forbidden to seek revenge, so he flees to a monastery with some devoted followers to hide from his enemies. Unfortunately his enemies seem to always find him. The first monastery that he goes to is farcical as his followers, even though they become monks, behave in a very unmonklike manner, while Shi cannot handle being commanded by a boy. After he witnesses the princess and his lover murdered by his enemies, he flees to another monastery high in the mountains were he is cut off from all that is the real world. It is not until a woman who is dying comes to the monastery, and after her life is saved, she decides to stay. Only after Shi succumbs to his lust does he realise that she is in fact his enemy and has led the emperor's soldiers to the monastery.What impressed me about this movie was the beautiful cinematography. The story is hard to follow, and the fact that subtitles are there, the following movie is even harder. Despite that it is a beautifully made movie in which the costumes are beautifully constructed and the scenes marvellously put together. Unlike Pomenaz, I will not praise the sex scene, but rather praise the story of a man trying to flee from his enemies while taking up a lifestyle of abstention, which he is not used to. It is the psychology of Shi that makes this movie great, not the sex that he has with a woman at the end.

Throughout, I felt that this movie had the sensibility of a comic book, but a comic book of genius. The visuals were ceaselessly stunning, every single scene change led to another beautiful surprise; both dramatically and with what we were allowed to gorge our eyes (and sometimes ears) on. Rather than call it "directing", or "photography," or "set design," I want to say that the artwork was breathtaking.What are movies but comic books with the added dimensions of movement and sound? Both largely tell their stories with visuals, and dialog or narration. Too often I am a stickler for believability in movies but I could not help cutting this movie a lot of slack. "Yes, that is just how a comic book might treat the story but with nowhere near the impact," I found myself thinking throughout...

Although good in design and in content, Clara Law somehow fails to invoke emotion or response from her audience due to lack of character depth.The topics of betrayal and loyalty are confronted here, but neither are deeply explored by Law, who instead opts for visual grandeur in bloody battles and breathtaking backdrops. Andrew Lesnie's cinematography is an outstanding feast of colour and movement, with stunning scenery thrown in for good measure.Wu Hsin-kuo does convince us of the struggle within to forgive an free himself of his past, and his performance goes some way to lending the film focus and strength. In worthy support is Joan Chen, who makes the most of her rather meaningless character. More enjoyable is Michael Lee as an hundred year old abbot whose wit serves him well.Alas any true depth or searching, meaningful dialogue in Eddie Fong Ling-Ching an Lilian Lee's screenplay (based upon Lee's novella) is lost in Clara Law's all too grand approach which is visually stimulating yet intellectually void.Monday, April 28, 1997 - Hoyts Croydon

Though a little slow at times, Clara Law's Temptation of a Monk is a beautiful and well-acted epic, at times achieving a Kurosawa-esque level of stunning imagery and battle scenes. Joan Chen has two roles, one as a vibrant princess the other as a mysterious assassin. She is very good in both roles. This film is not perfect. The story ultimately doesn't go anywhere, for one. I must recommend it on the basis of its sheer beauty, however. And one battle scene in particular is terrifyingly beautiful. For fans of Kurosawa this is worth seeing. Others might grow restless, though.