Self-important, over-dramatic, uninspired.

Lack of good storyline.

Brilliant and touching

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The staple of war movies is the Basic Training Movie, where raw recruits are transformed from peace loving civilians into competent and capable fighting men. Thorne Ryan (Richard Widmark) and subordinate LaVerne Holt (Karl Malden) have returned from combat duty in Korea to Fort Bliss, Texas where they are assigned Drill Sargent duty. Ryan loathes his seemingly thankless task of running the recruits through uniform issue, close order drill, and rifle cleaning, preferring instead to fight communists in Korea. Ryan starts his recruits off with the proclamation, "You will never make it!" Laverne seems more content in his job and is happy to be in his station. The two then proceed to train the cross section of city boys, country boys, educated boys, goof-balls, idiots and klutzes into fighting machines.Two subplots emerge; first the meeting of Julie Mollison (Elaine Stewart), the ex-wife of a combat casualty, who it is suggested to somehow have brought about the soldier's death by her desertion of their marriage after he deployed. Ryan and Holt, nevertheless, compete for her affections. Ryan holds her with disdain at the outset, but is soon overcome by her seeming helplessness. Holt does not care to judge her at all. He accepts her as she is. Julie seems to only to like the soldier with the highest rank.The other weaker subplot involves the rivalry between Sargents, pitting Ryan against a Master Sargent who outranks him but does not have the hallowed Infantry Badge (a symbol of combat experience). There are the requisite fights and male posturing typical in military situations. The young recruits suffer exhaustion, panic, and rage at their Drill Instructors as they master the craft of soldiering. The location of the border town of El Paso provides an interesting twist in the off duty experiences of the recruits where they somehow find the only Anglo woman in the bars of Juarez while the Mexican women populate the background shots with barely any attention at all.One of the stars of the movie is the desert background of El Paso, Texas where location filming took place. The end of the movie is somewhat predictable and comes off as a recruiting tool for the U.S. Army, but as war buddy movies go this one has sufficient tension to keep most viewers entertained.

In reviewing this film I can only go by my experiences as a weekend warrior doing my basic training in July, August, and September of 1971 in that garden spot of the earth, Fort Polk, Louisiana. Take the High Ground was not anything like I remember basic training.But one has to remember at the time this was post Korea which ended in a stalemate, but it was a conventional war as we knew them. It was not Vietnam, a jungle guerrilla war where we kept pouring draftees into an endless pit. The draft at that time was an unwelcome, but accepted as still necessary for the country's defense.Richard Widmark is a veteran of Korea now assigned state side to train the troops to go overseas. The film is about one of his training cycles and the men of the platoon he has to train. They're the usual kind you would find in just about any war film from the previous decade. One thing I will praise Take The High Ground for is the fact that MGM recognized our army was now an integrated one with the presence of William Hazard as a black recruit in the platoon. It was in keeping with the spirit of the times which were a changing.But I will say that a recruit like Russ Tamblyn would have been cured of his smart mouth from day one. Richard Widmark would have not risked death or becoming a eunuch in order to give Jerome Courtland confidence with a weapon. And no way would have he worried so much about Robert Arthur deserting. He's have just let the MPs deal with him.Of course being shot in and around Fort Bliss and El Paso, Texas did give Take the High Ground good authenticity. But view it as an army recruiting film and you can certainly understand why the government so eagerly gave cooperation back in the day.I do remember the drill sergeants having their little conflicts which you could pick up on when you weren't worried about them getting on your case for something which was 95% of the time. But there ain't no way that Karl Malden would have slugged Widmark out in the open during training in front of several witnesses among the recruits. Both would have realized that would have undermined authority, something the military just doesn't let happen.I wish I could have said something better about Take The High Ground because I certainly like its talented cast, it's talented director Richard Brooks, even the silly theme by Dimitri Tiomkin and Ned Washington, fresh from their Oscar a year before for High Noon. The film actually got an Oscar nomination for Best Screenplay and story by Millard Kaufman. It must have been for Kaufman's vivid imagination.

(No spoilers in this first paragraph.) The movie opens with a scene depicting a 1951 battle in Korea, Sgt. Thorne (Richard Widmark) is leading his men to take a high ridge held by enemy machine guns, when one of his men was shot and killed while stopping for a drink of water. They took the ridge after Thorne threw a grenade. Cut to 1953, training new Army recruits at Ft. Bliss near El Paso, Texas. Thorne's attitude is no matter how hard basic training is, war is even harder. The whole movie is about his desire to whip ragtag men into a strong, disciplined fighting group so that they will not be killed. A love interest is thrown in, Julie played by Elain Stewart, but the training of recruits is the thrust of this movie. Karl Malden also stars as the other Sergeant, Holt, subordinate to Thorne. Russ Tamblyn was featured as one of the recruits.Some spoilers follow in my miscellaneous observations.Much shown during basic training. Men are in chaos. Focus on Tamblyn who seems especially deficient but interesting. Training gets progressively harder, each recruit needs special attention. Rifle training by shooting through Widmark's wide spread legs, Tamblyn does his signature backflip on obstacle course, tear gas test for gas mask, horseplay in the barracks.On shooting range, Tamblyn is told he missed, "Missed? Must have gone through the same hole!" Night out, cross border to Mexico. Pretty girl (Julie) at bar with three recruits. Later Widmark suggests guys get back to base, getting late, she joins Malden and Widmark who take an interest, she mostly drunk, "property of US Army", they take her home, she passes out, put on couch, covered, they leave. Turns out she had left her Army husband who then was killed.Widmark's hard-ass style pits him against Malden, they scuffle."Darling, you can't try to have fun, you either have it or you don't" (Widmark to Julie)End of training, parade grounds, platoon has been transformed, precision unit, march in front of new recruits in disarray, "You poor miserable people will never make it!", as trained platoon boards the train. The cycle will repeat.

The 1957 Jack Webb classic, "The D.I." bears a close relationship to "Take the High Ground," from its general theme to the presence of an inept recruit, to the main character's romance with a young woman who lives close to the base.In the Jack Webb (Marine) version, Gunnery Sergeant Jim Moore (Webb) takes on a platoon with the usual selection of raw recruits, but one who is particularly troublesome. In the Richard Widmark (Army) version, the same thing happens, with a troublesome and troubled recruit. In both versions, the recruit makes an attempt to go over the wall, and in both versions, the tough but compassionate training sergeant stops the escape and molds the recruit into shape.In both versions, the love interest is a woman who has been emotionally scarred by a former romance with a serviceman who had been killed in combat.In both versions, there is a fellow training sergeant that frustrates and annoys the main character into a showdown fistfight.At the end of both movies, the cast is reprised, with their names. The only difference is that in the MGM version (Take the High Ground), the entire platoon are actors. In the Mark VII version (The D.I.), the platoon was played by real Marines. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~' For those unfamiliar with military lingo, "boot camp" is generally used to refer to Navy recruit training (or Marine training), whereas the Army uses the term "Basic Training." In a similar vein, the Navy refers to combat simulation encampments as "maneuvers," whereas the Army uses the term "bivouac."Both movies are excellent films.